So @paketdimensioncomic once mentioned how Zim’s maternal instincts and Dib’s Big Bro instincts would probably be amplified in Zib. And the whole server went wild
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Typeset by @popopoyotl
Original art by dogear218 (https://mobile.twitter.com/dogear218/status/1004222044668432384)
Slightly spoiler for future stuff but whatever. I like the hc where antennae are used for smell and marking anything just to state what belongs to who, like: Sir-units, snacks, uniforms that look exactly the same, ect ect.
Zim at this point has a notorious reputation for bringing destruction and misfortune everywhere he goes, and other aliens, especially Irkens, know this and try to avoid him and anything associated with him.
Why marking on Dib wasn’t entirely 100% necessary….Zim has reasons he will not elaborate. Y'all know.
♪ Squidward accompanies a recording of My Heart Will Go On by Celine Dion ♪
FRIED NOODLES
trying to maintain a normal Invader demeanor while being a defective and having human feelings and also being labeled as the joke of your entire species is hard man
There’s a lot of posts going around analyzing Zootopia, trying to dissect and scrutinize the message. To help understand and analyze the work, it’s important to understand the incredibly roundabout way the movie came to be. The creators didn’t start out saying “let’s make a socially minded movie about prejudice.”
It all started when the directors of Tangled, Byron Howard and Nathan Greno, were pitching movie ideas to John Lasseter, the chief creative officer of Pixar and Walt Disney Animation. As Howard (who would go on to direct the movie) explained
Nathan Greno and I, right after we finished “Tangled,” we pitched the beginnings of what this movie became. We had about six ideas and the one thing that almost all these ideas had in common… one was a space movie and it was called “Pug, The Bounty Hunter” … One was called “The Island Of Dr. Meow,” which was a sort of cheesy B movie version, like a Roger Korman film from the 1960, where teenagers went to this island and there was this six-foot tall cat that was turning these people into animals. And, John saw that a lot of these films had these anthropomorphic animals in common from what I did with the others. And he said, “I will do anything to support a film that features animals running in tiny clothing.”
However, while Lasseter wanted to build on Disney classics like Robin Hood and The Jungle Book, he added a caveat: they needed to make the movie different from any other “animal” movie that had gone before.
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