Some Asa Moments That Drives Me Crazy (a Growing List)

On Friendship.

I'm 23 years old and I have no idea what I'm going to do with the rest of my life……… and I'm fine with that

Me *unprovoked at any time of the day*: YOU KILLED MY SHEEP ??? MY FAVOURITE SHEEP! WHAT GIVES YOU THE RIGHT TO DEAL A PAIN SO DEEP? DON'T YOU KNOW THE PAIN YOU SOW IS THE PAIN YOU REAP????

枝垂桜 // Weeping cherry blossoms

Hey, (not so) casual reminder that generative AI has no place in fandom spaces, and I mean any generative AI use.

The “level” with which genAI is used, whether by an individual or a company, does things to this planet regardless. Scale does not matter.

Every prompt you put into genAI uses an amount of fresh water that, once evaporated, will never exist on this planet again.

Here are some resources for education yourself and others on the environment aspects of genAI usage, mostly centered toward the power consumption and data center impact.

Link

I think it’s also important to note that genAI not only impact the environment, but also creative communities. Writers and artists have their work stolen daily to train genAI models, and those models spit out their work in a predictive manner.

Generative AI predicts the most likely results of whatever prompt you give it based off of material it has been fed—this is plagiarism, plain and simple.

If you are curious about fandom aspects of genAI specifically, I’d like to point you in the direction of this article by rolling stone: link

One of the individuals interviewed for this article, Elle, made a Reddit post about a commenter on ao3, and how they’d been feeding her work into ChatGPT in order to “get the next chapters earlier.” Here is the link to Elle’s original post: link

Please be aware that your use of generative AI, in any capacity, contributes to the things listed above, as well as the encouragement and normalization of mass plagiarism in our communities.

Do not be shocked or surprised when people in this space choose to turn their backs on you, block you, or oust you when they find out you participate in its use.

If I found out any piece of writing I’d created had been fed to genAI, through a roleplay bot or otherwise, I’d not only be devastated, but disgusted. I’d leave fandom spaces because of it. It’s not fun, and it’s not quirky.

んにゃわけにゃいにゃ

— flowers as hair accessories 💐

Masterpost of Free Gothic Literature & Theory

Classics Vathek by William Beckford Wuthering Heights by Emily Brontë The Woman in White  & The Moonstone by Wilkie Collins Carmilla by Joseph Sheridan Le Fanu The Turn of the Screw by Henry James The Monk by Matthew Lewis The Phantom of the Opera by Gaston Leroux Melmoth the Wanderer by Charles Maturin The Vampyre; a Tale by John Polidori Collected Works of Edgar Allan Poe Confessions of an English Opium-Eater by Thomas De Quincey The Mysteries of Udolpho by Ann Radcliffe The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson Dracula by Bram Stoker The Castle of Otranto by Horace Walpole The Picture of Dorian Gray by Oscar Wilde Frankenstein; Or, The Modern Prometheus by Mary Wollstonecraft Shelley

Short Stories and Poems An Occurrence at Owl Creek Bridge by Ambrose Bierce Songs of Innocence & Songs of Experience by William Blake The Rime of the Ancient Mariner by Samuel Taylor Coleridge The King in Yellow by Robert W. Chambers The Legend of Sleepy Hollow by Washington Irving The Yellow Wallpaper by Charlotte Perkins Gilman

Pre-Gothic Beowulf The Divine Comedy  by Dante Alighieri A Journal of the Plague Year by Daniel Defoe Faust by Johann Wolfgang von Goethe The Tragical History of Doctor Faustus by Christopher Marlowe Paradise Lost by John Milton Macbeth by William Shakespeare Oedipus, King of Thebes by Sophocles The Duchess of Malfi by John Webster

Gothic-Adjacent Northanger Abbey by Jane Austen The Wendigo by Algernon Blackwood Jane Eyre & Villette by Charlotte Brontë Lyrical Ballads, With a Few Other Poems by Coleridge and Wordsworth The Mystery of Edwin Drood by Charles Dickens The Idiot & Demons (The Possessed) by Fyodor Dostoyevsky The Man in the Iron Mask by Alexandre Dumas Moby-Dick by Herman Melville The Island of Doctor Moreau by H. G. Wells

Historical Theory and Background The French Revolution of 1789 by John S. C. Abbott Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, Macbeth by A. C. Bradley The Tale of Terror: A Study of the Gothic Romance by Edith Birkhead On Heroes, Hero-Worship, and the Heroic in History by Thomas Carlyle Demonology and Devil-Lore by Moncure Daniel Conway Ancient Pagan and Modern Christian Symbolism by Inman and Newton On Liberty by John Stuart Mill The Social Contract & Discourses by Jean-Jacques Rousseau Feminism in Greek Literature from Homer to Aristotle by Frederick Wright

Academic Theory Introduction: Replicating Bodies in Nineteenth-Century Science and Culture by Will Abberley Viewpoint: Transatlantic Scholarship on Victorian Literature and Culture by Isobel Armstrong Theories of Space and the Nineteenth-Century Novel by Isobel Armstrong The Higher Spaces of the Late Nineteenth-Century Novel by Mark Blacklock The Shipwrecked salvation, metaphor of penance in the Catalan gothic by Marta Nuet Blanch Marching towards Destruction: the Crowd in Urban Gothic by Christophe Chambost Women, Power and Conflict: The Gothic heroine and “Chocolate-box Gothic” by Avril Horner Psychos’ Haunting Memories: A(n) (Un)common Literary Heritage by Maria Antónia Lima ‘Thrilled with Chilly Horror’: A Formulaic Pattern in Gothic Fiction by Aguirre Manuel The terms “Gothic” and “Neogothic” in the context of Literary History by O. V. Razumovskaja  The Female Vampires and the Uncanny Childhood by Gabriele Scalessa Curating Gothic Nightmares by Heather Tilley Elizabeth Bowen, Modernism, and the Spectre of Anglo-Ireland by James F. Wurtz Hesitation, Projection and Desire: The Fictionalizing ‘as if…’ in Dostoevskii’s Early Works by Sarah J. Young Intermediality and polymorphism of narratives in the Gothic tradition by Ihina Zoia