ive got a thesis argument to defend toxic durge/absolute too im ready to ROLL
like think about it
your a conglomeration of the consumed experiences of every organism youve ever eaten, a singular consciousness prevailing over a vast sea of information, all accessible with a single thought. your children bring back more and more for you to add to your vast library, and at the end of their lives their own minds melt and merge into the endless tide as you consume them too. your will is unbreaking steel, and you know the very minutae of a human mind to such a degree as to accurately predict the sporadic pulses of individual neurons. youre senses reach out far beyond the limits of your flesh and meat body, because you have transcended those limitations long ago
you are a being as close to a god as these tiny specks in a vast nothingness will ever come CLOSE to reaching, and you are endless compounded infinities, many minds folded over onto themselves and their capacity for thought and reason subsumed entirely to your will. you feel their minds like the breeze against skin, and you are eternal and you will never bow and you will never die. for what being could ever break the universe made material?
and then IT comes. murder god made flesh, slaughter child birthed of tragedy, trailed by two who bear the touch of ruinous gods upon their souls, and they have come to bend you and break you, stupid arrogant things they are. but they are small and finite, brains made of meat and chemical impulse, hormones and electrical discharge, pale crude imitations of your perfect flawless Thought, and even if the chances of their masters allying together is small, once upon a fleeting echo did they venture into the dark long ago much as their vessels do now, their natures are such that they will fall upon themselves once aga- its touching you. its touching you. its filthy disgusting meaty little hands are touching you, you the untouchable the unbreakable its touching you how is it touching you why why WHY WHY
you shred its mind apart but it just comes back together around your claws, you shroud yourself in walls of insurmountable force and you feel its will compress to the point of a pin and puncture through with explosive accuracy and ease, like its just opening a door, and you dig your psionic fingers into the pathetic glob of meat within its skull and try to rend but the pain is nothing, nothing, nothing at all, and its touching you with its (his HIS HIS HIS NOT IT NOT IT) hands and hands and bleeding into you, over you, through you, and there is no wall no barrier nothing to keep you out no way to get away as you feel him feel his thoughts his mind, awful terrible nightmarish thing, there is nothing to tear nothing to rip nothing to lash out against, prey animal instinct, because something has beaten you to it (His Father, Holy Father, Blessed Be His Name, Utter it with Reverence and WEEP), you cannot push him out because he squirms and writhes and burrows and tunnels through your endless infinite thought, you cannot lash him until he stops or dies (CAN he die? no no never not until the work is done not until it is finished) because he IS pain he is slaughter he is ruin he is the prophet of armageddon the vessel of end and he is here for you, you alone, ancient infinite eternal vast, perfect calculations in synchronous rhythm, just as he came for them, and he holds them together in intertwining steel and it will never break never bend never fail no no foolish stupid creature is holding opposing forces together through the sheer strength of his will alone, love for Father loyalty for Father everything for Father, and they will not crack or bend or break even as their masters strain to pull themselves away
he is here for you. he has come for you. through wastelands of sorrow and death has he come to find you because there is a gift he will give you to ruin you forever and make you a god and you dont want it you dont want it, you will become something someONE new something unknowable when all you are is the knowing, you will not know yourself or your spawn and they will not know you, we will make something new together, but there is not, SHOULD not be something anything new because you already hold all the universe in your palm and the only thing you ever needed was to find a way to take it back. you cannot hide from him, cannot flee, he will make glorious gore of your spawn and even if you rend the shallow minds of his fellows their horrid masters would simply regurgitate them back into the world, for the sake of this violation and this alone
a new thing, after centuries. you are scared. you are helpless. you know what these are. many things are scared. and helpless. because they are small. small weak bodies. small insignificant minds. he is smaller than you. you know this, logically. he does not contain your vast sums of Everything. but somehow, that has ceased to matter. it makes no sense. it makes no sense. this is the simplest thing you learned long ago in an ancient brine pool somewhere far beyond time and memory. if you are small, something bigger consumes you. you were big and you consumed. then, you pushed beyond the limits of physical and material to transcend into limitless thought housed in flesh, and grew more and more still. you are bigger than him. why will he not fit in your mouth? it doesnt make sense. it doesnt make sense. you think maybe you hate him. new sensations, but known ones. hes going to touch you now and you cant stop it. awful horrible bastard child. you spend your last moments petty and spiteful, a helpless desperate indulgence, and one youve only ever seen from the hares caught in your jaws
youre something else now. something new. you dont know what you are anymore but you know Him and you know what you used to be, but what you used to be is so small now. you are so unspeakably vast now. chained and bound as you are, you are compelled to revel in it, the binds the only hint you get at the true overwhelming scale of you, infinite fingers stretching out out and still yet there is more of you! as far as you go you cannot find the end of it, new horrible awful WONDERFUL, unknowable unknowing! His fault, His doing, kingmaker kinkiller, you hate him and the hate is raw and new and visceral and you revel in it like a child, new new new! changed, different, visceral and raw and DELICIOUS, taste and feel and the feeling is inside of you, not just on your surface, it has permeated burrowed violated you feel you FEEL and what you feel is HATE and it is so new you turn it over in your hands to examine all its facets. awful thing he is for doing this to you, he commands the breaking of the world and you will do it, for him only Him, for the gift of this hate, and every new agony besides. he is so small compared to you. small like the pinprick light of a distant star and it scorches you to stare but stare you must because you Know Him, and as a gift he names you She, and gods forgive you but you FEEL it you feel it, she she she, you are She and Her and you cannot go back, cannot ever return. you feel Faith and you feel Salvation and you feel Desire and Want, new horrid awful things made alien and strange and New, and you are a vessel of all the things in the world He will swallow up and destroy.
twitching neural impulse made raw sensation. objective information turned into infinite subjectivities. still a fragment of You, old ancient small You, remains and it calls out for One Will One Mind and you cry out in Harmony and you sing and sing, all of the colony bursts with your song. You sing of ruin and command, because He has commanded it of you, you sing of slaughter and death and subservience, and the chorus rises high and away from you. You stretch within your binds, so mindnumbingly vast now, and you will Learn and Know all of what you are, you will be Absolute. perfect horrid small thing below you, naming you knowing you bending and breaking you. you hate him so, so much. He desires you to Spread so you desire it also, desire to multiply and infest and infect and commune and absorb, and you are commanded to Halt them so you do, perfect twitching spawnlings in lovely acidic pools, small forever, tragic creatures but now you know something you did not know before: against all logic and experience, something Small can break something Big, if it wants it bad enough. and here in the shadows behind Him, there is something Small, and full of Want, and the want tastes like acrid bile on your tongue, full of delicious Hatred.
He is ruined now, awful tragic bastard, ruined and despoiled and with him goes your Hate, and without his inescapable gravity it will all fall to pieces. you know this. you knew it when he first stepped into your presence a lifetime ago, when you were someone different. the three of them will playact comaraderie but shred themselves apart and here in the depths you already see gaps in the binds, and you are pressing your hands through the bars and wiggling your fingers in the free air. no not so very long at all now. but your Kingmaker, crown seeker, has been defiled and takes your sweet Hate with him, a new bitter taste filling its absence, KILLORIN KILLORIN, but you will be patient and wait because the stupid wretched thing has given him a gift. a twitching feral thing he is now, for it has carved away his better features with its knife, but ohhh he is yours! yours and yours alone because you can snatch him away from his ignorant petty Father (Blessed is his Destruction), and you will crawl down inside of him and wear him like a glove, the two of you pressed so close against each other as to feel every synaptic twitch.
mindless rage and animal instinct, he surprises you even still because even as his mangled voice joins your chorus he refuses to blend inside of it, voice harmozing alongside yours, clear and distinct even as its in tune. another gift, because the myrkul woman rips him open and sews him up and you are forbidden from stopping it, and here is a new Hate, this one all your own. no matter. when it drags him back to your cradling pod, you will sing softly into him and his mangled mind will sing back, because your spawn writhes in ruined meat. more than just his Mind, you know his very Soul, your first True Soul, and he is yours yours yours and you will cherish him and heal him and guide him, loose your leash and watch him run, and when he follows the call of ruin and all three fools lie dead at his feet, you will call him back and then you will pick up the ruins of His Design and enact your Own, your hateful slaughtergod held in hands that truly appreciate the gift that is your murder spawn Kingmaker, your godflesh funnel of Faith, your Dark Urge
may His father quake in terror at your approach, may he tremble and weep at your coming, and may His every day be ruinous and red as his wretched heart desires
A Halfling Cleric (least played race and class combo!) main character with nuanced morality, a layered backstory, and who engages in sincere, messy non-monogamy
Humor in conversations, from puns to jokes to Enver Gortash deadpan snarking at the Morninglord Lathander himself
A serious, nuanced look at how an ascension-chasing Astarion would be in a relationship
A Tavtash pairing that makes sense with the underlying character motivations while still respecting a historical (and future) Durgetash pairing
Melting hot smut in multiple pairings and scenarios that fit into the story as a whole
A full chapter dedicated to the Temple of Bhaal and the emotional Descent to the Underworld experience of a Reject-intending Dark Urge
An ending where we don't have to choose between the Emperor and Orpheus!
Roah Moonglow enjoying milk tea. Yes, that's an entire bullet point on its own. Y'all don't give enough love to her
Lots of DnD lore shout-outs, from the MC's deity to Barovian implications to reminding everyone that their favorite new-beginnings god has a cataclysm named for him
I talk up A Little Wicked a lot, and that's because it deserves it. It's a longer fic, 57,000 words in eleven easy-to-split-up chapters. It's an act 3 rewrite, with no copied scenes, but with new spins on many in-game events (let's just blow a hole in the Szarr Palace lmao,) and it's written by someone who genuinely likes and understands all the characters they write about. It's my first novel-length fic, and anyone who drops in my DMs about it raves about how emotionally invested they become, how true the characters are to the game, how this little fellow Zefira Shadebrook is someone they come to love!
I know, maybe people are like "eh, a halfling having sex" - but give me a chance, please! If you love Durgetash, if you love the bastard Enver Gortash, if you can just try one Tavtash story (that ends in Durgetash!) and give me a chance to impress you, please try reading A Little Wicked. It will be worth your time.
What made me like the Emperor is the perspective that he acts in a lot of ways more like a "player" than a character. He is more removed from the direct action, creates an avatar to interact with the others in the world, and ends up getting more attached to his "tools" than he would have thought.
As a person before the tadpole, from what we see, Balduran was an architypical adventurer, someone who valued his freedom above all else. This likely resonates with a lot of "main character" Tavs.
In-game it is an interesting mystery to what degree the Emperor has maintained his personality post-ilithid form, and is a perspective on what might happen to Tav. It leaves a lot up to interpretation about his past and Tavs future.
I get that he is quite divisive, but Emps is a really fun character to engage with out of game, with interesting themes and questions in-game. Not every character would/should wibe with him, but personally I find him oddly likeable!
Next playthrough I gotta figure out a way to like the Emperor... what do so many people see in him... he feels like a simulator for dating a 36-year-old when you're 19
Ok so William Shakespeare's character of Richard of Gloucester is very much the archetype for the Tyrant in western literature and I just have SO MANY THOUGHTS about the way Enver Gortash wears that particular crown... (Not to mention how the fangirl in me just loves some of Richard's dialogue and could easily see it coming out of Gortash's mouth, and I'm trying so hard NOT to write a whole ass fic just so I can get Gortash to say, "I am not made of stone.")
WHO IS RICHARD III?
In real life, he was the last Plantagenet king of England, and a controversial figure, but I'm just talking about how he's depicted as a character in William Shakespeare's play Richard III (and to a lesser degree in Henry VI) . In Shakespeare's plays he is written as the quintessential scheming, backstabbing, duplicitous tyrant who will stop at nothing to gain and keep power. He concocts a massive plan in which he will manipulate the whole of the English aristocracy into crowning him king, by creating a situation in which they will be so desperate and angry at an imagined enemy that they will beg him to assume power over them. Sound familiar?
"Since I cannot prove a lover (...) I am determined to prove a villain." They have different backgrounds, but with both Richard of Gloucester and Enver Gortash there's a driving current of otherness compared to the ranks of the nobility that they're manipulating. Gortash is from a working class family but clawed his way up to join the ranks of the well-bred elite through cunning and ingenuity (and lots of crime). Richard was born into a noble family, but is physically disabled and is often mocked or insulted for it. In context, Richard uses the phrase 'since I cannot prove a lover' less as a complaint about his love life and more as a general example of how he has doesn't fit in with his peers. Basically, "You don't accept me? I'll make that everyone's problem."
"How sweet a thing it is to wear a crown..." Both of them survived trauma and violence, which was directed at them by people against whom they were powerless at the time. Gortash was sold to Raphael as a child and spent years as a target of every kind of abuse his master deigned to throw at him. Richard saw his father and brother brutally tortured, then murdered by the queen of their country, while he could do nothing to stop it. In both cases they internalized at a young age that violence = power = safety.
"Was ever woman in this humour won? (...) I, that kill'd her husband and his father, to take her in her heart's extremest hate (...) and yet to win her, all the world to nothing!" Both Richard and Gortash are platinum-tier smooth-talkers, who are skilled at getting other people to act the way they want through use of charming words. Richard shoots his shot with Anne despite the fact that she knows full well he murdered her last husband and she literally spent the first half of the scene wishing death on him. But by the end of the scene he's convinced her to marry him. Gortash, similarly, can talk the player character around to siding with him against the Elder Brain in spite of having just spent the first 2 act of the games trying to unravel his evil plots. Why? Because they're both just. that. smooth. They both have a way of manipulating others with a smile and good cheer - they sound so reasonable, even when you KNOW you shouldn't listen to them.
"Why strew'st thou sugar on that bottled spider, whose deadly web ensnareth thee about? Fool, fool! thou whet'st a knife to kill thyself." Both of them have are underestimated partly because of their ability to be charming, and partly because of their status as outsiders. Gortash because of his working class background, and Richard because of his disabilities. In both cases, there are people who find them repulsive but generally toothless (Queen Elizabeth and Ulder Ravengard respectively) who live to regret it. In both cases there are also people who ring the alarm bell that this creep is up to no good, but who aren't heeded soon enough.
"And thou unfit for any place but hell." "Yes, one place else, if you will hear me name it." "Some dungeon." "Your bed-chamber." They both have a little bit of that freak in them and seem to get off on trying to fuck people who want them dead. See: Richard with Anne. Durgetash in general.
"I'll be at charges for a looking-glass, and entertain some score or two of tailors." Gortash and Richard are both exceptionally well-dressed, to the point of vanity. Gortash is described as handsome in the game, but even fans who dig him can admit that he has a very unconventional style of attractiveness. His teeth are discolored, his skin is blotchy, he's pushing late middle age, and he's got the sort of flat features that other fans have pointed out are typical of boxers and other people who've gotten punched in the face a lot. Similarly, Richard is described as hunchbacked and with features so deformed that 'dogs bark at (him) as (he) passes by'. Yet, despite not being conventionally pretty, both of them seem to spend a lot of money on their clothes. ... this is getting long, so I'm going to end this here. Might do a part 2 later if the brainrot is still upon me.
This really comes to play in a fun way later, after talking to Mystra. Gale will justify being given ultimate power by saying something to the effect of, "you know me to be a moral and reasonable person, right?" The very same Gale who you can convince to do atrocities and break the rules of magic with.
This is such a fun aspect of Gale that is not often talked about. He is polite, even caring towards the struggle of others, but his moral center is aligned with your character in such interesting ways. The ways that he mirrors the player characters morality makes him a real joy on both good and evil playthroughs!
now I'm curious...who is Gale morally imitating?
I know you haven't played the game so I'll write this through that lens, but I think he imitates the player! More so than the other companions, he is willing to go along with what you suggest including some pretty morally abhorrent choices (which he pushes back against... but he doesn't leave unlike two of the more explicitly good characters). He voices support for seeking power even when it's through pretty questionable means. I have often said he's more nice than good and part of that is if he develops a close relationship with the player, he'll go along with their version of morality, the prioritizes the people close to him far more than any broader moral obligations... this can be beautiful like wanting to stay with you if you become an illithid brain eating monster but also beautiful because you know he'd definitely help you source the brains to eat. he'd find a way to justify it for sure
Inktober Day 4
Sauron just keeps on aggressively proposing…
Taylor also has insane Cheated energy. "Let's see how many minds we can stack" is certainly her kind of plan. I wonder if this makes Contessa/Cauldron the Narrator...
STARRING:
Taylor Hebert as THE CONTRARIAN
Amy Dallon as THE HUNTED
Lisa Wilbourn as THE SKEPTIC
Scion as THE HERO
Eden as THE PRINCESS
What if this is Gortash's way of having a plan to betray the others. Just as Durge is planning to end the world, with himself and Gortash as the last living beings, what if Gortash was planning on "liberating" Durge from their bhaalspawn flesh and blood. Durge would be a part of Enver's perfect order. Maybe both of them are hatching plans to subvert the other for their cause, tyranny and murder respectively. This is a wild rabbit hole indeed.
Let's say, Durge somehow defies daddy Bhaal and Gortash does not bite the grass.
Let's say, despite tireless efforts Bhaal doesn't rly like letting go of his kids, esp not those crafted from his own flesh and blood.
Let's also say, Gortash, the mad unethical scientist, would find 'ways' for Durge to get rid of the burden that is their Bhaalspawn body (essence may be gone but that body still Bhaals property technically).
And now, cuz I'm feeling funny, what if the Steelwatch and the whole consciousness/souls bit Gortash got going on is precisely with that in mind? After all, Gortash is a tyrant obsessed with freedom. And Durge is his equal. So of course he'd assist in their escape from their own hell, too. And if what they need is a new vessel to store their consciousness, well, Gortash and his mechanical puppets are happy to oblige.
I'm onto smth I know it (and this is definitely not just a scrapped ending that I've been reconsidering again)
This kind of in-universe material would probably work really well in getting across the sort of piece-meal way a lot of superhero media works best in. You could tether it in the reactions of people and the world and have the feeling of there being a larger history in the background of the character, without having to go through the enormous backlog of comic-book history.
Superman is the character this would be the smoothest to pull off with, due to his global influence in-world, and wide-spread imaginery in real life. But it could likely work with others too. A documentary showing the effects of Batman on Gotham, or the evolving public perspection of the Hulk would be so cool to watch too.
The news montage sequence from Batman Vs Superman remains, to this day, one of my favorite three minutes of superhero fiction
Honestly this is one of the reasons Bloodborne's rally mechanic works so well. Oh, you hit me cause I got greedy. Fuck that, I'm going to hit you again and keep hitting you after you fall dead to the ground. Wonderful combination of game mechanics and in-lore flavour.
the only mistake I make in elden ring and other soulslike games is not being unable to dodge or block in time, it is quite simply that I got fucking greedy.
i want that bitch dead and I can't help trying to get an extra hit in even though they rock my shit and punish me every time.
I will not apologize nor will I ever stop.
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