Couldn’t Agree More.

I love this art, and I love the new album! So gorgeous! I love the line work. It looks so similar to the official art in the cd books.

Peacefield took me a second, but it’s fine because so did Lachryma- and I love that song so much! So Peacefield until Satanized is great, but the next two are kind of hit or miss for me. Cenotaph until the end is incredible and fabulous. I knew I would adore ‘marks of the evil one’ just from the title😂. I am so excited for my cd to arrive!

happy skeleta day 💜

Cover and pages 1-9 of ‘Târgoviște: a Castlevania fan-comic’

What if Trevor was passing through Târgoviște and saved Lisa from being burned at the stake?

A 22 page fan comic.

Cheeryami as promised

but listen closely…

Henry Rollo as Riff Raff, Australian Tour, 2023

I choose to believe this was intentional - it’s too funny not to be 😂. We’re definitely in good hands, Perry is as much a dork as the other four papas.

Funny story. If you misremember the number for the Corinthian in the Satanized video as Corinthian 16:9 instead of 6:19 you get this:

"For a great door and effectual is opened unto me, and there are many adversaries."

Which is really funny because it's about a door the thing Papa V Perpetua was unable to get open at first.

@ink-and-dagger and I speculating before the Satanized drop…

"F*cking V"

A Different spin on an older idea (included below the cut).

The last chapter gave me thoughts about Copia's character arc, in so far as the chapters have character arcs. He seems to be going more villainous.

Anyway I finished a thing. Not entirely happy with it but I've been really struggling with art block as of late so getting anything done feels like an achievement!

Movies with Scarecrow vibes?

Ahhh, thank you so much for sending this! This might be long-winded, as I tend to be, but such is the way of Cranerot!

Naturally, Brian de Palma's Carrie. Aside from the plot and thematic matches almost eerily to Scarecrow: Year One to the point I'd be shocked if it wasn't a direct inspiration, de Palma's camp balanced with heartrending drama and tragedy and a horror where nearly everyone involved is a monster has Crane written all over it. I actually have several tracks from the score on my inspiration playlist for when I'm writing him!

Hellraiser (1987)! Jonathan Crane is so, so, so Cenobite-coded (highly recommend @acapelladitty's Cenobite!Crane AU, incidentally)! An old house filled with secrets, a plucky heroine whose sanity is doubted but who wins the day (at a great cost), and creatures that want to bring you to the height of sensation until the joy is inextricable from the anguish...it very much suits his more sensual reverent speeches/quotes about fear. "We have such sights to show you" could so easily be a Scarecrow quote, and likewise, "Eventually, the victim desires the horror" could very believably be a Pinhead line!

Since you mentioned it in The Most Poetical Topic, Night of the Hunter (1955) as a Southern noir quasi-folktale thriller absolutely suits the more charming, insidious iterations of Crane, in atmosphere, setting, antagonist, and in the themes of corrupted religion. The themes of childhood fears and defeating your demons while also struggling with their humanity both suit different phases of Jonathan Crane in his life, and the responses to and from the people he knows and terrorizes.

On the note of the South, O Brother Where Art Thou provides heavy atmosphere that give off Crane vibes, bringing a mythic epic to the setting of his backstory, with the music and monsters therein giving a good feel of everything that built the man and the monster.

Also naturally, many a mad scientist movie! The Cabinet of Dr. Caligari gives us a corrupt asylum director who torments his patients until he eventually becomes one of them, and Re-Animator gives us an actual former Scarecrow actor, Jeffrey Combs, in a very Crane-like role when it comes to being penalized in academica for horrific and unethical experiments. (It's even set in the original Arkham for which Gotham's is named!!) The Fly isn't quite as on point, but it does still give those vibes as well. And although the degree of 'madness' when he plays him is debatable, any of Cushing's roles as any member of the Frankenstein family come to mind since he's very much an old school!Crane figure.

A Nightmare on Elm Street (1984): yes, yes, 'look out for Mr. Pricky-Fingers', in the words of Codotverse!Scarecrow, but fear gauntlets/needles gloves aside, Freddy is the boogeyman who is literally fed on fears, and he much better gives the feel of a distinctly Scarecrowish tormentor than, say, your average Pennywise or other. Nancy's speech to him at the end is highly reminiscent of those who've managed to successfully stand up to Crane over the years, too.

Halloween (1978): On the note of boogeymen, and other than the "one good scare" quote you yourself have mentioned, I imagine Scarecrow to move and function a lot like Michael Meyers; slow, creeping, inevitable. Every kid in Gotham City thinks this place is haunted. They might be right!

For the pure fanservice of it/JonBecky vibes, let's say both the Lon Chaney and Charles Dance Phantom of the Operas, Death Takes a Holiday (1934), The Shape of Water, and The Ghost and Mrs. Muir inspire how I conceive of the more romantic side of our beloved Scarecrow. I'll throw in Silence of the Lambs as well, since that gives us an incarcerated evil psychiatrist meeting his match in an intrepid young woman involved with the law who he forces to face her formative traumas, but who manages to come out on top despite his machinations.

A few Hitchcocks, honestly! The Birds is outright referenced in Year One and definitely gives life to the visceral horrors he underwent in the old Keeny chapel, whereas Vertigo more in atmosphere and obsession captures a lot of torment he experiences. I also do see shades of crane even in Norman Bates' "private traps" speech!

Thanks so much for sending this along!

These two in their best form. I love enchanted forest Rumbelle so much, I miss them…

average t4t couple tbh

🍑 💍 ⚡️ LISA FRANKENSTEIN (2024) dir. Zelda Williams