I will never be over the absolute irony of how this movie has been treated in the award shows. The golden globes, the critic choice awards...all we need is one more moment from the Oscars and we'll have a perfect trifecta of fuckass blindness.
Like seriously? "I'm Just Ken" was a song quite literally made to be an ironic incel anthem, and they gave that the spotlight? Don't get me wrong, Ryan Gosling gave an excellent performance but even the man himself was baffled.
Like look at his face. That is the look of a man who just realized he is quite literally living the reality of the movie he made and somehow everyone runs face first into the point, and right past it. He wants someone to say "You just got punked!" so bad.
RYAN GOSLING "I'm Just Ken" wins Best Original Song at the 29th Annual Critics' Choice Awards (January 14, 2024)
1- For You by dynamighttiddy (Honeygothic)
2- On Monsters and Lesbians and the Inevitable Overlap Between the Two by mor (mornin)
3- Take a Bite by ghostinurattic
4- be an anchor for you by a_sentimental_man
5- Kidnapped by a pretty little dead girl by lexistentialcrisis19
6- holding on tight, don’t slip away by summershouto
tags: @birdsandbeetlesandmoths @ray-the-human @dyn3m1ght @luisaloveshoney @btxtyuri @harbingerofsillies-reblogs @echoelena-ing @ihaventsleptinweekz @magical-grrrl-mavis @pitifulbinx @thisisgrass @beeeepsi @mafuyuchii @morallygreykoifsh @mylittleponywithblitzo @sophia-romantica
@aight-griffin @themantheguytheloser @amygdalabeandip
please, read the hashtags!
You know what's really ironic when it comes to Coriolanus Snow? It's the fact that according to The Ballad of Songbirds and Snakes, he garners attention and approval and finally mentorship under Dr. Gaul by pushing the idea of balancing humanity and spectacle in the hunger games. Make the tributes human enough to get attention and get people invested in the games. But make them spectacle enough that people don't look deep enough to question the games themselves. Make the competition human enough that people will pick sides and pour money. But make it spectacle enough that they don't protest their side losing.
It's the idea that paves his rise to power. But it's also the same thing that brings about his downfall. The spectacle of the hunger games gave a front and center platform to a naive but defiant girl from District Twelve to become the face of a revolution and the ultimate weapon against him. The measured humanity that he urged into the games got people to trust her word, trust her very image in ways that Snow had never anticipated. The balanced wielding of humanity and spectacle that Lucy Gray used to win her games is what Katniss used to end them, both enabled by Snow.
And here's the final kicker- the reason his brutally brilliant plan failed him in the end was because of the one thing Snow never took seriously enough to consider. The Districts. Snow had keen insight into how the people of the Capitol worked and thought. It allowed him to manipulate many of them. But he dismissed the role of the districts as inconsequential in the larger play of things. As long as they were kept suppressed, it didn't matter. And that's where his oversight cost him. He didn't consider the effects of the same humanity and spectacle when perceived by the districts. He didn't see how he was giving them the spark they were always looking for until the match had already been lit. The girl was already on fire. The Capitol was already burning. The snow was already melting.
Hannah Montana is fucked up because its entire POINT as a show is that children should be protected from fame and exploitation, but it stars a REAL little girl that's being exploited. Nearly every episode carries the looming threat of Miley being outed as Hannah and losing her peaceful teenage life to the ravages of fame. Her father in the show (played by her own father in real life) wisely protected her from the trauma of fame by making her wear a disguise and live a rather quiet, interview-free life. Meanwhile the REAL Billy Ray Cyrus sold his daughter to Disney Channel when she was 11 and forced her to read dialogue about how terrible it would be to face the public eye. Like... Jesus, dude. The fictional Robby Ray is 10x the father, and it's not even close. (It's also IMMENSELY funny that her dad doesn't use his real name in the show, while she does. Almost like he wanted a bit of a disconnect between his identity and his character. Something Miley didn't get.)
Epic: the musical poster~
GAHHH i cant stop listening to circe's songs ngl, this poster was a birthday gift for my gf and it turned out so good :)
You know how I know that AI will never be able to create like a human? Whether that be painting or writing or film-making?
Because no computer, no algorithm, no matter how good, can tell a story like a human can.
Shakespeare wrote his most famous tragedies from the mire of grief from losing his son to the plague. Oscar Wilde's "A Picture of Dorian Gray" had such overtly homosexual themes that the book was literally used against him when he was on trial. The shock and horror of 9/11 inspired My Chemical Romance to come together and capture the sense of disillusionment of young people at the time. Hozier today writes his songs expressing what it means to be an increasingly fascist world while still holding an enduring love of humanity. Arthur Miller wrote "The Crucible" using the witch hunts as a thinly veiled allegory to criticize McCarthyism in the 50s, a play that did, in fact have him persecuted for "contempt of congress". An entire period of Picasso's art was noticeably influenced by the suicide of his friend, but he also had other works that were inspired by his various love affairs.
If you still think AI could eventually create like that, you're missing the point. You think it's about skill, you think it's just about craft. We're aware that AI can learn any skill, excel at craft. But a story isn't the words you use, or the events that happened; a story is the person that tells it and the beauty they felt that they share with you when you experience the art. Because art itself isnt about the perfection of its presentation, its the messiness of the human experience. Your AI has no life, it has no story, it can make as many esthetically pleasing works as you want, but it cannot make art.
Do you ever think about how poetic the scene of Gojo being sealed in Shibuya is? I'm not just talking in terms of the love of his life being his downfall and the utter tragedy of their story. I'm talking about how poetic it was for Gojo himself, for the "honored one" who was basically considered a mortal god and treated as such, to be defeated in the most human of ways.
Let me explain. Again, this isn't just about the Gojo's love for Geto being his Achilles heel. Something that Jujutsu Kaisen encapsulates time and time again through various characters is the juxtaposition of power in humanity- infinitely capable in some ways and still tragically helpless in others. It's why the idea of "Sorcerers die alone and with many regrets" is such a recurring thing brought. Many of them are considerably powerful and have done almost miraculous things, but in the face of their own death or the loss of their friends or the regrets that pile up in their lives, they are powerless. In a lot of ways, that is what it means to be human, powerful and powerless all at once.
And that is what Gojo demonstrates at Shibuya. He truly proved he was, inarguably, the strongest sorcerer in centuries as he took on three special grade curses and a death painting, fought two of them hand to hand, and killed one of them by crushing it to a wall. He then demonstrated immense control and strategism by holding a domain for 0.2 seconds and then wiping out more than a thousand curses in under five minutes. He single-handedly prevented a complete massacre of humans in the area. It feels like he's proven, shown us, that he is the god everyone thinks of him as.
And then he sees the only man who didn't treat him like a god. The only one who had seen him as human and, in some ways, made him human. The one he thought he'd killed a year ago. He sees him and he freezes. At the site of his greatest demonstration of power, his Achilles heel stands exposed.
And in that minute of shock, guilt, memory, horror, and longing, he falls. So powerful he seemed invincible, yet rendered powerless in that moment. Gojo Satoru, the honored one, the mortal god, the strongest sorcerer, creates the deepest truest representation of humanity in that moment. Not just in our vulnerability to love, but in how we are, within ourselves, both the indestructible and the defeated.
people often use snow’s experiences with lucy gray as an explanation for how he engages with katniss, but i think that the true story of his downfall lies not in how lucy gray and katniss are similar, but rather in how they are different.
snow knew that it was never him that made the games what they are. it was lucy gray, with her scrappy, passionate artistry, that put on the show that kept people watching. more importantly, it was lucy gray that put on the show that kept HIM watching. all he ever did was give her the stage.
ergo, snow recognizes that the person with the power to usurp him is his natural counterpart, someone like lucy gray, who possessed both the charisma and humanity that he sorely lacks. however, in his mind, those traits are not real; they’re performed in order to obtain power. how could he know better, when he’s never experienced them himself, and the only person he ever truly believed possessed them betrayed him?
so snow keeps his eye out for performers, people with gravitas who could capture the heart of the nation, and squashes their spark as soon as he can. people like haymitch. people like finnick.
and that’s where snow goes wrong. he doesn’t see katniss’ similarities to lucy gray from the start, because while they both demonstrate astonishing, intriguing bravery at their reapings, their actions and motivations are completely different. lucy gray is motivated to perform by anger for herself, and katniss is motivated to sacrifice herself by fear for her sister.
but then katniss starts to put on a show for the audience, kissing peeta and being willing to die with the berries at the end of the 74th games. snow starts to see an entirely different side of katniss that resembles lucy gray to a concerning degree. he sees how, with peeta at her side, she could beguile the nation the same way lucy gray had. and, even worse, she was using the poor, helpless boy who had the misfortune of falling in love with her to survive. the moment katniss started performing, he finally sees lucy gray within her. but it’s already too late.
by catching fire, katniss is the spark fanning the flames of the resistance, but snow fails to understand why. as far as he’s concerned, katniss’ star power comes from her connection to peeta. he tries to weaponize their “love” for his own gain, but it doesn’t work, not because people don’t believe that she loves peeta, but because, for the first time, a victor offers her winnings to the family of a fallen tribute.
snow is caught in a catch 22 of seneca crane’s making—if he kills katniss, she becomes a martyr. but if he lets her live, she’ll be a revolutionary icon. either way, she’s the spark. so he has no choice but to allow the spark to flicker, just for a little while. enter the 75th games. snow knows he needs katniss to die a tragic death in the games. more specifically, he needs it to be a brutal death at the hands of a tribute, not the gamemakers, because he understands that as long as the districts see the capital as the one who ended the life of katniss everdeen, she’ll still be a martyr.
but snow still doesn’t get it. in the quarter quell, the prey does not become predator. katniss’ allies protect her, ensuring she survives until district 13 rescues her. why would they protect this girl, assuming such a steep personal risk? why would they put everything on the line for a revolution they personally stand to benefit little from? he doesn’t know. but he does know that lucy gray katniss is at the center of it all, so he tries to eliminate what makes her look best: peeta.
and that is snow’s fatal mistake. what he, coin, and everyone but haymitch fail to understand is that it was never peeta that made katniss look good—it was katniss, who befriended and put faith in rue. katniss, who recruited mags, wiress, and beetee as allies. she is the source of revolutionary inspiration. it isn’t her charisma or even her compassion, and it certainly isn’t how well she performed those virtues.
katniss becomes the mockingjay because of her solidarity.
lucy gray was charismatic, like peeta, and compassionate, like both peeta and katniss, but she did not demonstrate solidarity. she was never truly “district” in the way katniss is. she showed kindness to jessup, not because he was from 12, but because he showed kindness to her. lucy gray left behind everything and everyone she loved when she left coriolanus, because she was first and foremost a survivor.
katniss was a survivor her whole life, but she survives exclusively to ensure the people she loves are protected. she always does what she can for people more vulnerable than herself. lucy gray couldn’t have sparked a revolution on her own because she lacked the solidarity that makes a hope for a better future authentic to others. katniss is the human manifestation of solidarity, and to a people divided by a common enemy, that’s the most inspiring thing a person can be.
only in the end, when katniss shoots coin, does snow realize none of it was a performance. choking on the blood of his countless adversaries, snow’s final moments are consumed by what he got wrong. what made lucy gray and katniss different ends his reign, but ironically, the final nail in his coffin is an act that both lucy gray and katniss share in their last moments with snow. they both prove, unequivocally, that he is not the center of their worlds like they are his. lucy gray put her own survival before her love for him, and katniss puts the future of her nation before her hate for him. in the end, he simply doesn’t matter. and that’s greater justice than could have ever been achieved if katniss had fired her arrow into his heart.
the greatest enemy to coriolanus snow could only be the person who reignited the embers of a dying revolutionary fire, who demonstrated to a broken people that while one spark alone might not be enough, thousands of sparks uniting in solidarity is an unbeatable force.
and really, he should have known better. after all, fire melts snow.
the hidden inventory
Thanks for answering my ask....if you don't mind me asking (again), can I ask your top 5 (or top 3) favorite characters from The Hunger Games? And why you loved them?
- And your top 5 favorite moments from the series? Also, why do you really love The Hunger Games (series)? Thanks if you want to answer....
I don't mind answering!
I don't really have favorite characters. Like I find each character intriguing in their own way and I love talking about them, but I've never really been able to pick favorites if that makes sense?
As for favorite moments, in no particular order:
- When Finnick reveals what the Capitol did to him and everyone sees just how soulless the Capitol is and it proves that the games are never really over
- The mockingjay dress reveal and Katniss' horror when she sees Cinna has basically just declared an open act of rebellion basically
- When Katniss brings a bunch different twigs of different trees together to create a bundle that would smell like the forest to remind Johanna of home
- When Peeta first asks Katniss "Real or not real"?
- When Katniss volunteers and everyone gives her the three finger salute
I have too many thoughts at 3am and only one head
60 posts