«A horrifying morning. A blast of cold air jotted me awake to find myself not lying in bed, but standing upright on the roof with icicles stuck to my face, shivering, nearly blue from hypothermia, peering down at the ground far below. Bill brought me here. I know he could have made me jump. But he didn’t. Why? То send a message: that I’m his toy.»
Shoving the badass hot men aside to serve you some badass hot women
You can put one character in a jar and do whatever you want with them. Who are you choosing and what are you doing?
when we phrase it like putting them in a jar i either think about shaking a jar violently or building a terrarium type of thing in it for them to lay down and rest :) and there are plenty of characters whom i want to shake violently or let them rest sooo i can't pick one
but from a slightly different perspective, i'll choose hange from aot because for some reason i feel like they would be less freaked out about being in a jar and i think having a conversation with them would be so fun.
Google maps new baltimore glitch that happened in 2013
don’t shoot thy messenger.
Baroque (1998)
the reveal that mizu is not only the ronin but also the bride is so well executed. the way she walks the line between man and woman, white and japanese, victor and victim... it's good fucking writing.
Just create the thing you want to create. Because who's going to stop you? Oh, it's you yourself? Well you can't let that bastard win, can you?
I think it's cute how so many art movements are simply called "new art" to differentiate "not like the old stuff". Contemporary dance. New wave fashion. Pop (literally popular) music. Art Nouveau. Modernism. Postmodernism. Even terms starting with neo- (neo-classicism, neo-expressionism) all are just saying NEW ART. And yet all of these things are now distinctive styles of the past. It's kind of beautiful how humanity never stops outgrowing itself. Art is a state of matter that refuses to sit still, old as soon as it is new, original upon its thousandth performance, new forever so long as there is someone who has not yet seen it, and old the second the artist picks up their instrument again.