Good Omens Analysis - Blog Posts

Thoughts on Aziraphale

Spoilers below:

I think its such a big step for Aziraphale to admit out loud that Gabriel (who enforced Heaven’s will) used be awful.

The reason he’s so flirty after the church scene is because he realized he’s in love with Crowley. But once Crowley leaves, and he has time to think over everything…he gets scared.

On Crowley in the Book of Job

Season 2 Spoilers below:

I just…I’m having a hard time with Crowley tempting Aziraphale to eat.

Like, we just established that Crowley is not capable of true evil.

And he and Aziraphale clearly know each other enough to have a dynamic. Aziraphale clearly knows Crowley enough to have faith in his fundamental hidden goodness. And despite all of his pretense, that faith means something to Crowley.

So…why tempt Aziraphale? It feels so…uncharacteristically sinister.

Is he trying to get Aziraphale to fall too? But why? Some part of him obviously likes Aziraphale.

Maybe he’s trying to prove a point? But what is he going to do if Aziraphale falls over this? How will he carry that for eternity?

Maybe he knows Aziraphale won’t fall, and that’s the point? But how would he know that?

What’s the point?

On Gabriel:

Spoilers below…

Oh, I see. Gabriel doesn’t care about Earth. (I never thought he did, but I just figured it out).

He didn’t just leave because he knew Heaven would drag him back.

He was trying to get himself cast to Hell to be with Beelzebub.

Which is sweet, but so…so selfish. Literally the opposite of what Aziraphale wants, who is selfless to the point of ruining the only thing in his existence that matters.

On Crowley’s Misunderstanding

Good Omens Season 2 Spoilers Below:

In episode 2 when Crowley asks Nina about Maggie she says, “Not a thing. Definitely. We’re just friends. Actually we barely know each other.”

This is verbatim what Aziraphale used to say about Crowley. And Crowley, who misinterprets the understanding between himself and the angel, says “Got it.”

He doesn’t get it. Yeah, it’s an excuse but it doesn’t mean “this is the person I’m deeply in love with, I just can’t say it”. It means, “We have some kind of deep connection but we haven’t worked it out yet”.

And Crowley just doesn’t seem to get that heaven is still a big part of Aziraphale.

He rejects Aziraphale too. Aziraphale asks him to go to Heaven with him and Crowley says no. And we the audience understand why, but Aziraphale doesn’t.

They’ve clearly never talked about any of this before.

Plus, throughout the entire season, he doesn’t seem to consistently know where Aziraphale’s loyalties are.

He says “the existence I have carved out for myself.”

Aziraphale is the one to say “I thought we carved it out for ourselves”.

Crowley straight up says that Aziraphale only calls when he’s bored, when he needs to gush about his good deeds, or if he needs something.

After meeting Muriel, Crowley says, “I don’t know how your lot have stayed in charge all this time.”

My point is dolphins that they need to communicate!!! Both of them are at fault for what happened, and yet how could they possibly know any better?

On the Nina and Maggie Parallels

Good Omens Season 2 Spoilers Below:

I love Nina and Maggie, and love everything they say in their final scene. But they got one thing wrong.

Yes Aziraphale does believe in magic. That he can fix a system beyond repair. But he’s nothing like Maggie aside from aesthetic. He does not show his emotions, not really. Not when it counts. Maggie tackles emotional issues head on while Aziraphale is the literal embodiment of repression.

Crowley isn’t an exact parallel to Nina, because he’s never actually opened himself up. Despite all of the atrocities he’s seen, he’s still got a bit of hope and optimism.

For all of his hard edges, Crowley believes in magic too. He believes in love confessions in the rain, in looking into someone’s eyes and knowing it’s meant to be. That “one good kiss” means happily ever after.

On the Ineffable Bureaucracy Parallels

Good Omens Season Two Spoilers Below:

It’s easier for Beelzebub and Gabriel to run off together because they were the abusers.

Aziraphale and Crowley lived in constant danger for simply interacting, let alone if they had an actual relationship.

Gabriel and Beelzebub were also the ones in power and weren’t really facing the threat any kind of punishment.

I think their relationship is very sweet, but ultimately, it is nothing compared to the beauty and complexity of Aziraphale and Crowley.

I think Neil used a crackship to make a point. He could’ve given Aziraphale and Crowley a fluffy angst-free get together like Beelzebub and Gabriel do.

But how is that meaningful? (Obviously, part of me says “screw meaningful and let them be happy”)

How is that fateful to these characters?

That’s not who these characters are, at least not yet. Aziraphale in particular has personal growth to do before being with Crowley, he still has learning to do.

He’s finally allowed himself to accept loving Crowley, but wants to take the path of least resistance to be together. One where they aren’t actively hated by two very powerful agencies.

There’s a road to the South Downs, they’re just taking the long way.

On Wording in the Final Scene

Good Omens Season 2 Spoilers:

I’m doing a rewatch, but it has taken all day to watch the season. I keep pausing because I know what’s coming.

But now The Scene is here and…I discovered something that made it so much worse.

Aziraphale says, “Obviously you said no to Hell, you’re the bad guys.”

He doesn’t say “they” he says “you”.

We know that Aziraphale doesn’t see Crowley as a demon not really. Crowley knows what he is, but Aziraphale sees him as a Fallen Angel. It probably doesn’t help that Crowley also often minimizes his own Fall (like telling Aziraphale that he sauntered vaguely downwards). It probably confuses Aziraphale even more. He can’t reconcile that Crowley is a demon who is nice.

And I don’t think Aziraphale wants to “fix” Crowley. I think he sees Crowley’s Fall as a mistake, and that Crowley deserves to be an angel (because he still thinks angels are good).

And it makes sense for Aziraphale to think this way. He just witnessed Gabriel’s redemption. Gabriel who tried to brutally murder him, and callously dismissed human life.

And yeah, Beelzebub is a demon falling in love, but Aziraphale probably explains this as “Beelzebub is another Fallen Angel (rather than demon)”.

Which could perhaps mean that his view of evil is a little more complicated than anyone, himself included, give him credit for. He thinks demons are evil, but not beyond redemption.

But in the moment, Crowley doesn’t think about any of that. He just hears Aziraphale call him “a bad guy”. After everything. In the moment when it matters most, Aziraphale lumps him in the evil category.

And both my heart and Crowley’s shatter a little bit more.

On Aziraphale and Crowley in the Final Scene

Season Two Spoilers Below

Alright, I’m gonna go on the defensive for Aziraphale.

Crowley is 100% justified to feel the way he does. He put himself in a vulnerable position, and was rejected. He wanted to be Aziraphale’s first choice for once, and yet again was denied it. More than that, Aziraphale wanted him to change (even though I think Aziraphale thinks he’s saving Crowley) so that they could be together.

But I don’t think Crowley realizes just how deep a hold Heaven has on Aziraphale. He knows and straight up says that both sides are toxic, but he doesn’t seem to get how hard it can be to leave a toxic relationship. I also don’t think he understands how Aziraphale’s faith in the righteousness of God is a part of his character.

Plus, Aziraphale finally feels validated in the eyes of Heaven, something he’s always wanted.

I cried so hard when Aziraphale got into that elevator because I was thinking of all the times I stayed with a toxic friend group, or with my abusive ex.

It hurts so badly to watch a character I love make a mistake that I’ve made.

Aziraphale’s Possible Reasoning in the Final Scene

Season 2 Spoilers Below!

Okay, unpopular opinion, but I kind of understand why Aziraphale may think Crowley would want to be an angel again, if we put aside the queer allegory of conformity for a moment.

Aziraphale probably remembers the first time he met Crowley (then Rafael) when Crowley was building the stars. Crowley had such a look of genuine joy and wonder on his face.

Aziraphale thinks he is being kind. Obviously, yes he still wants to fix Heaven, which is a futile pipe dream.

But, Aziraphale wants to give Crowley the stars again, and he thinks bringing him back to heaven is the only way to do that.

Aziraphale wants to save Crowley from an existence of eternal damnation. To forever protect Crowley from Hell which he sees as the only source of evil and torture. He still has his blinders on and doesn’t realize this about Heaven.

He just doesn’t realize that Crowley doesn’t need the stars and he doesn’t need saving.

At least that’s what I’m telling myself to cope.

So, I’m rewatching Season 1 of Good Omens because we are hours away from Season 2. (I’m very normal about this obviously).

Anyway, I noticed a line that I had never really thought about.

And I finally realized just how hopeful this series is. It’s something I so desperately needed so enjoy…

After Warlock’s birthday when Aziraphale and Crowley are in the car, Crowley mentions that “it’s the last [party] they’ll ever have”.

So…he doesn’t think this plan is going to work. He thinks the world is going to end, The whole “influence the antichrist” plan is his idea, but he doesn’t think it will work.

The funny explanation is that he is convinced after seeing Warlock’s behavior (which included bullying Aziraphale. How dare), he comes to the conclusion that Warlock (who he still believes is the antichrist at this point) is pure evil.

However, Crowley has been visibly less optimistic about their chances (as seen on the bus) for awhile.

Even after Dog is named he bleakly states “we’re doomed.” Yes, he could mean himself and Aziraphale, but his back-up plan is to run away together. I like to think he’s including the two of them along with the humans. Earth is their home as much as it is the humans.

But despite everything, he still tries. He still does his best to save the Earth.

Yeah, he doesn’t want to lose his easy life on Earth where he doesn’t need to work hard and he can drink and drive and listen to music and see Aziraphale relatively unnoticed.

But deep down, despite all of the bad he sees humanity commit, he still thinks that they are worth saving.

When he’s in his apartment, yelling at God, he expresses that She “shouldn’t test them (humanity) to destruction. Not to the end of the world.”

A demon from Hell who has seen the worst of humanity for 6000 years still thinks we’re worth saving. Because he’s also seen the good. And for him, that’s enough.

And that’s honestly so beautiful.

Aziraphale understands suffering only as an opportunity to show how "good" you are. He doesn't understand the suffering itself because he has not experienced it. Even though he's been on Earth for thousands of years, he has never had the displeasure of actually going through the negatives of the human experience. Angels don't age and die. Angels don't need money or shelter or food. In his mind, the worst things angels face are strongly worded letters. Smacks on the wrist because, of course, their whole being is good, but everyone makes little, harmless mistakes sometimes.

He has spent his time among the humans appreciating the positive aspects of life- the fine food and drink, the art, the creation and beauty and COMFORT. He has witnessed human suffering- but he only absorbs the after effects when they're in line with his beliefs. The coming together, rising above, the triumph! They got through in the end, they proved how GOOD they are! These poverty stricken people, slaves and serfs, can rise above the system and succeed if only they are good enough. I don't think he thinks too deeply on why the people that don't get dealt good cards still have to suffer. It probably never even actually crossed his mind beyond- "Well, that is the Great Plan." And I think to him that means, the good are rewarded and the angels are the goodest of all, so we get to live in Heaven and show the right path to the pitiful humans who have to choose between Good and Evil. Except sometimes he has to face the moral grays that suffering implies, like with Elbeth in the graveyard episode. When her only friend in the whole world dies, I think Aziraphale might've secretly had a moment of

"Ah, well, there is your punishment for doing wrong."

Because he just doesn't get it. He's carrying around enough money to buy a farm. He's not human- he doesn't feel angry emptiness eating away at his guts. Every occupation is just a way of whittling away your time to him. Money is an afterthought. Money is for the idolation of material things that he tries to ignore in himself. "Why don't you start a bookshop? Farm?" He had to think of things other people do for money, and he wasn't thinking of what she'd be able to do. "Sew?"

When Maggie can't pay the rent, of course it's no problem. Why would it be a problem- he likes Maggie, Maggie is good. She loves that shop and she's sharing the music he loves with the world (and him). Benevolent- if a human was doing it. Selfish, really, of an angel. He's had thousands of years to collect money and treasures (that he doesn't even need) to rise in status. But he doesn't see it that way. He gets to live unfretted and collect and cherish for thousands of years because he is fundamentally better than the humans. But he wouldn't say that. Maybe not even think it. He just knows it in the back of his mind without having to put words to the thought. And at the same time, he feels guilty. But not for anything I've mentioned. He knows he is indulgent and in love with all the sinful pleasures of humanity. He knows he's in love with Crowley. But it is only because of the temptation of a demon. It's not his fault. On the other hand, it's not Crowley's fault that it's in his nature to tempt- that he's Evil. That is the extent he understands moral grays. So it's no one's fault, and there's no need to dwell on it. And all of this twisted up nonsense is why Crowley is so good for him. He keeps on trying to show him the other side. First the pleasures, then the pains. Crowley loves humanity too, but he has a better understanding of its depth that came from his questioning nature and his fall. He wants Aziraphale to understand and accept the whole of humanity- the whole of him. Which is what makes their romantic relationship so heartbreaking. Because Aziraphale just doesn't get it.

Wing Theory (not really im just thinking out loud)

Not having seen Aziraphale's wings since the end of season 1(chronologically speaking) has been haunting me. What would they look like after the appearance swap? After leaving heaven altogether?

Would they be black? Rejecting heaven and his angelic status resulting in his own choice to fall?

Would they still be white? A strong moral sense, a surety in what he's doing as the right thing keeping him from falling entirely(or just being God's specialest boy)?

Would they be gray? Not fallen per se, but still a bit on the fence? Caught between two worlds?Accepting that sometimes there are 'shades of gray?' (I think Crowley's would also be gray in such an instance maybe, which reminds me, im obsessed with what his wings might look like rn too.)

Do they even have wings anymore? Probably but I'm considering every damn possibility.

It's been making me wonder what's truly considered "fallen." I have more thoughts on the nature of falling itself but perhaps I'll save it for later.

Tell me your thoughts, I love wings!

Y'know this has actually been bugging me for a while now. Because in the Bible, the antichrist, the four horsemen, the Second Coming, it's all part of the same apocalypse. Maybe they didn't really stop Armageddon so much as delay it or slow it down a bit.

Watching Good Omens while working on Lilith's dress (nap time! Yay!) and something jumped out at me;

Aziraphale: Is there some other way of locating him?

Crowley: How the Heaven should I know? Armageddon only happens once, you know.

Except, that's not true. Now we're dealing with the Second Coming.

Strings tangled up in strings and I'm not sure exactly what they mean, but it is interesting.

The Two Crow Roads and Second Death

Neil Gaiman “Google can bring you back 100,000 answers, a librarian can bring you back the right one.” They also look at you funny when you request 2 copies of the same book through the inter-library loan. Even funnier looks when you insist on a hardback and paperback copy.

My quest inspired by @crowleysbookshop for the differences between versions of The Crow Road ended with: 1) two different publishers (Scribner vs. Abacus) and 2) different cover work artists. So not allot. If there is a difference, I missed it.

But there's double-meaning of Crow Road.

Crow Road is a street in Glasgow.

Crow Road is also a metaphor for death.

Two Crow Roads. Two Deaths. A second death.

Photo credit: @daria-meoi

Second Death

The phrase "second death" appears 4 times in the Bible, specifically the Book of Revelation. The one Nanny Ashtoreth and Brother Francis read to Warlock.

There's a first physical death. You've shuffled off this mortal coil and gone to meet your maker.

The second death is a reference to an eternal separation from God for non-believers and a swim in the Lake of Fire. Where bad folks go when they die.

A traditional interpretation is that the "lake of fire" and the "second death" are symbolic of eternal pain, pain of loss and perhaps pain of the senses, as punishment for wickedness.

Revelation 20:11-15

“Then Death and Hades were thrown into the lake of fire. This is the second death, the lake of fire. And if anyone’s name was not found written in the book of life, he was thrown into the lake of fire.”

If I read that right those who experience this death are all those whose names have been removed from the Book of Life.

There's Hemingway's quote, "Every man has two deaths, when he is buried in the ground and the last time someone says his name. In some ways men can be immortal." Is that also a Book of Life reference? The power of a name.

I don't understand the Book of Life yet. It's just something you scare cherubs with. I've seen some great meta from @beebopboom on it and the Guardian of the Eastern Gate.

Photo credit @fuckyeahgoodomens

I'm still wondering about these seats. Left Crow Road has rabbit seated. Rabbits are a Fibonacci reference. Then the empty seat. Then second Crow Road with Elspeth's hat over the back.

Why is there an empty seat?

Is it for Death?

A missing book? A book between two deaths. That seat is for the Book of Life.

Gabriel's ineffable statue

Ooh time for my first ever post that isn't a reblog - exciting!

So, a while ago now, I came across a post about Gabriel's statue which pointed out what seemed to be a blatantly obvious continuity error. For the life of me, I CANNOT find that post again and so I am going to attempt to recreate it here because I just noticed something else interesting related to Gabriel's statue. If you are the original person who found this, please let me know and I'll credit you!

Edit: I found the original on reddit! https://www.reddit.com/r/goodomens/comments/17tjfdc/spot_the_difference_statue_of_gabriel_s2e6/ Right, so, have you ever looked very closely at the scenes of Gabriel and Beelzebub in the graveyard during Gabriel's flashback? No? Well, here are some clips of these scenes I want you to take a close look at, taken in order they're shown:

Why is the cross missing??? In the distance shot, there is no cross. In the closer shot, there is. Then we switch back to the distance shot and it's gone again. Just for clarity's sake, when we see the Gabriel statue in any other scene, yes the cross is present.

I know there have been many ineffable continuities mentioned by other posters (such as clocks, chairs, rugs, road markings, Crowley's glasses, Maggie's store signage etc). It's still up for debate about how many of these actually mean anything, or if they are genuine continuity errors. However, I find it VERY hard to believe this is a continuity issue... in any other show I could believe that, sure. But the Good Omens team is detail-focused and this is a huge missing cross on a statue that was specifically built for the show. Why would you have the whole scene set up in the graveyard, but without the cross ready, and then not bother to fix it in post? So the above is what I read in someone else's blog post and I'm really sorry that I can't recall where to find that. However, here's what I want to add. The Gabriel statue appears at the end of the opening credits and guess what... :

The cross is missing the top half! What does any of this mean? Who knows? Not me, that's for sure. Is it something to do with S3? Is it some comment on a religious theme? Are Gabriel's memories faulty when they're restored? Several others have pointed out that there are some suspicious things shown in the memory restoration sequence. Why is Gabriel bearing a cross in the first place? If you have any ideas let me know, I'd be interested to hear them!

Regardless of the statue, you might be wondering what is this part of the opening credits all about? The parade of characters is being led by Crowley and Aziraphale up this rickety mountain made of what seems to be a trash heap with a whole bunch of religious iconography scattered through it and a Lady Libertas (aka what the Statue of Liberty is based on) appearing opposite the Gabriel statue here. I always wondered what this whole sequence might be about, but I've seen very little written about it. If you're interested, here's this post from @lady-of-the-puddle. There is a lot of interesting imagery in the opening sequence, that's for sure!

Okay but THIS THIS- is why the ineffable breakup literally made my heart skip several beats in utter despair- because there was that MOMENT where the Metatron asks Aziraphale if he's ready to go/if he needs to bring anything with him- and the HESITATION PRACTICALLY SCREAMING OUT OF AZIRAPHALE as he flits his gaze and his stance and his position between looking out the window at Crowley (being closer to her, walking AWAY from the Metatron) and looking at the door to his bookshop (being closer to Heaven, walking AWAY from Crowley).

He's making a major life decision, and he KNOWS it- and there is something inside them that is screaming THIS IS THE WRONG DECISION- RUN TO CROWLEY RUN TO CROWLEY-

But he's determined- to change Heaven, to reinstate Crowley- I don't know. But she's got a plan and she's gonna stick with it because under everything she really does fight for what she wants and what she loves- I just hope it doesn't become their downfall.

tragedy enjoyers (hi) talk a lot about inevitable tragedies where the character(s) were doomed from the start, but to be honest as someone who does not believe in fate/destiny/etc. irl, the kind of tragedy that Really gets to me is the kind where you can see exactly why and how this didn’t need to happen, and you can also understand why the choices were made that made this happen, and you watch an entirely unnecessary but devastatingly predictable tragedy unfold due to a series of understandable choices

Red-blue reflections.

There are a lot of red and blue colors in the film. Often these two colors mark opposites and/or couples in one way or another. Crowley and Aziraphale, Sergeant Shadwell and Madame Tracy, Adam and Pepper, Maggie and Nina's shops, and so on. A cup of coffee and an apple of Eden. My interpretation of these colors. I assume that the color symbolism is taken from the Christian religion of the Renaissance.

In this case, the Red color means everything earthly, sensual, full of life, sexual, chaotic. Sometimes it's something aggressive (Anathema saw the red aura of an angry villager). But aggression can also be righteous bravery like Pepper, who stood up to the War. The color red does not appear symbolically in Hell and does not directly mean evil. The Blue color means everything unearthly, reasonable, calm. This is order, discipline, loyalty and stability. The blue color also does not symbolize Heaven and does not directly mean good.

I would add here the fact about two Christian saints - St. George and St. Andrew. Saint Andrew is the patron saint of the Scottish flag. The flag of Scotland has a white oblique cross on a blue background. And St. George the Victorious (the man who defeated the snake /dragon) patronizes the flag of England (this flag has a red cross on a white background. Saint George and Saint Andrew are also opposites of each other - one is a warrior (red), the other is a martyr (blue), respectively. I think it would be interesting to see these characters in the second coming?

One more color thought. Here is a screenshot. (S1E3 [54:24])

This is an image of a monitor in an office at a nuclear reactor. At the moment, there is no fuel in the nuclear reactor, there is a yellow candy that Adam placed there. The monitor shows that this yellow candy gives energy by splitting into blue and red colors. Yellow (gold) color in Christianity is a Divine color, the color of divine energy and grace. People who see it say "it's impossible". They witnessed a miracle. I associate this episode with another one.

(all subtitles are original) In this scene our angel and demon exchanged bodies and Death itself says that it is "ineffable". Death stated that it was a miracle.

I will also mention White color in my color reflections. He appears in the series four times (something I noticed.) White in this theory means purity, innocence and/or sacrifice.

1.The third baby in the S1E1. He was wrapped in a white blanket. He was a victim of circumstances. I haven't read the book, but fish were mentioned in the movie in the context of the baby. These few little facts lead me to think that this child may appear in the third season. And he will play a direct role in the second coming, as the new incarnate Christ (the fish is a symbol of Christ and also the white color his symbol too.)

2. In the theater with a red interior (1941), Aziraphale takes out a white handkerchief and theatrically waves it. I think it reflects the purity of his intentions to help his demon. And also the fact that he is the only one in this "vicious" place (where illegal alcohol is sold and people stare at half-naked girls) is a pure immaculate soul.

3. Gabriel wears a white fur coat when he goes out to the demons in the second season. He obviously intended to sacrifice himself for the sake of saving people.

4. Muriel - everything is obvious here. She's a blank slate. I really hope she doesn't fall victim to any dramatic circumstances in S3. I love Muriel).

There is also a Violet color. I have already talked about him a lot in my other posts, for example in the post about Gabriel's eyes or about the joint miracle of Azikro. I'll just mention a funny little fact here. When Aziraphale gets inside Madame Tracy, her sleeves turn violet (because she herself is marked in red, and the angel is blue, respectively.)

Violet color appears once more at the end of S2E6. When we see that Shax and Furfur are up to something together, they unite. And we see them disappearing into a violet haze. I think we need to find out exactly what this couple is up to in S3.

I assume that the violet color here means unification, union, expansion, reaching a new level.

A note about the code from Crowley's safe.

Crowley dials the numbers on his safe: 31 10 and 66, or maybe 67. I've been thinking for a long time that these numbers mean something, because we can see them well. If you have your own version, please share it with me. My theory is that the last digit is 67 - that is, 1967 - it was this year that Aziraphale brought holy water for Crowley in this thermos, which is now in the safe. Maybe that day was October 31st, or is it just that Crowley loves Halloween?

This theory seems pretty logical, but while I was thinking about it, I went through some funny and slightly crazy versions. Here is one of them: 311067 is a color in hex format. Here it is:

We know that Crowley and Aziraphale's joint miracle was violet. I don't think the authors have complicated the safe code so much, but there is definitely something to think about the meaning of colors in the film - namely red, blue, violet, gold. These colors definitely have a semantic load in the series.

The theory of Coffee and the Apple of Eden.

So about the blue cup of coffee. I think it is symbolically the opposite of the Apple of Eden. Adam and Eve were innocent, having tasted the apple, they knew the earthly and had to go to Earth. Aziraphale, on the contrary, has lived on Earth for a long time and Metatron gives him (tempts) a "heavenly" drink. Some sources indicate that ambrosia (the drink of paradise or the drink of the gods) was nine times sweeter than honey. Therefore, Metatron deceives Aziraphale by claiming that there is a huge amount of almond syrup in the drink, he means that he gives Aziraphale ambrosia. At the same time, like an apple, this drink carries a particle of deception on the part of the one who gives it; it is given with bad intentions.

If we develop this idea further, then in this situation Aziraphale symbolically represents Eve, Metatron is the tempter snake, Crowley is Adam, and the bookshop is paradise. But this time Adam (Crowley) did not accept the temptation from his Eve. And Eve leaves their paradise alone.

In general, my theory is that a cup of coffee is an apple of Eden, but with the opposite meaning. The apple is sin, disobedience, knowledge of good and evil. And coffee in this case is obedience, giving up free will and following God's plan without thinking about whether it's good or bad.

A note on the Institutional problem.

- For one prince of Heaven to be cast into the darkness makes a good story. For it to happen twice, makes it look like there is some kind of institutional problem.

According to Metatron, such disobedience to God happened only for the second time. The first person who doubted God's plans and was thrown into Hell for it was Crowley. So Crowley was a prince of Heaven and held the position of archangel Gabriel. Aziraphale will now take over this position. I'm sure he won't stay there for long either. :) This position is cursed as well as the position of Defense Against the Dark Arts professor (in the "Harry Potter") (: By the way, the institutional problem is a deep contradiction in the existing rules of the (paradise) system. Because the rules are inadequate or outdated. Such a problem leads to a change in the system or to its destruction.

Would it seem like a good story to you, Metatron, if yourself were thrown into darkness? Such an unpleasant character -_-

The theory of Gabriel's obsession.

In the S1, Gabriel is an unpleasant character - he is arrogant and sometimes really cruel. He has no empathy for people and his subordinates. When Gabriel loses his memory in the S2, he becomes completely different. Yes, he behaves like a child, but he is a kind child whose first motives are honesty and a desire to help people. When Aziraphale says that Gabriel was a terrible person, Gabriel asks him - And now? I assume that along with his memories, Gabriel extracted something else that controlled his behavior and influenced his personality. That's what I'm basing my guess on:

There are three scenes when Gabriel remembers something. I should immediately note that there are two types of these memories.

1.The first two memories do not belong to Gabriel, he was not present at these events. One memory from the past (for some reason it seems to me that it is addressed to Aziraphale), and the second memory from the future (for Crowley). When Gabriel speaks, his eyes change color, his consciousness turns off, he experiences physical pain and discomfort.

2.His own memories of events from the present. His eyes don't change color. It is obvious that Gabriel has kept pieces of his memory, his mind and the temperament of a gentle and sympathetic character.

Now learn more about the first and third memories.

1.Crowley asks - What is the very first thing you remember? Gabriel speaks the words of God that he spoke to Job. These lines were about the creation of the Earth. This cannot be Gabriel's first memory, but more on that later.

2.The most important thing is the third memory. Here is the scene and dialogue between Crowley and Gabriel. Crowley accuses Gabriel of involvement in Aziraphale's execution and cruel words. Gabriel replies that it couldn't have been him. After Gabriel's attempt to jump out of the window, Crowley says:

-"Well, if you're really not him, what are you?" (that is, Crowley is ready to believe that this is not the Gabriel he knew.)

-"I don't know, I feel… like, an empty house. A house someone lived for a very long time, but now they're gone (not "he" not "it", not "has gone" - "They") and the house can sort of tell where the things used to be. Like when I remembered how it all begin."

The "house" is Gabriel's brain. Some "they" lived in it. They left traces of memory there, so Gabriel was able to remember how it all begin. So "It" began for Gabriel right then, at the moment of God's conversation with Job. When the events with Job took place, God and Satan had an bet (and obviously had a personal conversation.)

Red rays descend on Job. Do you expect white or gold rays from God

I assume that at this moment something was implanted into Gabriel's personality, and his eyes turned violet. Gabriel is literally the only character with such eyes. Was it a joint work of God and Satan? The violet miracle is a powerful miracle that occurs when combining the miracles of the red and blue spectrum. (a violet pillar appeared above the bookshop after the joint miracle of azicro.) "This" suppressed Gabriel's personality, but when he fell in love, his personality became more mature and came into conflict with "this". Then Metatron was sent to depose Gabriel and take away "it" from him under the guise of taking away memory.

It follows from all this, if Aziraphale is hired to replace Gabriel, then he will receive this control and obsession. Maybe that's what happens to him in the elevator.

For the sake of objectivity, I will note. This theory is contradicted by the fact that Gabriel's eyes remained violet after gaining memory. Aziraphale's eyes did not turn violet. Although in that case, the solution would be too obvious.

The theory of Lesley and Maud (part two.) Horsemen of the Apocalypse (does the series speak metaphorically about modern problems?) Who owns the Crown, Scales and Sword?

It is necessary to read the first part.

Modern problems of the Tigris River: (as well as other great rivers)

1.The Tigris River plays a crucial role in agriculture and providing people with food. But in recent decades, the river has been drying up. This leads to a lot of troubles, including famine of the poor people. The horseman of the apocalypse Famine gets a tool - Scales. In his hands, the Scales are desecrated and become a symbol of unfair measure and restrictions.

2.There are a number of problems between countries that actively use the river. These problems require wise solutions and peace agreements. But unfortunately, the countries continue to exchange mutual accusations about the irrational use of the river. This does not solve the pressing problems, but only exacerbates the conflict. (In S1E2 shows a scene in Africa where War came - this is a real conflict problem concerning the Nile River and the inhabitants of Egypt and Ethiopia.) The Horseman of the Apocalypse War receives a Sword, in her hands the sword symbolizes the weapon of war.

3.Due to the drainage of rivers, there is a shortage of clean fresh water. In addition to drying out, there is the problem of direct pollution from coastal factories, oil refineries and landfills. Citizens have to use polluted water. Thousands of people suffer from poisoning every year. (Lesley visited Africa Nile River), and Des Moines in America (Mississippi River.) The horseman of the apocalypse Pollution gets the Crown. The desecrated crown is a symbol of unholy domination and control.

I write entertainment content, but these problems are real and their scale cannot be overestimated! Great rivers are dying from pollution, drying up and wasteful use!

4.So, after the three horsemen of the apocalypse have been defeated by the three virtues (three children), the divine weapons return to the deliveryman. He will return the items to the owner, but who is the owner and who gave the packages to Lesley? We know that the sword was lost and several persons including God and angels, asked Aziraphale about this sword. So the sword wasn't in heaven.

5.Okay, here's the classic Justice Tarot card:

You can see she has Scales a Sword and a Crown. Scales in its true meaning symbolizes balance and justice. The Sword is a symbol of mind and law, it is able to separate truth from lies. The Сrown is a symbol of recognized divine authority. Is God in GO "Justice"? Or is it another character?

6.I assume Lesley will give these tools to his wife. If his wife really is the prototype of the goddess of justice. A bit of history - Initially, only Scales was associated with the goddess Maat, the goddess of justice. (She was putting a feather on the scales to weigh a human heart at the posthumous trial.) As the centuries passed, she became an independent figure and received a Sword and a blindfold (a symbol of impartiality.) In medieval Europe, she received the throne, and the blindfold was replaced by a Crown.

Here's my theory. Lesley is the spirit or prototype of the Great Divine River (Tiger, Nile, Lethe or all of them) Maud is the prototype of Matelda, the priestesses who keeps knowledge and fulfills holy vows. She is probably a goddess who acting the duties of a fair judge. Lesley and Maud are neutral characters, they don't belong to heaven or hell. I really hope they will appear in the third season. And I also hope to see a court scene in the third season. (it was a long way..)

What grows in your (British) garden? Angels, Shakespeare, Spathiphyllum and Conceptualization.

I took some screenshots from the "Blood and Ice Cream" trilogy, they are not in chronological order:

I hope you will watch these films: Shaun of the Dead, Hot Fuzz, The World's End. They're definitely worth it. When you watch, keep GO in mind, maybe it will be more interesting this way.

P.s. Not all the matches that I found are shown in the screenshots. There's also a silly Shakespeare play that the characters are watching. A mime depicting a golden statue Dude in black, pretend to be Death A car that goes into a firestorm some small things (like posters or a goat)

Addition! To the trilogy of Blood and ice cream, it is necessary to add the film Burke and Hare (2010). In this movie, two guys steal dead bodies from a cemetery in Edinburgh (at first) and sell it to a doctor who studies anatomy and tries to save lives. The first body is carried in a barrel for pickled herring)) Simon Pegg plays in all these films (he was also a guest actor in the series "Staged")

List of references

Theories

a funny theory about Leonardo da Vinci paintings

Red-blue reflections.

The theory of Coffee and the Apple of Eden.

The theory of Gabriel's obsession.

The theory of Lesley and Maud (the first part).

The theory of Lesley and Maud (part two.)

A logic puzzle.

What grows in your (British) garden?

The theory of "The Hidden Morse Messages"

(Not) the theory of Cupid's arrows.

The theory of the Garden.

The theory of the name Anthony J. Crowley.

The theory of the name Anthony J. Crowley (addition).

My theory about Maggie and Nina.

Another theory about Maggie and Nina, plus a theory about coffee and death and a lot of symbolism.

Notepad

A note about the code from Crowley's safe.

A note on the Institutional problem.

What happened in the 1920s?

to save or not to save the agreement

It's always too late.

A couple of miniteories ("Staged" and the cycle of eternity)

The song dedicated to the demonic genius.

Fanfiction mini

Something magnetic.

demonic growling.

angelic groan of a martyr.

where talk about the ocean and sunsets?

The whims of Aziraphale rubric

The first whim.

The second whim.

The third whim.

A few chaotic memes on "Good Omens"

(I need a link-randomizer.)