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“This world was never meant for one as beautiful as you,” Don McLean sings on “Vincent.” Though those words were written about Van Gogh, they could be applied to his modern day counterpart, Kanye West.
Much like Vincent Van Gogh, Kanye is vastly under-appreciated. With each new album, fashion show, and interview, he reveals a piece of his soul to the world. Many pass him off as “insane” or “ranting,” but if they took the time to listen, they’d see there was a vast trove of knowledge he’s bestowing upon the world. His artistic methods don’t always resonate with the public, but neither did Van Gogh’s with his contemporaries. Kanye himself has said “name one genius that ain’t crazy,” and he’s absolutely right. All innovation is misunderstood at first, before the rest of the population can see its merits.
We can not allow his genius to pass us by and have his greatness appreciated only posthumously. We must not repeat the errors of the past, and truly listen to Kanye for what he is: one of the leading creative minds of his generation.
Every now and then, Kanye breaks the metaphysical boundaries set by tweeting standards, and this is a prime example of his craft.
Kanye calls his tweet “contemporary art.” Much of contemporary art has the hallmark of being self-referential and metaphysical. Here, Kanye is demonstrating that very attribute in his tweet. It is this mastery of demonstrating a modern art concept in 140 characters that makes Kanye the visionary he is today.
In this specific tweet, he references the critics and others, as is a recurrent theme in many of his tweets. Here he calls them the “people telling [him] what to tweet and not to tweet.” The parallelism here is striking as the “people” are not only trying to stifle his creativity by keeping him silent, but they are also attempting to manipulate him. They are telling him to say things that he may not really mean.
Kanye is portraying the burden of the artist. The same people that are trying to keep him quiet are those that are also attempting to use him as a mouthpiece. In one tweet, Kanye has illustrated the dichotomy of the artist’s dilemma.
The Vitruvian Man was drawn by Leonardo da Vinci circa the year 1490. It represents and embodies perfection in the human form. It did until 1977, when Kanye West was born. We can only imagine that if Da Vinci was alive today, this is how he would have envisioned the Vitruvian Man.
This tweet is short, but filled with profound depth of meaning. Like Hemingway, Kanye has masterfully crafted an idea, but only showed us the tip of the iceberg. It is up to us to decipher its true meaning.
The tweet is composed of the imperative, "be real," to remove the subject from the text. This is to mirror the fact that the real-ness that Kanye is discussing is separated from the subject. The subject has no real-ness, and thus, the real-ness can have no subject. Furthermore, if we notice the ellipses, Kanye is giving the implication of something that transcends the text. He does not use a period because the real-ness can have no end. It is a continual process.
Kanye is giving more to think about than meets the eye. He is composing a story with 6 letters; it is a story that has yet to be finished.
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