My Rationale For House Planets Is As Follows:

maybe not the absolute best thing about les miserables the novel (it’s a long book) but the one that stood out the most to me and has remained with me most strongly is that when the book is explaining to us the plight of fantine, who basically like finds herself poor and knocked up bc iirc she hooked up with some fuckboy who was never gonna stick around, victor hugo really takes pains to be clear that fantine did a lot of really dumb shit. she made stupid ass choices. she was naive and impulsive and unwise and myopic. it’s not a story where a tragic heroine did everything right and still got screwed. but the moral argument put forth by, i mean, to some degree the entire novel but particularly (to my recollection) by this section is essentially like, isn’t it so fucked up that we live in a society where someone can be functionally condemned to a life of suffering for the crime of being a fallible human being in their youth? isn’t being young and stupid and getting to move on from that a human right that we are denying people? shouldn’t you be allowed to be kind of an idiot without ruining your entire life? it’s such a clearly and expansively empathetic view and it’s an idea that people obviously continue to struggle with based on Any Time Anything Happens Ever and also one that i feel like continues to be rare in narrative art or media, at least expressed this fully or strongly.

I love "gender bending" characters but HATE HATE HATE designs where canon buff dudes are wispy little fairy ladies and canon tiny women are beefy ass male linebackers. If you're not in it for JACKED WOMEN and TWINKS then what's what's FUCKING point

The two best reasons to ship anything are:

1.Incredible deep and detailed narrative themes. The parallels that seem to hit just right, the narrative foils that they can be to each other, the intricate dynamic that's both extremely complex and easily understood. The juxtaposition between something that's harsh and undoubtedly toxic, with the softer undertones, the parts where you read in-between the lines and find a mutual feeling of loneliness from both parts, their intrinsic understanding of each other comes from the mere fact that they're each others mirrored reflections and shadows. In the end both sides will be together forever, and you as an audience can clearly see their tragedy laid out before in a path that blurs pure anguish and tender romance

2.It would be so fucking funny

Wall paintings by Eron

at the end of the day everything Glinda does is about Elphaba. from the moment they become friends, Glinda becomes permanently changed by Elphaba. she is what she is in the second act because of Elphaba, not in spite of her. because she is trying to outrun her and find a way to live without her, because she regrets not going with her and is trying to convince herself she doesn’t. Elphaba only asks Glinda to come with her once, but from then on Glinda spends years trying to outrun her own answer. and in the end she can’t, and she brings herself back to Elphaba anyway.

In before I start seeing people bitching about rainbow capitalism MY favorite rainbow capitalism story is about Subaru. Yes the Japanese car company.

In the nineties, they were struggling. They were competing with a dozen other companies targeting the main demographic at the time: white men ages 18-35, especially after a failed luxury car launch with a new ad agency. “What we need is to focus on niche demographics,” they decided, and then focused on people who enjoyed the outdoors. The Subaru was excellent at driving on dirt roads that many other vehicles couldn’t at the time, so it was perfect for all those off-road campers; they started making all-wheel drive standard in all their cars to help with that. And the people who wanted cars to go do outdoor stuff? Lesbians.

Okay. Of course it wasn’t only lesbians buying Subarus. They’re on the list with educators, health-care professionals, and IT people. But the point is, this Japanese car company interviewed this strange demographic (single, female head of household) and realized one important factor: They were lesbians. They liked to be able to use the cars to go do outdoorsy stuff, and they liked that they could use the cars to haul stuff rather than a big truck or van. Subaru had a choice to make then. They had four other demographics they could market to, after all–the educators, the health-care professionals, IT professionals, and straight outdoorsy couples. Their company didn’t hinge on this one “problematic” demographic.

And they decided “fuck it,” and marketed to lesbians anyway. This included offering benefits to American gay and lesbian employees for their domestic partners, so it didn’t look like a cash grab. (This was not a problem. They already offered those in Canada.)

Yes, there was some backlash. They got letters from a grassroots group accusing them of promoting homosexuality, and every letter said they’d no longer be buying from Subaru. “You didn’t buy from us before, either,” Subaru realized, and ignored them. It helped that the team really cared about the plan, and that they had many straight allies to back them up. There was also some initial backlash when Subaru hired women to play a lesbian couple in the commercial, but they quickly found that lesbians preferred more subtlety; “XENA LVR” on a license plate, or bumper stickers with the names of popular LGBTQ+ destinations, or taglines of “Get out. Stay out.” that could be used for the outdoors–or the closet.

Subaru said “We see you. We support you.” They sponsored Pride parades and partnered with Rainbow Card and hired Martina Navratilova as spokeswoman. They put their money where their mouth is and went into it whole hog. In a time where companies did not want to take our money, Subaru said, “Why not? They’re people who drive.” And that was groundbreaking.

gay announcement: just randomly had the thought of “wait a minute, I’ve never seen a female sumo wrestler before, is that a thing?” out of the blue and so naturally I did a quick Google search and uh. uhm.

that is all thank you for your time

generative AI literally makes me feel like a boomer. people start talking about how it can be good to help you brainstorm ideas and i’m like oh you’re letting a computer do the hard work and thinking for you???

No I think the real test of queer groups being accepting is welcoming the most vulnerable among us, such as racialised queer people &/or transfeminine people. This perspective is endlessly frustrating and seems to rely on the idea of reverse-discrimination, as if queer people being hostile to cishets is a comparable bigotry to cishet hostility to queerness. There is no institutional teeth or stakes to queer hostility to cishet people; the same can not be said in reverse. hierarchies still exist amongst the marginalised & the brutalised and a cishet guy threatens none of those hierarchies because he’s at the top of all of them. really wish people would stop leaving stupid shit like this on my posts lol

satou "apple ribbon🍎 hair arrange"