What About Javier Straightening Bill's Vest Before He Goes To Bronte's Party? Or Him Kissing Bill On

dixon: (having a full-fledged meltdown and existential crisis, rendered painfully self-aware of the fact he’s been an irredeemable bastard his entire life)

welby, still freshly mutilated from getting thrown out a goddamn window:

🦋

“Niño is the safe.”

“Which weights three tonnes and can’t be opened by dynamite.”

…neither can Niño

My last three braincells trying to carry one information

I haven’t drawn fanart for anything in years

I have a disease (putting cat ears on Chuck McGill)

Hannibal (2013-2015) Breaking Bad (2008-2013)

Gus and Gale on a date ✧ painted for the gift exchange Blue Christmeth. ✧

Ke Huy Quan’s selfie with his fellow Best Supporting Actor winners.

Martin McDonagh Defends ‘Three Billboards’ Against Backlash Over Sam Rockwell’s Racist Character

Martin McDonagh wants you to know his Oscar-nominated screenplay in no way tries to redeem Rockwell's racist cop.

“It mostly comes from the idea of Sam Rockwell’s character, who’s a racist, bigoted asshole, that his character is seemingly being redeemed, maybe,” McDonagh says of the backlash. “I don’t think his character is redeemed at all – he starts off as a racist jerk. He’s the same pretty much at the end, but, by the end, he’s seen that he has to change. There is room for it, and he has, to a degree, seen the error of his ways, but in no way is he supposed to become some sort of redeemed hero of the piece.”