Hey Guys I'm Going To Leave My Fawn Response Traumatized Female Character With You For A Bit I Sure Hope

I love this because like 99% of this kind of paleoart is patriarchal Man the Hunter type fantasies but these guys are just like “fuck it we’re outta here”

My affection towards Harrow knows no boundaries like i just saw a cutesy skull hairclip and tag it “for Hawwow” when the girl is literally a 5ft warcrime

one of my friends found radiooooo which is a site that streams music from any country from any decade (well, most countries/decade combos work) and we’ve been digging going on a quest to find what is rad

so far the following is good

50s/60s/70s/80s russia

70s cambodia

20s japan

80s ethiopia

80s india

discovered this 2018 tweet from tamsyn muir and I don’t know what to do with this information

I'd divorce him too lmao

Here’s the thing: I love the horror AESTHETIC, but I hate the horror MOOD. I find “fear” and “horror” to be unpleasant emotions, ones that I don’t want to experience in my enjoyment-media.

It makes finding stuff a bit challenging, let me tell you. So like, if you know anything that fits that bill, can you share it with me? (I’m already aware of @normal-horoscopes, and I’m familiar with Welcome To Night Vale.

I like stories with things that are weird, and unnatural, and dangerous in the same sense that a river or a fire is dangerous; it cares nothing for you and can destroy you, but it also has no malice and, once you know its nature, you can work with it more-or-less safely, so long as you never think yourself “safe”.

I like dark castles ruled by ominous and mysterious beings, and I especially love the various petty drama that happens between the monsters who work in said castles.

I like things that explore the realities and challenges of different forms of unlife, of being something changed and inhuman; but I don’t like things that delve too deep into “I’m having an existential crisis and all of my former friends now hate me”, that’s a completely DIFFERENT form of horror, one which I find deeply unappealing.

Nothing exposes the inability of people to navigate power imbalances quite like the relationship between drivers and pedestrians.

For example, I just had a driver get screaming-at-me mad because I stopped walking at a slip lane to make sure he was going to stop. And like, buddy, I know I have the right of way, but if I assume you are going to stop and I guess wrong, I will literally die. Whereas if I wait to see if you're actually going to slow down, I am just delaying both of us by a couple of seconds. And that might have more to do with why I made the choice that I did than my being a stupid bitch who needs to learn the rules. Like, if you can't understand why the fact that you could effortlessly accidentally kill me (and likely face no consequences) means I am reticent to assume the best from you, maybe you just shouldn't have any power over anyone ever.

One of my favorite things about Put Baby In Pelican Mouth is that not only does the pelican have the intelligence necessary to speak human language but also knows how to lie, suggesting it has a theory of mind, yet not enough to understand that no one is going to put baby in pelican mouth.