A Lot Of Thoughts About Enver Gortash And The Text Of Richard III

A lot of Thoughts about Enver Gortash and the text of Richard III

Ok so William Shakespeare's character of Richard of Gloucester is very much the archetype for the Tyrant in western literature and I just have SO MANY THOUGHTS about the way Enver Gortash wears that particular crown... (Not to mention how the fangirl in me just loves some of Richard's dialogue and could easily see it coming out of Gortash's mouth, and I'm trying so hard NOT to write a whole ass fic just so I can get Gortash to say, "I am not made of stone.")

WHO IS RICHARD III?

A Lot Of Thoughts About Enver Gortash And The Text Of Richard III

In real life, he was the last Plantagenet king of England, and a controversial figure, but I'm just talking about how he's depicted as a character in William Shakespeare's play Richard III (and to a lesser degree in Henry VI) . In Shakespeare's plays he is written as the quintessential scheming, backstabbing, duplicitous tyrant who will stop at nothing to gain and keep power. He concocts a massive plan in which he will manipulate the whole of the English aristocracy into crowning him king, by creating a situation in which they will be so desperate and angry at an imagined enemy that they will beg him to assume power over them. Sound familiar?

A Lot Of Thoughts About Enver Gortash And The Text Of Richard III

"Since I cannot prove a lover (...) I am determined to prove a villain." They have different backgrounds, but with both Richard of Gloucester and Enver Gortash there's a driving current of otherness compared to the ranks of the nobility that they're manipulating. Gortash is from a working class family but clawed his way up to join the ranks of the well-bred elite through cunning and ingenuity (and lots of crime). Richard was born into a noble family, but is physically disabled and is often mocked or insulted for it. In context, Richard uses the phrase 'since I cannot prove a lover' less as a complaint about his love life and more as a general example of how he has doesn't fit in with his peers. Basically, "You don't accept me? I'll make that everyone's problem."

"How sweet a thing it is to wear a crown..." Both of them survived trauma and violence, which was directed at them by people against whom they were powerless at the time. Gortash was sold to Raphael as a child and spent years as a target of every kind of abuse his master deigned to throw at him. Richard saw his father and brother brutally tortured, then murdered by the queen of their country, while he could do nothing to stop it. In both cases they internalized at a young age that violence = power = safety.

"Was ever woman in this humour won? (...) I, that kill'd her husband and his father, to take her in her heart's extremest hate (...) and yet to win her, all the world to nothing!" Both Richard and Gortash are platinum-tier smooth-talkers, who are skilled at getting other people to act the way they want through use of charming words. Richard shoots his shot with Anne despite the fact that she knows full well he murdered her last husband and she literally spent the first half of the scene wishing death on him. But by the end of the scene he's convinced her to marry him. Gortash, similarly, can talk the player character around to siding with him against the Elder Brain in spite of having just spent the first 2 act of the games trying to unravel his evil plots. Why? Because they're both just. that. smooth. They both have a way of manipulating others with a smile and good cheer - they sound so reasonable, even when you KNOW you shouldn't listen to them.

"Why strew'st thou sugar on that bottled spider, whose deadly web ensnareth thee about? Fool, fool! thou whet'st a knife to kill thyself." Both of them have are underestimated partly because of their ability to be charming, and partly because of their status as outsiders. Gortash because of his working class background, and Richard because of his disabilities. In both cases, there are people who find them repulsive but generally toothless (Queen Elizabeth and Ulder Ravengard respectively) who live to regret it. In both cases there are also people who ring the alarm bell that this creep is up to no good, but who aren't heeded soon enough.

"And thou unfit for any place but hell." "Yes, one place else, if you will hear me name it." "Some dungeon." "Your bed-chamber." They both have a little bit of that freak in them and seem to get off on trying to fuck people who want them dead. See: Richard with Anne. Durgetash in general.

"I'll be at charges for a looking-glass, and entertain some score or two of tailors." Gortash and Richard are both exceptionally well-dressed, to the point of vanity. Gortash is described as handsome in the game, but even fans who dig him can admit that he has a very unconventional style of attractiveness. His teeth are discolored, his skin is blotchy, he's pushing late middle age, and he's got the sort of flat features that other fans have pointed out are typical of boxers and other people who've gotten punched in the face a lot. Similarly, Richard is described as hunchbacked and with features so deformed that 'dogs bark at (him) as (he) passes by'. Yet, despite not being conventionally pretty, both of them seem to spend a lot of money on their clothes. ... this is getting long, so I'm going to end this here. Might do a part 2 later if the brainrot is still upon me.

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This kind of in-universe material would probably work really well in getting across the sort of piece-meal way a lot of superhero media works best in. You could tether it in the reactions of people and the world and have the feeling of there being a larger history in the background of the character, without having to go through the enormous backlog of comic-book history.

Superman is the character this would be the smoothest to pull off with, due to his global influence in-world, and wide-spread imaginery in real life. But it could likely work with others too. A documentary showing the effects of Batman on Gotham, or the evolving public perspection of the Hulk would be so cool to watch too.

The news montage sequence from Batman Vs Superman remains, to this day, one of my favorite three minutes of superhero fiction


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Contessa/Eidolon where Eidolon is hyperparanoid the entire time because what if her path to victory really does work on me and this has all been a setup lasting decades and Contessa is hyperparanoid the entire time because her path to victory really doesn't work on him and what if he's gone crazy like Manton did and he's luring me in to kill me and ruin humanity's chance of survival. It would be incomprehensibly bad for both of them. I would read 1.6 million words of it.


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10 months ago

Also, the way that Danny is seen as a bad parant are the sort of things people are used to seeing as byproducts of the genre Worm takes place in. He fundamentally lacks control over Taylor, to such an extent that he can't stop her from sneaking out to rob banks or fight in a gang war.

He shares these traits with a lot of parant figures in media, who are often not portraited as moral failures. People are rarely mad at Aunt May for negligence over Peter Parker, after all.

When it comes to him confronting Taylor, he is pretty much out of options. The readers also know Taylor actually holds all the power in their relationship, even if she doesn't want to use it. Thus him wanting her to really tell him what's going on, and stopping her from leaving unitil she does, isn't seen in such a bad light.

Danny is written as a flawed person, but we know from both his and Taylor's thoughts, that they care about each other. Danny's flaws both allow the story to happen and create interesting conflict for Taylor, without framing him as a bad person. As a story parent, I would say he is alright.

can you fucking believe there are people who voted that danny is a good parent in that one poll a while back


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Inktober Day 4

Inktober Day 4

Sauron just keeps on aggressively proposing…


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Introducing The Domains of Dread is a super interesting way to continue the story after the events of the game! Lots of cool ways to yes-and existing storylines. Astarion obviously has potential connections to Barovia, but so might Sentry if the theory that Bhaal created Strahd holds true.

Sentry and Gortash seem wonderfully tragic! Such a good concept too.

One Thing That Needs To Be Understood About Sentry Is That He Is Never Really Good Aligned. He Can Be
One Thing That Needs To Be Understood About Sentry Is That He Is Never Really Good Aligned. He Can Be

One thing that needs to be understood about Sentry is that he is never really good aligned. He can be a kind person and very likeable, he can be considered a hero and helpful to his friends, some of whom may be good people, but his heart will always belong mostly to Gortash.

Of course as a polyamorous person, he still has deep feelings for Astarion and Halsin, of course he cares for his children and his friends, but if there is a chance he can elevate or worship Enver in any way, that he can help him or protect him, he is going to.

No one has ever loved him for who he is in the same way Enver has. His Bhaalist family accepted his urges but never his trans-ness, his new partners accept his trans-ness, but there's an expectation to "recover " from his urges. Enver accepts both at face value and beyond and even encourages and marvels at Sentry's brutality and macabre creativity.

Sentry is the first person Sentry allowed to impregnate him and did not get rid of the child immediately. He was the first person Sentry saw any semblance of future with, whether it ended in him devouring Enver's flesh or not.

Following the events of the game, he does retrieve as much of Enver's remains as he can, bury them, and begin the process of resurrecting Enver even at the cost of his own safety and freedom. He does everything and anything to begin to turn Enver into an immortal and powerful lich whom Sentry would willingly serve.

When this comes to fruition, he then sets about freeing Enver from Bane's grasp. He claims to his friends and lovers that this is redemptive, but really Sentry doesn't care if Enver repents or not as long as they are together and in love.

Ultimately, this leads to Sentry's enslavement by either a powerful devil or demon lord and Enver's transformation into a Dark Lord in his own Domain of Dread out if despair for losing Sentry and being unable to share his final rise to power with him.

I am nothing if not deeply obsessed with tragedy and dark romances.


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Gortash has a 'love' for humanity and it's making me sick cuz that's perhaps why I even like him. Cuz it's twisted and messed up and rotten, so fucking rotten, but it's there, and his every step and every plan of his strives towards the betterment of the status quo in some way and advancement of humanity in a way that's just making me sick.

In this essay I will-


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Why You should Read "A Little Wicked"

(if you like villains, BG3, smut, and Enver "Slithering Wet Malice" Gortash)

A Halfling Cleric (least played race and class combo!) main character with nuanced morality, a layered backstory, and who engages in sincere, messy non-monogamy

Humor in conversations, from puns to jokes to Enver Gortash deadpan snarking at the Morninglord Lathander himself

A serious, nuanced look at how an ascension-chasing Astarion would be in a relationship

A Tavtash pairing that makes sense with the underlying character motivations while still respecting a historical (and future) Durgetash pairing

Melting hot smut in multiple pairings and scenarios that fit into the story as a whole

A full chapter dedicated to the Temple of Bhaal and the emotional Descent to the Underworld experience of a Reject-intending Dark Urge

An ending where we don't have to choose between the Emperor and Orpheus!

Roah Moonglow enjoying milk tea. Yes, that's an entire bullet point on its own. Y'all don't give enough love to her

Lots of DnD lore shout-outs, from the MC's deity to Barovian implications to reminding everyone that their favorite new-beginnings god has a cataclysm named for him

I talk up A Little Wicked a lot, and that's because it deserves it. It's a longer fic, 57,000 words in eleven easy-to-split-up chapters. It's an act 3 rewrite, with no copied scenes, but with new spins on many in-game events (let's just blow a hole in the Szarr Palace lmao,) and it's written by someone who genuinely likes and understands all the characters they write about. It's my first novel-length fic, and anyone who drops in my DMs about it raves about how emotionally invested they become, how true the characters are to the game, how this little fellow Zefira Shadebrook is someone they come to love!

I know, maybe people are like "eh, a halfling having sex" - but give me a chance, please! If you love Durgetash, if you love the bastard Enver Gortash, if you can just try one Tavtash story (that ends in Durgetash!) and give me a chance to impress you, please try reading A Little Wicked. It will be worth your time.


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Musings on Haladriel/Saurondriel after the season finale fight. I thought the fight itself was excellent! This more clearly matched my expectations for how Sauron and Galadriel would interact after the reveal. Adrenaline filled combat, with unresolved tensions that could be cut with a sword. Clark and Vickers were both amazing and despite the expected direction, I found myself at the edge of my seat!

Sauron clearly has a peculiar relationship with pain, as he described to Celebrimbor. His closest model for intimacy, Morgoth, made him see pain as a game, to prove whose will is greater. In that context, it's interesting how the closest emotional bonds he is shown to have are with those who push through the pain, and continue to defy him.

Both Galadriel and Celebrimbor score victories in their "contest of wills", Galadriel through turning him down again, and Celebrimbor resisting until his death. All this to say, Sauron has a type, and playing hard to get seems to work on him!

I don't think Sauron hurting Galadriel in that sense means he is unable to love her or it was purely deception. People can hurt the ones they love all the time, after all. :) What struck out to me was that after Galadriel is wounded, he doesn't try to stab her hand or otherwise take away Nenya by force. Even through their game, even though he is twisted, he wants Galadriel to choose him, to hand over her ring of her own free will. And that both leads to her escape and is agonizingly sweet!


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10 months ago

Suddenly faced with the possibility of Amy picking up the Carnage symbiote. Or maybe that's just Bonesaw. Either way, everyone loses.

Hmm.

Odd question, which one fits better for Taylor and Victoria: fighting Batman Rogues Gallery or Spider-Man Rogue Gallery (and why?)


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10 months ago

Ultimately my opinion has shifted a bit, Danny was more in the wrong than I recalled at first. However, in the interest of discussion, I think it should be accounted for how opposite their goals here are.

If Taylor got her way, she would keep sneaking out, throwing herself into life threatening situations. Possibly without telling Danny anything. She definately wasn't going to quit even if he communicated his concern more properly.

And if Danny got his way, she would likely have to stop her crusade, tell him about her powers and accept moving schools or some other temporary solution, removing her from her most important source of support, the Undersiders.

There was no way this could have been solved without something blowing up in their faces, as ended up happening.

can you fucking believe there are people who voted that danny is a good parent in that one poll a while back


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strangecrownednightmare - Ravings of a Crowned Nightmare
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