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Lesbian History - Blog Posts

1 year ago

A good video that accurately explains why stud is a term used for black lesbians only, not white, not poc, BLACK

I’m not even going to say please. Respect black identities and labels, they are ours for a reason.


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3 months ago
Dykes At 1997 NYC Pride. Flickr

dykes at 1997 NYC pride. flickr


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2 months ago

a list of (some of) the things we owe to lesbians

the stonewall uprising (x)

pride marches (x)

homosexuality being removed from the dsm (x)

paving the way for the legalization of cross dressing/influencing gnc women’s fashion (x) (x) (x)

aids organizing and care (x) (x) (x)

fighting to include black women and lesbians into feminism/women’s rights movements (x) (x) (x)

black history month in the uk (x)

legalization of gay marriage in the usa (x) (x)

physically protecting the community (from storme delarverie who patrolled gay neighbourhoods to the butches protecting drag story time)


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4 years ago
Edie & Thea: A Very Long Engagement Dir. Susan Muska And Gréta Ólafsdottir (2009)
Edie & Thea: A Very Long Engagement Dir. Susan Muska And Gréta Ólafsdottir (2009)
Edie & Thea: A Very Long Engagement Dir. Susan Muska And Gréta Ólafsdottir (2009)
Edie & Thea: A Very Long Engagement Dir. Susan Muska And Gréta Ólafsdottir (2009)
Edie & Thea: A Very Long Engagement Dir. Susan Muska And Gréta Ólafsdottir (2009)
Edie & Thea: A Very Long Engagement Dir. Susan Muska And Gréta Ólafsdottir (2009)
Edie & Thea: A Very Long Engagement Dir. Susan Muska And Gréta Ólafsdottir (2009)
Edie & Thea: A Very Long Engagement Dir. Susan Muska And Gréta Ólafsdottir (2009)
Edie & Thea: A Very Long Engagement Dir. Susan Muska And Gréta Ólafsdottir (2009)

Edie & Thea: A Very Long Engagement dir. Susan Muska and Gréta Ólafsdottir (2009)


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1 month ago
"We Do Not Have The Responsibility Of Making Gay Life Look Good To Straights So That They Will Accept

"We do not have the responsibility of making gay life look good to straights so that they will accept us. I am not at all interested in promoting a cleaned up image to a straight world which is twice as corrupt and ten times as sick."

Vito Russo

Photography by Betty Lane, 1978


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1 month ago

Okay, so I try hard to cover global queer history, and this isn't marking a stop to that, but I am aware that most of my audience is American, and I want to address them very directly right now.

Google Removed Pride Month From Its Calendar App, and Stonewall National Monument's "LGBTQ" status was changed to "LGB" on the government website. This is the beginning of the erasure of queer history, not the end. I don't know what the future of the United States looks like, as someone who studies queer history and has done so for many years, I want to share some tools with you.

Now is a good time to prioritize local queer history, Making Gay History is a great project, so is the Digital Transgender Archive, but also check your city and see what resources there are.

Read and buy books about queer history. I have an affiliate list with some of the books I personally recommend.

If you use Google Calendar, repopulate that resource with so much queer history with a free queer history calendar plug-in, it has names from queer history that you can also learn more about for free when they come up. As the author of these articles, feel free to save them, print them off, whatever makes them freely accessible as suppression get's worse.

Use your local library. Email the board about book bans, request banned books, request queer books, and make your voice heard.

Make queer art. Share queer art. Protect queer art. Here is some public-domain queer art to use as you wish.

Keep up with queer news, THEM is a great resource.

All of these tools are currently freely accessible with an internet connection. Queer history is a community responsibility, do your part.


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4 months ago
The photograph depicts a vibrant outdoor scene, likely a protest or demonstration, filled with a large crowd of people. The central focus is a light blue banner held aloft by several individuals.  The banner boldly proclaims, "LESBIANS AGAINST THE N***S & K**N" in large, dark lettering. The women holding the banner and surrounding participants have a mix of hairstyles and clothing styles typical of the 1970s. Their attire ranges from jeans and t-shirts to more fitted tops and shorts. Many wear knee-high socks. One woman in the center is wearing a black short-sleeved shirt and denim shorts. Others wear loose-fitting tops, jeans and skirts. The overall style reflects a casual, yet determined, attitude. Several participants appear to be wearing brightly colored shirts or shirts with patterns. The crowd is densely packed, and the faces of many individuals are clearly visible, expressing a mix of seriousness and determination. The atmosphere feels energized and politically charged, reflecting the seriousness of the protest. The mood is one of defiance and solidarity. In the background, a large billboard is partially visible. It features a black and white image of a man wearing a cowboy hat, with text that seems to advertise something. The urban setting suggests a city street scene, with buildings in the background. The area appears well-lit, indicating that the photograph was taken during daylight hours. Trees are also visible in the upper-left part of the image, suggesting it is a warm-weather day. Overall, the image is a powerful snapshot of a political event, capturing the energy and message of a lesbian protest against hate groups. This photograph's message centers strongly on the power of protest, solidarity and counter-protest to hateful groups and ideologies.

New York City, 1970s


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