"I HATE Ascended Astarion..."
(People are so afraid to face the truth that they came up with a headcanon about losing his soul, which was completely debunked by the developers.)
hot take good endings only players are really fucking rude to the point that it's actually ridiculous
you don't understand the game, the story, the lore, or the characters better because you prefer the good endings
you don't love the characters more because you prefer the good endings
people who like the evil endings aren't stupid
people who like the evil endings don't like them "just because they think it's sexy"
if you want to know why people like the ending you don't like
you could
just
ask
instead of making shit the fuck up
Lord. King. Master.
Ascended Astarion in fanon: A deranged psychopath, Cazador 2.0, who locks Tav/Dark Urge in the basement and tortures them from time to time, perpetuating the cycle of abuse. The ✌️ cycle of abuse ✌️ in canon:
Is there anything you can share there? He loves wool and socks or something.
Newbon: Yeah. There’s a thing where Astarion always checks his nails when he is trying to just dominate people. He dismisses them with a head turn, usually to the left. He does this to put people in their place, to make them acutely aware that he’s in control.
Actually, one thing I can tell you—the base pose that he has, which is this very upward movement, arms open—that was something that we experimented with. That was actually a combination of myself and Josh Weeden, who’s one of the directors on the game. We came up with that together. They wanted a unique base pose. The footing is different from everybody else’s. But then I added this sort of open arms up and his head up, looking down his nose at everybody.
So the reason that his head stands like this is a psychological thing. He thinks everybody else is beneath him, so he looks down his nose, which is why the head is slightly angular. That is a very particular habitual choice that we made to inform more about the character. Literally, I look down my nose, and that’s why his stance is like that.
I think there are a couple of other characters that have unique base poses, but most have the same base pose. He’s one of the unique ones.
One of the interesting moments in Astarion's Ascension arc – in scriptural and cinematic point of view - is when Tav informs Astarion that they is not afraid of becoming an illithid.
(for Astarion, illithids are “it”. Justified by lore they lose all personality when they become one, except in the rarest of cases, it's Illithid roulette where the chance is far from 50\50)
Astarion clearly expresses that he doesn't want this and partly in an ironic (sassy) way.
And then this happens:
He looks at Tav straight in the eye, but then he thinks for a second, “if not… If it's unavoidable”. puppystaron
A whole body language here is just as brilliantly done.
There are many gestures in this scene before these two phrases, he suggests using the hammer with a pointing gesture “look, we have this other option.” But I'll focus my attention on these two. In the beginning Astarion “indicates”, he wants to show authority and say “no” clearly, then he “crosses out” in the air with his index finger such a suggestion, clenching the fist of his other hand. He's also outraged - he waves his arms around - no, no this all won't happen. That's his emotion. Then he realizes that it is simply impossible to say “no” to this, it is necessary to solve this problem, Astarion opens his palms as if to say “wait”, “then we will think”. Here, too, he wanted to be confident, assertive. And this is his faltering moment, his left hand clenches a couple times for seconds. Realizing that he's confused he wants to pull himself together, clenching both fists again already from his desire to be firmer, confident.
“We'll figure it out. I am sure”.
Next part main analytics of what he's talking about and how deep it is.
He's faltering exactly on the word “I”. Maybe it's here because: And who am I? A worm, weak and pathetic - who never amounted to anything. Astarion heard this throughout the 200 years of his torment. Cazador had insinuated it to him all along - the helplessness and doom of his condition. He's used to a position where he just has to resign himself to it. It's the aftermath of his deep wound.
And then it clicks “no”. We won. Cazador is dead. And I am Lord. We'll figure it out. “I am sure of it”.
He wants to, very much, his feelings here play colors and all the developments that have taken place. But the practical side of the situation… which he realizes inside makes him have feelings and think thoughts he would never want to think about - loss. And what kind of loss? His love.
I've written about the “We” part of the big analytics here before. Astarion uses it many times. This moment is special and precious because he uses "We" in a stressful and dangerous situation, when his confidence after a grand victory and freedom is suddenly shattered again. And his wound is open.
Astarion is used to no one helping him. His usual phrases are “trust no one”.
I remember in situations of danger, he showed only distrust that anyone could help him except himself. That's quite a lot.
When the emotional contact happens in act 2 his feelings with Tav become deeper and true. (although in Act 1, Astarion felt something that was just building up to wanting real and more)
This moment is important because:
- he expresses his “I”.
- that he doesn't just say “We” when he's proud and puffed up. “We rule, we are beautiful.” He says “We” when a problem needs to be solved. That's what makes this We special. And under stress that he's even stuttering (!). It's a huge step, as if to say, he doesn't push Tav away, his first thought on how to solve this problem - relies on us. It's also a comfort to him. In addition, his tone becomes very soft - he's trying to calm Tav down so they can figure something out, too. Including “wait” gestures are the soothing “take your time, calm down, we'll think about it” movement.
As soon as he felt the pain from his wound, he remembers the most important. It's his trust and confidence in each other.
We can do it together.
At the end, I suggest enjoying Astarion against a backdrop of blue space nebulae.
«The first stage is usually characterized by the creature feeling a dark joy in its new powers. It is overwhelmed by the sense of power engendered by its strength and its supernatural resilience. Newly-formed vampires will often assume animal form for the pure and simple-minded joy of flitting as a bat over the forests of the night or running, seeming tireless, with a pack of wolves.» — Van Richten's Guide to Vampires, TSR, 1991.
Regarding the claim that the lore of vampire brides is supposedly outdated because it’s based on Van Richten's Guide to Vampires, published in 1991, and that this lore isn’t mentioned in the current edition of DnD 5e, specifically in the 2021 edition of Van Richten's Guide to Ravenloft:
First of all, vampire brides are also mentioned in Van Richten’s Monster Hunter’s Compendium from 1999.
But most importantly, the 2021 edition of Van Richten's Guide to Ravenloft directly references Van Richten's Guide to Vampires.
So…
If we disregard the lore of Ravenloft (even though the game clearly alludes to it) and focus solely on the game itself:
Player: How does someone become a vampire, exactly? Astarion: It's simple. Just find a vampire that will drink your blood and turn you into a vampire spawn: their obedient puppet. In theory, the next step is to drink their blood. Once you've done that, you're free and a true vampire. Player: 'In theory'? Astarion: People think the biggest threat to a vampire is a cleric with a stake. It's not. The biggest threat to a vampire is another vampire. They're scheming, paranoid, power-hungry beasts. So why would any vampire give up control over a spawn to create a competitor?
Player: So they bite you, you bite them? Astarion: Yes and no. The problem is once you're a vampire spawn, they completely control you. They have to allow you to bite them. And why would they do that? Vampires are power-hungry creatures. They won't lose a servant to create a competitor. Trust me. It doesn't happen.
Once AA gives Tav his blood, they can no longer be considered a spawn—according to the lore, they become a true vampire. This is confirmed both by in-game dialogues and the D&D 5E lore on which the game is based.
Astarion: Nearly two hundred years and I never came back. Not since the night I woke up down there. I had to punch a hole in the coffin and claw my way through six feet of dirt. Then when I finally broke the surface, retching up dirt and congealed blood, Cazador was waiting. From that day on I was his. Until today. Moreover, we never see AA mentally controlling Tav the way Cazador controlled his spawns—which would be undeniable proof of their status as a spawn. The game only presents a dialogue about freedom, which does not contradict the concept of Tav as a bride but also does not confirm any magical control that could prove otherwise.
So if you believe that the Bride Theory is unfounded and that the process of becoming a vampire bride doesn’t align with what is shown in the game, then consider this: it has even less in common with the process of becoming a spawn. The turning into a spawn is described in detail in the game, and clearly not without reason—and Tav's/Dark Urge's turning is not just different in some aspects, it has absolutely no similarities with it.
No matter which lore you take, Tav is not a spawn.
Maybe I should make a post with counterarguments to all the most common arguments against the Bride Theory.
Sketched out a scene ✍️
Lately, I often come across the opinion that Ascended Astarion’s line, “I can't believe you let me do that. Killing all those people,” supposedly indicates that he recognizes the immorality of his actions and even condemns Tav/Dark Urge for allowing him to do it. Allegedly, he feels guilty and regrets not being “saved.”
This opinion is obviously influenced by the dialogues in the spawn ending, where Astarion thanks Tav for talking him out of performing the ritual. However, it’s important to pay attention to the full content of his line in the Ascended ending:
Astarion: I can't believe you let me do that. Killing all those people. A pleasant surprise.
Astarion does not express regret or condemnation, but rather surprise and pleasure that Tav went to such a serious crime for him.
This is followed by claims that he is lying or pretending, while deep down he feels guilt and disappointment. However, such conclusions merely show how objective facts are interpreted and distorted to align with one’s own beliefs.
Yes, Astarion fully understands that his actions are immoral, but this awareness does not imply disappointment in the ritual or Tav. On the contrary. He simply calls things as they are. He is honest with himself and with Tav/Dark Urge.
Moreover, it’s important to consider the context in which this phrase is spoken. It is clearly addressed to the player, who throughout the game made mostly morally good decisions, and then unexpectedly committed a radically evil act, surprising Astarion. If you played as a consistently evil character throughout the game, this line may seem illogical, strange, and devoid of meaning — yet another example of questionable RPG design and storytelling methods used by Welch.
To be honest, some people go to absurd lengths in their interpretations to present AA’s ending as a "bad" one for him.