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1 year ago

So, I know we all remember that ICONIC scene of Queen Charlotte talking to her children in 1x01 (I think), well, my school nurse had to give a sex assembly to the grade 11s and the way she started it off was saying; "alright, I would like to start with a little exercise, virgins to the right of my, everyone else to the left of me." everyone burst out laughing.


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2 years ago

Also, I don’t want Marina’s death to be at the beginning of the Philoise season, I don’t want it to be framed as a selfish woman leaving behind a husband and twin children, I don’t want her death to be the “freedom” for Phillip to get to be happy, I don’t want her death to be character development for Phillip to pay attention to his kids or some other bullshit.

What I want is for Marina to go happily. What I want is Marina to say goodbye to her children and make them promise to be good. What I want is Phillip to mourn Marina, not as his wife, but as a companion, the love of his brother’s life, and the mother of his adopted children. What I want is Phillip to take his time in finding Eloise, to find love, but still visit Marina’s grave once a month and tell her children all about their mum and their dad and how much their parents loved them and he loves them. 

I am a simple person, I want Shondaland and Netflix to handle a woman’s suicide in a gentle way and not as a plot device or disgrace Marina, I want Marina to find peace. Marina deserves to go how she wants to go.

I’m sorry, but if at the end of Bridgerton S3 doesn’t have Pen and Colin hosting a masquerade ball and Benedict dancing with a woman in silver and her running away at the end of the episode and her butler/maid friend asks her; “Everything alright, Miss Beckett?” and then the episode cuts to black. I. Will. Riot.


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2 years ago
YES!!!!!!!! That Would Be Perfect!

YES!!!!!!!! That would be perfect!

I’m sorry, but if at the end of Bridgerton S3 doesn’t have Pen and Colin hosting a masquerade ball and Benedict dancing with a woman in silver and her running away at the end of the episode and her butler/maid friend asks her; “Everything alright, Miss Beckett?” and then the episode cuts to black. I. Will. Riot.


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My year of saying yes to everything
Shonda Rhimes, the titan behind Grey's Anatomy, Scandal and How to Get Away With Murder, is responsible for some 70 hours of television per season, and she loves to work. "When I am hard at work, when I am deep in it, there is no other feeling," she says. She has a name for this feeling: The hum. The hum is a drug, the hum is music, the hum is God's whisper in her ear. But what happens when it stops? Is she anything besides the hum? In this moving talk, join Rhimes on a journey through her "year of yes" and find out how she got her hum back.

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