If One More Person Tells Me That Over Scoring Is Good Actually As Long As It's Someone You Like...

Seimei from Onmyouji (2001), save meeeee, save me Seimeiiii

This is fucking awesome LMAOOOO

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• 𝐃 𝐑 𝐄 𝐒 𝐒 '𝟗𝟐

being so fr when I say that transmisogyny has put feminism back like 50 years

Happy BIRTHDAYYYY to my glorious king Atsushi!! I am EXTREMELY gratefeul that i was able to know that there was such an amazing and talented person in this earth such as you♡

I would have loved going to one lf your concerts or seen you in person but nonetheless listening to your music is more than enough♡!!

Thanks for all the beautiful and amazing songs you and Buck tick have graced this earth with i hope you know that your music is such an inspiration and a safe and happy place to so many people ( including me) you will never be forgotten and will always be in our hearts♡♡♡

Does anyone even tell Imai to do it or does he just go "y'know fuck it, I'm gonna play Jingle Bells" 💀

Only Buck Tick would play one of their songs live (Kodou) and suddenly have their guitarist (Imai) play fucking jingle bells like merry christmas I guess???

what they don't tell you about making friends is you gotta be a lil annoying. you gotta push past the fear of "what if they don't want to talk to me" and simply ask someone how their day is going, send a meme. you cannot connect to people if you're both just awkwardly waiting for the other to start.

“His hand and heart hesitantly reach out…”

how Toll loves to show off all the photos on his photo-print costume to the staff and cameras

legs legs legs legs legs legs ass legs legs legs legs legs legs legs legs legs legs crotch legs legs legs legs legs legs...

Hide in a yukata 😍😍😍😍😍

tons of backstage footage, interviews

Movie II is very focused on the Izora tours. Whole songs from various venues are shown. The last few in Budokan and Gumma are gorgeous, with very generous closeups of Acchan.

. . . . .

< a more serious topic and spoilers below the cut >

. . . . .

The last Zekkai is shown in its entirety.

In contrast to the previous footage, there seems to have been a very deliberate choice in using only the extreme long shot of the whole stage in one long take. The image is blurred and the saturation turned up, so that, while the very general postures and larger moments of the members can be seen, all finer details are lost. Except for Acchan being less active than usual, there's no obvious movement from his body at that distance to show any issue.

There are points where pitch is off.

When the song ends, it quickly fades to black, and there is simply the date, Acchan's name, and the word for eternal slumber.

The movie ends with select shots from Genshou, particularly of Acchan's silhouette, form in lights, and lighted space left open on stage.

Hide's song for the credits is lovely, and references Cosmos directly.