*sighs*
seriously, fuck the false dichotomy between Science and The Arts. as if capital-S Science isn’t an art that requires creativity, perseverance, patience, and skilled observation. as if The Arts don’t require rigor, discipline, practice, and attention to detail. as if both aren’t cultural structures that stand on foundations of sexist, racist, capitalist hierarchy. as if they both can’t be used for purposes of enrichment and revolution. i am so fucking over this idea of presenting science and art as opposites, when they have so much more in common than people think.
If you notice me reblogging
a repost
stolen art
false information
etc.
please let me know, you’re not rude or annoying and I actually do give a fuck and I will correct my mistake, thank you
Somes sketches of Fullmetal Alchemist Brotherhood :3
paramore lockscreens 💙❤💛 like/reblog if using
Anyways I’ve been getting over 380,000 notes a month easily and now I’m getting supposedly less than 1,000 a day. The ‘best stuff first’ feature has downgraded this site a tremendous amount, not only is the feature destructive to smaller blogs, they also somehow fucked up the activity page, and is no longer accurate or useful.
Staff on tumblr rarely responds to unanimous disapproval unless shoved in their face, so I’m asking you guys to spread this post, and others like it around as much as possible as to get the message into their thick heads - that this greatly devolves the tumblr experience.
Hopefully everyone has gotten a chance to get a copy of Deadpool (2015-) #20 by now.
Obviously, trigger warnings for suicide
So, Deadpool #20 is a standalone issue that specifically targets the issue of suicide and we’re going to jump right to the ending to start off with: the writer’s, Gerry Duggan, message
I don’t actually think it’s outlandish to try to do a helpful story about suicide prevention with Deadpool as the protagonist. Like Duggan said, it wouldn’t be the easiest story to write, but it makes sense in an odd way. Deadpool is probably the most suicidal character ever if only because he is immortal and yet is constantly trying to kill himself and lets people murder him when it’s easier than fighting.
It’s also coincidentally the right time for this type of story with this type of character.
If this story came out in the 90s when Deadpool first debuted I don’t think it would be well received. The bro fans would complain about it being an afterschool special and people in general with think it’s in bad taste for character like Deadpool to be in a PSA like this, that’s Superman’s job (which we’ll get to in a second)
That was a Generation X audience; very disenfranchised, cynical and very angry about it.
This is a millennial audience, very disenfranchised, cynical and resigned to it all.
It’s an unarguable fact that the Baby Boomers are the worst generation ever and so when Generation X came along and got the shit end of their decadence and eventual complacency about civil rights they were understandably angry. Even grunge was pretty angry; you would sing with melancholy “I’m a loser baby, so why don’t you kill me” but this was underlined by rebellion. It was the clapback to the failed “give peace a chance”
Fuck you and your bigoted warmongering capitalism. I’m out, I’m done so why don’t you kill me?
Generation X is the exhausted end of this anger and is clearly exhibited by meme culture. Fuck you, everything’s a joke, how the hell are we can it dig ourselves out of this pit? Might as well kill myself ¯\_(ツ)_/¯
Anger and aggression has become the joke. Celebrities are reading “mean comments” on Jimmy Kimmel that say things like “fight me, you piece of shit” and don’t understand that that means “I’m a really big fan of yours and am probably sexually attracted to you”
So why is a character created out of this angry high adrenaline culture the best one to speak to an exasperated culture that mocks angry high adrenaline?
Because he isn’t condescending.
You want to kill yourself? So does everybody else but there’s a lot of stuff on Netflix we still need to get to so let’s try to make the best of it.
Deadpool isn’t a happy person telling sad people to cheer up.
Arguably the most popular/cited superhero comic about suicide prevention was made for Generation X audience in 2006’s All-Star Superman #10
It was effective for a lot of people and pleasantly regarded by the general public but some people didn’t like it.
I’m obviously arguing that if this were to come out now the majority of people wouldn’t like it.
This girl is a complete stereotype. She could easily be the poster girl for the “rebellious” trope.
You can totally tell she’s depressed because look how dark her clothes are.
And then Superman comes along knowing fuck all about her giving her a shallow complement based on absolutely nothing and then hugs her.
He tells her it’s not that bad.
It is bad.
Things are really bad.
I think Deadpool #20 is better even if it only conveys camaraderie in the badness.
The cover alone conveys that
Deadpool sees a girl, conventionally attractive but within ordinary aesthetic, about to jump to her death
He jokes about it in a very deadpan and abysmal millennial way. Much like Superman, Deadpool knows nothing about this girl but he doesn’t condescend to her
He’s not the right guy for the job
He doesn’t know her or have any stake in her well-being
He doesn’t belittle her decision but implores her to give it a little time
What does Deadpool know best? Showtunes and beating people up so he does what he knows best and the distraction gives her the ability to feel and just do something, anything
Then what? He still doesn’t know what the right thing to do or say is. There is no right thing to do or say. He gives for the resources to talk to people that have at least been trying to figure out the best way to help in this situation longer than he has
He doesn’t force her to use these resources and he offers to go with her as an equal
As a few people pointed out, going into inpatient care is not fun, nor is any other option. The problems are numerous and frightening but we have to make do until we can build better systems, but that’s not really the point of the comic. It’s how to handle these things in the current system and when you have no idea what to do. Whether it was because the Deadpool team got consultants on the issue of whether they lucked into it I believe they nailed it.
It’s not an comic that will prevent someone from committing suicide, in my opinion, but it’s an comic that will help people know how to better react to their loved ones who are suicidal.
We’ve discussed suicide extensively on this blog from many angles and the consensus has always been that what helps is when people don’t condescend to you, don’t just tell you to feel better, don’t invalidate your right to do what you want with your body. What helps is being there, as an equal, to consider the decision further.
You may want to kill yourself and you have the right to do that but remember that you don’t have to do it right now. You will still have the option tomorrow or the day after. It is a huge and final decision and you need to consider it as clearheaded as possible. Do something fun or mundane and just distracting to get you through the next few minutes or hours and then explore all your options.
A suicide hotline might not work for you, nor will a hospital but they are options that are not permanent. You can try them. If suicide is really the right decision for you it will still be an option after you explore these avenues.
Remember, you can always make the decision tomorrow. Give today a chance.
I firmly believe that Yuuri speaks better English than Viktor.
Like they’re both fluent and speak VERY GOOD English, but Yuuri just got off a five-year stint in a country where English is the predominant language, where he had to speak English every day just to function in society. Viktor’s experience with English is pretty much limited to international competitions and if he forgets a word, it’s whatever, because half the other people there aren’t as fluent as him anyway.
This headcanon doesn’t really matter most of the time bc I write them communicating in English (Which they canonically do, it being their only shared language) so obviously they effectively have the same amount of fluency that I do, but I just love the idea that sometimes, out of no where, Viktor will pause in the middle of conversation and get this look on his face.
“Did you forget the word?” Yuuri will ask kindly.
“Yes.”
“What’s the word in Russian?”
“Turtsiya.”
“Okay, I’m not familiar with that one. Describe it?”
“Evil chicken.”
“Turkey?”
Viktor beams. “Yes! Turkey!”
The original post only has US helplines. I've added UK helplines underneath. It would be great if people could add numbers from everywhere in the world.
Depression Hotline: 1-630-482-9696
Suicide Hotline: 1-800-784-8433
LifeLine: 1-800-273-8255
Trevor Project: 1-866-488-7386
Sexuality Support: 1-800-246-7743
Eating Disorders Hotline: 1-847-831-3438
Rape and Sexual Assault: 1-800-656-4673
Grief Support: 1-650-321-5272
Runaway: 1-800-843-5200, 1-800-843-5678, 1-800-621-4000
Exhale: After Abortion Hotline/Pro-Voice: 1-866-4394253
Child Abuse: 1-800-422-4453
UK Helplines:
Samaritans (for any problem): 08457909090 e-mail jo@samaritans.org
Childline (for anyone under 18 with any problem): 08001111
Mind infoline (mental health information): 0300 123 3393 e-mail: info@mind.org.uk
Mind legal advice (for people who need mental-health related legal advice): 0300 466 6463 legal@mind.org.uk
b-eat eating disorder support: 0845 634 14 14 (only open Mon-Fri 10.30am-8.30pm and Saturday 1pm-4.30pm) e-mail: help@b-eat.co.uk
b-eat youthline (for under 25's with eating disorders): 08456347650 (open Mon-Fri 4.30pm - 8.30pm, Saturday 1pm-4.30pm)
Cruse Bereavement Care: 08444779400 e-mail: helpline@cruse.org.uk
Frank (information and advice on drugs): 0800776600
Drinkline: 0800 9178282
Rape Crisis England & Wales: 0808 802 9999 1(open 2 - 2.30pm 7 - 9.30pm) e-mail info@rapecrisis.org.uk
Rape Crisis Scotland: 08088 01 03 02 every day, 6pm to midnight
India Self Harm Hotline: 00 08001006614
India Suicide Helpline: 022-27546669
Kids Help Phone (Canada): 1-800-668-6868, Free and available 24/7
suicide hotlines;
Argentina: 54-0223-493-0430
Australia: 13-11-14
Austria: 01-713-3374
Barbados: 429-9999
Belgium: 106
Botswana: 391-1270
Brazil: 21-233-9191
Canada: 1-800-448-3000
China: 852-2382-0000
(Hong Kong: 2389-2222)
Costa Rica: 606-253-5439
Croatia: 01-4833-888
Cyprus: 357-77-77-72-67
Czech Republic: 222-580-697, 476-701-908
Denmark: 70-201-201
Egypt: 762-1602
Estonia: 6-558-088
Finland: 040-5032199
France: 01-45-39-4000
Germany: 0800-181-0721
Greece: 1018
Guatemala: 502-234-1239
Holland: 0900-0767
Honduras: 504-237-3623
Hungary: 06-80-820-111
Iceland: 44-0-8457-90-90-90
Israel: 09-8892333
Italy: 06-705-4444
Japan: 3-5286-9090
Latvia: 6722-2922, 2772-2292
Malaysia: 03-756-8144
(Singapore: 1-800-221-4444)
Mexico: 525-510-2550
Netherlands: 0900-0767
New Zealand: 4-473-9739
New Guinea: 675-326-0011
Nicaragua: 505-268-6171
Norway: 47-815-33-300
Philippines: 02-896-9191
Poland: 52-70-000
Portugal: 239-72-10-10
Russia: 8-20-222-82-10
Spain: 91-459-00-50
South Africa: 0861-322-322
South Korea: 2-715-8600
Sweden: 031-711-2400
Switzerland: 143
Taiwan: 0800-788-995
Thailand: 02-249-9977
Trinidad and Tobago: 868-645-2800
Ukraine: 0487-327715
Moana + characters being aware that they are in a Disney movie