maybe not the absolute best thing about les miserables the novel (it’s a long book) but the one that stood out the most to me and has remained with me most strongly is that when the book is explaining to us the plight of fantine, who basically like finds herself poor and knocked up bc iirc she hooked up with some fuckboy who was never gonna stick around, victor hugo really takes pains to be clear that fantine did a lot of really dumb shit. she made stupid ass choices. she was naive and impulsive and unwise and myopic. it’s not a story where a tragic heroine did everything right and still got screwed. but the moral argument put forth by, i mean, to some degree the entire novel but particularly (to my recollection) by this section is essentially like, isn’t it so fucked up that we live in a society where someone can be functionally condemned to a life of suffering for the crime of being a fallible human being in their youth? isn’t being young and stupid and getting to move on from that a human right that we are denying people? shouldn’t you be allowed to be kind of an idiot without ruining your entire life? it’s such a clearly and expansively empathetic view and it’s an idea that people obviously continue to struggle with based on Any Time Anything Happens Ever and also one that i feel like continues to be rare in narrative art or media, at least expressed this fully or strongly.
I’ve been thinking about the significance of names in GotG 3, and how it plays into the movie’s themes of intelligence and a being’s intrinsic worth.
Each of the test subjects’ names shows a different level of abstract thought:
Floor, seemingly capable of only very basic associations, named herself based on where she was while picking the name
Teefs named himself after a distinctive personal feature, and didn’t quite get the grammar right
Lylla picked a “real” name that she decided fit for her
And Rocket named himself aspirationally, using his name as a metaphor for the kind of person he wants to be
And the great thing is that all of these names were enthusiastically accepted by the group of friends, regardless of the complexity of thought that went into them. Because unlike the High Evolutionary, who places all living things on a spectrum from least to most evolved with only the most developed and “pure” being judged worthy of life, Rocket and his friends loved and valued each other for the beings they were.
This theme is then carried over to another naming scene at the movie’s climax: when Rocket declares himself to the High Evolutionary as “Rocket Raccoon”.
Throughout the series Rocket has taken offense to being referred to as a racoon, not wanting to be seen as “just an animal”. But in the climax he looks at a cage of baby raccoons and sees himself, not as the intelligent creation of the High Evolutionary but as the baby animal he once was, who never deserved what was done to him. And he looks at the other animals (the camera lingers in particular on a rabbit) and sees his friends, who were never as intelligent or “developed” as him but were no less valuable and important in his eyes.
And so he accepts the moniker of “Raccoon” alongside his personal name of “Rocket”, and insists that every creature on the ship be saved, not just the “higher lifeforms” as the other Guardians said. Because the truth he comes to realize is that there is no such thing as a “higher life form”: every living being has value, regardless of how intelligent, “developed”, or “evolved” they are.
While we don’t have sentient raccoons in our world, this is still a message that is so important, and so relevant to issues we face. It has takeaways for environmental stewardship and animal welfare (not as much separates us from the rest of the animal kingdom as we like to think, and it’s important to treat all living things with respect and care), as well as for issues of fascism, eugenics and disability rights (there are no types of people who are inherently superior to others; a person’s intelligence and/or level of functioning has no bearing on their status as a human being deserving of dignity, respect and self-determination).
It’s a lesson I hope we all can learn someday. Bless Guardians of the Galaxy 3 for portraying it in such a clear and meaningful way.
no te hagas ilusiones
English added by me :)
ive tried to verbalize this time and time again and i never rlly get there but as a femme lesbian i have a rlly hard time connecting with femenine straight women i dont know what the fuck they r talking about ever and they have always known (since i was a small child) that i was weird and other. INSTEAD i feel as if i can read the mind of fem gay men literally dyke2fag mental communication it is real and exist and im Tuned In i want to be an old queen when i grow up bc they r the only ones that get it
It's only a tiny detail, but I love that Gideon is fastidiously tidy while Harrow is a slob who leaves mounds of dirty clothes lying around her living space. It goes against stereotype for Gideon's boisterous jock personality and Harrow being a fussy nerd, and it makes sense when you think about it
have u ever thought abt the sheer gastrointestinal distress that Gideon must have experienced during those first few weeks at Canaan House. like yes she might be the child of God but my girl was raised on nutrient paste and snow leek which does not prepare the disgestive system for any kind variety. Harrow was probably fine bc she barely ate anything but Gideon went full ham on all the food. THIS is why the narrative breezed over those first few days at Canaan house. it wasn't just bc she was bored and had nothing to do. it was also bc Gideon was in the bathroom.
sometimes I think too hard about like. how the ability to record audio fundamentally changed how humans interact with music. can you imagine if the only time you ever heard music in your whole life was when you or another human being in your actual physical presence decided to create it. and 99.99% of the time that person was not a professional but just like your wife or your dad or your co-worker or church choir singing or playing whatever they happened to know. i honestly don't think we can fathom it
they/them, 20s | locked tomb brainrot
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