9.12.21 (technically. Actually Finished It 12.29.22)

Arthuriana ask game!!

bc why not

♘ Favourite Knight/King

🫅Favorite Lady/Damsol/Queen

💚 Favorite Quest/Story Arc

✒A Medieval Text You Like

📚A Retelling/Modern Work You Like

📽Recommend a book/movie/tv show etc

💛A Sibling Group/Dynamic That IS NOT The Orkneys

🏴󠁧󠁢󠁳󠁣󠁴󠁿Okay Now You Can Talk About Orkneys

😤Your Most Specific Nitpick About Your Fave (anything from "Gareth would not have a beard" to "this is basically a different guy")

🥰An Arthuriana Headcanon

😏Gawain?

🥖Favorite French/du lac (Lancelot, Hector de Maris, Bors, Lionel, Galahad, ect)

👨‍👦Favorite Parent

🗡️Who Are You Betting On In This Month's Tournament?

🙏Pick A Grail Knight

🏴󠁧󠁢󠁷󠁬󠁳󠁿Pick A Pelli Spawn (Percival, Aglovale, Tor, Lamorak, Aylane, Dindrane, Donar, ect)

💏Crack Ship (s)

🫂Platonic Ship(s)

Obscure Arthurian text which everyone should read #1: The Story of the Crop-Eared Dog

This is what happens when you mash together a revenge quest, a slasher movie, a buddy road trip, a bildungsroman, a fantasy epic, and a shaggy dog story and set it in medieval times. Because there aren’t many Irish Arthurian texts, whether Bhalbhuaidh, the protagonist, is meant to be Gawain or Galahad is controversial. His name and titles could point to either and his life situation seems more like Gawain’s, but I will refer to him Galahad because I find the idea of a Galahad AU where he’s pagan and gallivants around with a prince who was turned into a giant dog and lost all qualms about murder along the way entertaining. It starts when Arthur, who inexplicably holds the title of King of the World, convenes a hunt in the Dangerous Forest on the Plain of Wonders and the mysterious Knight of the Lantern does what any antagonistic knight worth his salt would do: gatecrash and ask for violence. It gets less normal very rapidly from there. Abhlach the druidess is at least as awesome as she is wicked, Galahad may or may not have a magical music-making sword, and the fact that there’s an Island of Naked Monks is never given any explanation because it’s only mentioned in passing when the dog tells Galahad he killed them all. 

Yeah, it’s a fun read.

Here’s a link to the translation I read:

Internet Archive

The story of the crop-eared dog; the story of Eagle-boy : Macalister, Robert Alexander Stewart, 1870-1950 : Free Download, Borrow, and Strea

207 p. 23 cm

i don’t need gps or directions, i start walking and end up in the story pivotal location like a maiden from arthurian legends

That is the start of William F. Skene's translation of "Cad Goddeu". Here are others for comparison (with a couple more lines because I like them):

I was in a multitude of forms before I was unfettered: I was a slender mottled sword made from the hand. I was a droplet in the air, I was the stellar radiance of the stars, I was a word in writing, I was a book in my prime. I was the light of a lantern For a year and a half…"

--Marged Haycock

I was in many a guise before I was disenchanted. I am a grey-cowled minstrel : I believe in illusion. I was for a time in the sky : I was observing the stars. I was a message in writing : I was a book to my priest. I was the light of the altar-horns, for a year and a half.

--John Gwenogvryn Evans (who translated the title as "The Battle of the Scrub" rather than "The Battle of the Trees")

I was woven  in so many forms before this one.  I was a sword drawn, high and long against sky, and I was its tear in the air, the dullest of stars.   I was the word among letters, the story’s breath within the book, the light of lanterns.   For a year and a half I was the continuing bridge...

--Órlaith on Wordpress

There are a number of others out there; these are just a few which struck me as being distinctive in an interesting way.

‘I have been a multitude of shapes, Before I assumed a consistent form. I have been a sword, narrow, variegated, I have been a tear in the air, I have been in the dullest of stars. I have been a word among letters, I have been a book in the origin.’ Taliesin .. c. 534 – c. 599

At one point, Dagbert describes his curse by saying that in his thirteenth year, the firstborn son of “the Lord Grimwald” must kill or be killed by his father, which suggests that, if the character referred to as Lord Grimwald has multiple names, the title Lord Grimwald is the most official, the one he most favors, or the one which is most closely linked to his identity. Regardless, it’s a hereditary title, which means that, by the end, Dagbert is the Lord Grimwald and has his own castle. (This is never additionally ).

From the way Dagbert and Lord Grimwald describe it, it sounds like they started calling Dagbert “Dagbert Endless” for the heck of it. It would be very cool if his many names came from his mother—there is so much untapped potential that comes with the half-mermaid thing—and it would also make sense if Dagbert’s many names were a necessity. If he keeps committing murder/magical manslaughter (depending on how much control he’s in), he might be a wanted criminal under some name(s) and need aliases.

Dagbert having endless surnames but Lord Grimwald only having "Grimwald" implies Dagbert either inherited his many surnames from his mother, or Lord Grimwald also has many surnames but managed to pick one. If they're from his mother, it implies that mermaids all have long names. If they're from his father, then I think it's safe to say that a man who chose the name "Grimwald" is likely to be the idiot who decided to name a baby "Dagbert". In this essay I will

Cath Palug's Power Level (& Kay's)

(Source: Pa Gur yv y Porthaur)

Here is the excerpt portraying the hero Cai ap Cynyr, later known as Sir Kay, defeating the dreaded monster, Cath Palug (meaning "Palug's Cat" or "Clawing Cat").

And it's a pretty fearsome beast - over 180 in a single night died to it before Kay came to kill it himself. But reviewing it for a bit I noticed the translation says "Nine Score Chieftains" and I thought "wait does this mean a hundred and eighty war leaders and not simply champions? Does that mean Cath Palug also killed their retinues?".

In the history of Welsh Warfare, the Teulu (meaning "family"), was an important and primary element of Military power, being the personal household guard under the patronage of a Welsh lord. The size of these Teulu warbands, depending on the wealth of a chief, could range anywhere from 50 to 120 warriors. (Llywellyn ap Gryffyd had a teulu of 160 men)

So, I took a close look at the original Welsh text:

...and identified the words being translated are "kinlluc" and "kinran"

Afterwards, I went over to the online Geiriadur Prifysgol Cymru/A Dictionary of the Welsh Language (HERE) to clarify their meaning:

So yes, the poem is referring to 180 war leaders getting slaughtered overnight by the monster cat. But, the implication here is that, reasonably and common sense-wise, the chieftains brought along their warbands to hunt a wild animal.

This means, if we choose to interpret the poem saying Cath Palug killed both the chiefs AND their teulu (around say a hundred warriors each), then we are looking at anywhere up to 18,000 warriors and their leaders being massacred by Cath Palug in a single night.

Which gives us a sense of scale of how powerful Cath Palug and its slayer, Sir Kay, must have been.

(Probably still not as powerful as Arthur, given his battle with Twrch Trwyth...)

The Grail Heroine leading Galahad to the ship, where Percival and Bors wait

Stained glass by Veronica Whall for King Arthur’s Great Halls at Tintagel

@thescreechowl has translated the "König Anteloy", a German Arthuriana from the 13th century, into English. With her permission, I have made a PDF file of her translation for sharing, reading and preservation purposes. Happy New Year's to all!

Read the "König Anteloy" in PDF format here.

That would indeed be awesome. My first thought was that Melora would be the most competent of the siblings because of her better track record, but unless I’m mistaken, Amr and Loholt were pretty young when they died and never got much of a chance to prove themselves. It would be especially great and chaotic if instead of just having Bhalbhuaidh visit occasionally, they had a full-on exchange program with Alastrann’s court and, if you warp the timeline to its utmost, the Paladins. I would enjoy Bhalbhuaidh and Medoro confronting Bors and Roland and telling them off for being bigoted.

All the Canons, All at once

I am always thinking about the vast Arthurian Mythos and its various traditions and canons. All of them being mutually exclusive to each other...

...Aaaand I can't help but want to smash them together like playdough. Its my favorite past-time as of late.

Like, don't tell me no-one has ever amused themselves of the fact that the Celtic Gods like Gwyn ap Nudd and Manawydan just hanging out in Arthur's court with Palamedes, Dubricius, Galahad and Nasciens.

Or my very favorite concept of Guinevere being a giantess AND a sorceress while also being Morgan the fairy's ex-girlfriend Best-friend-turned-Arch-nemesis. Nevermind what this means for Lancelot, Arthur, Galehaut, Meleagant and the other abductors.

Or the various children that's been given to every character, including Palamedes, Merlin and Tristan. Even Freaking Lancelot and Guinevere have children together. They even have a grandson in Gargantua.

You could literally have your own next-gen version of the Round Table, led by Amr, Loholt and Melora. Staffed by: Guingalain, Ysaye, Lohengrin, Brisan, Bronsidel, Melehan, Munsolinos, Amren, Garanwyn, Kelemon, Andronia, Florismarte, Pantagruel, Vanoc, etc.

And then Dragon Knight Branor, (From Uther's Generation of Round Table Knights) shows up and kicks their asses.

In The White Goddess, Robert Graves quotes an old Irish triad as saying, “It is death to mock a poet, to love a poet, to be a poet”. As a source of information, Robert Graves is slightly more reliable than Sir Breuse Sans Pitie, and while I’ve seen references to this triad elsewhere, I can’t find an original source for it. Regardless of that, I rather like it.

(From Athletics and Manly Sport by John Boyle O'Reilly)

Words to live by: Fear Celtic Poets