“Lan Zhan! Let me ask you, back then, under the Xuanwu cave in Dusk-Creek Mountain, the song that you sang me, what was its name?”
“Why do you suddenly remember to ask about this?”
“Just say it. What was its name? I think I might’ve guessed how you recognized me.”
Wen Ning: *sends a voice message to WWX*
Wei Wuxian: (texting) I’m a little busy, is it urgent?
Wen Ning: (texting) No, don’t worry, just listen later.
[later]
Wei Wuxian: *presses play*
Wen Ning’s voice message: THERE’S A FIRE—
a follow-up to this post (part 1).
and in this part it's gonna be the rest of the moriarty's party + even more fun facts about birbs~
MORAN: a steppe eagle. these birds are large and formidable birds of prey that both hunt live game and don't shy away from scavenging for carrion. and that's exactly the line of thought that i used for an association here. moran, as william's right-hand man, matches this description well: he both hunts down those who are not needed alive anymore, and clears william's path of any filth that could lead to the lord of crime and get in their way. tbh initially he was meant to be an eastern imperial eagle, but i settled for a steppe eagle purely because in my mind, it matches moran's appearance more (as its plumage is quite darker than that of an eastern imperial eagle).
FRED: a shrike! these little cuties look harmless and defenseless, but in reality they're as much fierce hunters as any preying bird. shrikes can eat about anything from insects to vertebrates, including other birds as well, and are known to hunt prey even larger than themselves. but their uniqueness comes from their hunting technique. as shrikes are not true birds of prey (they're passerines), lacking assets that those guys have (like sharp talons), they stalk their prey and ambush it in one swift strike, using their beaks to break victim's neck. and when it comes to killing prey bigger than themselves, they often impale it by carrying and throwing it at sharp barbs or thorns. all in all, they're such cool birdies lol.
anyway, all that yap is just to say that fred's fighting skills and his general role as a spy that hide behind his quiet and kind character (or is it the other way around?) remind me a lot of shrike's behavior and its deceptive nature.
BONDE: right after william, he was the second one with whom i struggled the most, but eventually i've settled on a european bee-eater for him. it's a very beautiful and colorful little bird that imo perfectly reflects james' charm and charisma. but another noticeable thing about bee-eaters (as it's evident from their name lol) is their diet, which consists mostly of, well, bees. sadly, for that reason some beekeepers would often kill them thinking they ruin their hives (which is not the case at all). in a way, that somewhat reminds me of irene adler's fate as well, considering how they endangered themselves for so long while working for a good cause, but then got involved in something far bigger than themselves and just... couldn't handle it, because, despite how talented they are, they're but a human being after all (or a bird being in case of bee-eaters ig).
JACK: ok, it seems like this fancy old man is actually the only one who gets two picks from me lol. you see, i just can't imagine him in his youth and him in his old age to be the same bird. idk, he's like a totally different person, and that's it.
alright, so, the first one, corresponding to his youth, would be a golden eagle. this apex predator perfectly describes jack at his prime, with him being feared by both his foes and allies alike.
the second pick, matching his old butler persona, would be a white stork. tbh it should've been a black stork, as i think its shy and reclusive nature better reflects jack's retirement and living for years as a simple butler, severing any possible connection to his past. and, uhh, bc how could i not include a black stork in a bird list of mine.... my friends would be shocked if they heard about it lool. but then i kinda looked again at this old man and thought that he's. um. if he's old, let him... be old. and look just as glorious for his age even as a bird. :p
MONEYPENNY: a short-eared owl! just... dang. look at how gorgeous these birds are and tell me that moneypenny isn't just as gorgeous as them. honestly, it's one of the few characters/birds where i went mostly by vibe and somewhat by appearance, but gosh that owl looks just like her incarnate, and i can't see it any other way.
VON HERDER: a proud example of a true magpie! he's sooo magpie-coded lol. again, as yet another corvid, magpies are intelligent birds that are also quite playful and energetic. even though them liking shiny/metal things is actually a myth, they're still fond of collecting some little trinkets for building their nests. and i can't help but think of von herder who always does as he pleases and invents all kinds of stuff from nothing. i bet if you give him one day, a can of trash, and leave him in a basement, he'll make you an endless engine because he got too bored. and him loving those strange metal puzzles? so cute. so magpie.
Inspired out of spite by a post where someone said Lan Wangji not wanting to hear thank you and sorry from Wei Wuxian in the novel is stupid because healthy couples need communication and this is why CQL is better. LMAOO
OK. Before starting I want to point out that one of the themes of the novel and Wei Wuxian's characterisation is the concept of indebtedness and owings . It is one of the reasons why he is so dutiful towards the Jiangs and why he sacrifices his golden core and the reason he resurrects Wen Ning.
The words Thank you and Sorry are very significant in the story and are very explicitly tied to the above mentioned themes. They are the words Wen Qing says to Wei Wuxian in her parting because she feels indebted towards Wei Wuxian as he has protected her and the rest of Wen remnants and even resurrected Wen Ning on her request. Wen Qing and Wei Wuxian have a cycle of debts where they both believe they owe each other. [Just to clarify I don't think it's just indebtedness that defines their relationship but it's definitely there ].In the next life Wei Wuxian uses the exact pair of words on Jin Ling as he owes him for insulting his parents whose deaths are caused by him.
As you can see these words are explicitly associated with indebtedness and owing.
Lan Wangji loves Wei Wuxian unconditionally. He obviously wants Wei Wuxian to return his feelings BUT he does not want Wei Wuxian to do so out of indebtedness or gratitude. Whenever Wei Wuxian says thank you to him, the narration describes as him being tense and sad, the cause of this is as I described earlier and also because in the past whenever they have exchanged these words they have parted on bad terms.
The text is very explicit about this.
"Lan Zhan you're really scared of me telling you 'thank you', aren't you? I suddenly remembered many of the times we parted ways in my past life, I said 'thank you' to you right before. And every time we separated, I worsened the next time we met"
The time they killed Wen Chao and Wen ZhuLiu at the courier station, the time they met each other through the flowers at the towers in Yunmeng, the time they parted at Yiling's Burial Mound. Every time, he used that word to mark a clear line between him and Lan Wangji, stretching out the distance between them.
The word that finally breaks their makeout session in the inn is one thank you from Wei Wuxian where Lan Wangji snaps as he believes Wei Wuxian is only doing this out of gratitude towards him and not because he returns his feelings. It is insulting and heartbreaking to him and he is angry because of this.
When the conflict is resolved with Wei Wuxian's confession that includes :
"... I swear it's not the heat of the moment or joking around like I have done in the past. I'm not doing it out of gratitude either. Anyways, it's not because of anything else. I really just like you so much."
He deliberately clarifies that there are no feelings of gratitude or indebtedness involved in reciprocating Lan Wangji's feelings.
"Between you and me, there is no need for 'thank you' and 'sorry'."
This line by Lan Wangji defines how he views their relationship i.e without indebtedness or owings. So far all the relationships that Wei Wuxian had been a part of have the feeling of obligation and indebtedness, the Jiangs for raising him and Wen siblings for rescuing him and helping him out . Ofcourse he loves them but indebtedness and his sense of duty to repay them are also his major motivations. He takes drastic steps because of this and we all know how they turned out. Lan Wangji doesn't want this kind of relationship with him, the one he had with others in the past. He wants him to be free of ever feeling like that he owes Lan Wangji something.
Thank you and sorry are not just courtesy words here but carry a hurtful baggage and choosing not to use them isn't a miscommunication but freeing from the feeling of obligations.
stormbringers fucking insane for using rimlaine as a contrast to skk. these two couldnt trust each other fully and rimbaud only believed he could help verlaine feel human, not truly be so, and still considered him Other, however much he believed them to be equals, verlaines humanity only existed in rimbauds eyes because he gave it to him. verlaines inability to accept his own humanity or even really that rimbauds feelings for him were genuine because he, alone, singular, monstrously set apart from humanity, should be incapable of receiving anything resembling affection or genuine understanding, such that it left him betraying his partner. and then they cannot exist as two beings working seamlessly together. rimbaud and verlaine in fact cannot exist as two beings at all, only as one conjoined entity. verlaine kept alive with rimbauds skill, and rimbaud, long dead and refusing that reality until he can find his partner, existing only as an extension of verlaine. while skk who do trust each other blindly, who do see humanity in each other enough to look past when they doubt it in themselves, who see humanity not as a defined be or be not, but as a set of values, as a do or do not. they are able to exist as one act in two parts. interdependent, always, even down to their skills, but still functioning as one unit in two separate cogs made to fit together.
I know most of us (including me) laughed (quite a lot) on this scene because; Earl Ciel “Sebastian-Kill-Them-All” Phantomhive of all people, is saying something like this about killing people? It sounds so fake and ridiculous right? Hypocritical, even. But I also think it’s rather empathetic of Ciel to say this in front of the Weston boys because he understands that these boys did not murder out of evil intent; it was a crime of passion, not premeditated. I’m sure that in Ciel’s eyes, these upperclassmen of his are still much more innocent than he is—and so when he speaks to them, he is speaking to “normal people”, not serial murderers. But while Ciel does not see the prefects as evil people, he doesn’t infantilize them either. He does not empathize with them trying to justify their actions; because things like school values or reputation is not a worthy cause for these boys to kill someone over. At the same time Ciel may not personally care about the lives of Derrick Arden and the others, but he does not think students should turn into murderers over such menial issues.
In comparison, when he speaks to Joker in BOC, he was unfiltered and candid—he’s speaking of something he personally believes; that deep cynicism and distrust in humanity. Unlike the Weston students, Joker’s actions were premeditated; he planned to kidnap children—knowing they would be abused and turned into some sick plaything before brutally murdered—and methodically eliminated witnesses to avoid getting caught. Joker knew exactly what he was doing when he organized these crimes to sacrifice others for his family’s lives. And yet the way Ciel spoke, he wasn’t passing judgement on Joker at all; he acutely understood the despair of facing injustice with no one lending a helping hand; the desperate wish to protect one’s family and loved ones above what’s considered to be morally correct by society; he knows better than anyone else how hell is paved with good intentions. This too, was incredibly empathetic in a strange way that only Ciel could be. Although Joker lamented their fate as abandoned orphans living in an apathetic society, Ciel does not pity them and thus did not simply reduce them to gullible victims of their circumstances. He did not justify Joker’s actions, and he did not justify his own actions in killing Joker and the circus crew either—he was incredibly self aware and fair; equally as ruthless to other people as with himself. He understood that everyone acted in their own interests. By removing complicated principles of morality out of the equation, he is able to see things clearly and act decisively without ridiculous notions of human morality. After all, what use does he have for it when his soul is already damned anyway?
Ciel keeps away from people and refrains from making personal attachments; and yet he is still very empathetic to each of them without even meaning to. In the flashbacks, he was also depicted to be a sensitive and kindhearted child. Despite everything he has gone through, he still retains a bit of that gentleness and sincerity from his childhood; which I think comes with being naturally emotionally intelligent—he has an unusually acute insight on people which certainly helps his business acumen, and ironically also helps him know how to lie and act in front of other people. While Sebastian is a “master of understanding human desires”, Ciel understands the complexity and most basic nature of humanity better than anyone else; which forms both his cynicism and his own brand of empathy.
on that day, humanity recieved a grim reminder...
Now I'm entirely into Attack on Titan, have a Annie from the OVA Manga
SNK S4 EP13: CHILDREN OF THE FOREST
wine x blood