Something that has always stood out to me (and got me thinking) IRT Blitzø and his true nature underneath all of his sharp edges is this specific scene in Oops:
Here, Blitz is very, VERY badly burnt. Enough to be permanently disfiguring on at least a third of his body. Yeah, Fizz had it worse, but this is still awful and was probably horrifically painful. But he barely seems affected, because his only concern is his mom. We as the audience can't hear what he's saying, but he's clearly calling out to her in this flashback.
Blitz could easily, and understandably, put himself first here. But he doesn't. And it says a lot about him. Take this with several other standout moments in (and upcoming!) the show...
...and you get a really good picture that one of Blitz's core traits is how protective he is of those he loves. A lot of the fandom writes him off as nothing but a selfish asshole that doesn't give a shit about anyone but himself. And as sad and uncharitable as that read of him is, it's also kind of funny because if you actually watch the show it's obviously not the case at all.
Blitz values and is very protective of his loved ones, and if you can't see that you're blind or purposefully ignoring moments like this.
Maybe I was in the FNAF Fandom too long, but I can’t help but see possible lore/future hints in Barbie’s Sinsmas merch.
In the keychain, Blitzø has reached out to his sister again by sending her a Sinsmas gift. And although she throws it away and refuses to look at it initially, I’m convinced the T-shirt shows that she eventually caves in and digs it out of the trash and opens it. Revealing a snow globe with the image of her, her mother and Blitzo all together.
This gives me hope. Because even though she’s furious with her brother, Barbie still ends up giving his peace offering a chance after she’s had a chance to cool off from her initial reaction. Perhaps hinting at a possible reconciliation between the siblings in the future?
That’s what I’m hoping for in Season 3, anyway. Because now I really want some “Aunt Barbie” moments, and not just with Loona. Octavia and Barbie would make a really interesting duo, especially since they both have underlying trust/anger towards a once close family member in common.
I’ve been thinking about Barbie Wire a lot lately. So of course I can’t help but notice (and become absolutely obsessed with) the way her Asmodean Crystal differs from all the other ones we’ve seen so far.
Now granted, I may be overthinking things again and it’s just a matter of Barbie needing a different version of an Asmodean Crystal due to her being an imp that doesn’t have the magic needed to make a human disguise herself. Or it’s just a repurposed crystal that was stolen from one of Asmodeus’ workers and altered somehow.
But I REALLY like the idea that it’s actually an Asmodean Crystal knockoff made by another Sin.
Mammon in particular is already known for stealing the ideas of his fellow Sins for his own gain. Loo Loo Land being a cheap copy of Lucifer’s Lu Lu World being a prime example. I can easily believe Mammon would copy Asmodeus’ actually legal Asmodean Crystal with a “cheap” illegal version that unsavory businesses like Barbie’s would use to get to Earth when they usually couldn’t. And with Mammon holding a grudge against Asmodeus in particular over Fizzarolli quitting, he’d be more than willing to make knockoffs that could be blamed on Asmodeus since they’re Lust’s design and jurisdiction.
And that’s before even considering Leviathan!
Envy is notorious for generally being a sin portrayed as jealous of what others have and wanting it for themselves. Sometimes going so far as being portrayed as wanting to BECOME a different person altogether (think Fullmetal Alchemist). I can definitely see Leviathan as a sin of envy making knockoff Asmodean Crystals, but with her own spin on it to make it “better” somehow.
Or, maybe she’d even work with Mammon on making their own version. After all, Greed and Envy are pretty compatible sins, and that trial in Mastermind did reveal an interesting dynamic. I can definitely see them using each other for their own gains.
Blitz appreciation post!
Worries unfounded, Stolas IS stronger than “Mastermind” led me to believe. I am SO freakin relieved right now!
Now I just need Stolas to not backpedal in season 3.
We know pretty well by now how Blitz's outer shell looks and why he built it. He's carrying a whole cargo load of trauma, and he doesn't want to get hurt anymore. So he puts his natural resilience and charisma front and center and channels all negative emotions into being an asshole. No one gets in.
I think we often fall into seeing Blitz's mask as all negative. But one thing I took away from Ghostfuckers though is how much the people in his life actually find security and comfort in that same shell.
Millie:
Based on her backstory, who can blame her? The final sign that made Millie trust/respect Blitz enough to agree to his job offer?
I can blame this partly on imp culture (valuing toughness), but also, Millie says "you're fucking weird," and I think that comes down to how Blitz doesn't look angry or scared even for a moment. He keeps the smile. The charm. "Unbothered."
When M&M give each other most of their attention (understandable), Blitz just pushes his way past their boundaries anyway, seeming to make a game out of it. We see in Ghostfuckers that his jealousy of M&M, his fear that they don't really care for him . . . that becomes part of his trauma reel. But his friends have no way of knowing that.
When he's on a solo mission in Wee-a-boo-boo, Blitz tells Millie in no uncertain terms that he's got this.
So yeah, Millie's truly never seen him SERIOUSLY upset before, even if WE'VE seen him screaming into the abyss (Truth Seekers) and crying himself to sleep (Ozzie's).
Luckily, Millie has the capacity to adjust and offer the support that Blitz needs.
Loona:
I think Loona gets comfort too from Blitz's outer shell. This time, it's not so much that Blitz never shows her that his feelings are hurt. But that he bounces back quickly. That he always ends up fine.
And at an even farther extreme, Loona can literally throw Blitz across the room and have him doting on her again later that day.
There's comfort, especially when you're someone with a temper, in knowing that there's someone who you can't really hurt, who will stick by you no matter how you behave.
But again, in the Ghostfuckers trauma reel, we get a clip that shows us that's not true either.
Like Millie, when Loona sees Blitz at a true emotional low (this time, his guard is lowered by alcohol . . . and perceived rejection from Stolas), she's able to adjust and be supportive.
Stolas:
Was fairly careless with Blitz's emotions in Season 1, until he saw some vulnerability in Ozzie's and immediately started rethinking his approach.
We often talk about Blitz not realizing that Stolas is vulnerable, but the opposite is also true.
I'm thinking about the flirtatious classism, the teasing, the initial idea that the book deal would be fun and sexy. I think it stems, at least in part, from the idea that Blitz is amazing, that his spirit is kind of unbreakable.
Which again, is not true. His optimism and resilience are wonderful, but he can be hurt (intentional reference to Blitz realizing the same about Stolas).
After the debacle that is Ozzie's, after Stolas sees Blitz in pain from the treatment he received and unable to believe that Stolas's romantic interest in him is genuine, he understands much more. He immediately starts trying to undo the deal, and later in that process, there's this beautiful line . . .
"It's not enough to get through the walls you've conjured up to live."
Stolas isn't there yet by any stretch, in terms of understanding Blitz fully, but even while hurt, there's a part of him that wants to understand, that knows that Blitz is hurting under his mask.
Moxxie:
Ahaha. I bet you thought Stolas would be the twist ending of this meta. NOPE. It's Moxxie. He's the only person close to Blitz who hasn't even begun to adjust to seeing Blitz be vulnerable yet.
Not to psychoanalyze the poor guy, but. His daddy issues are off the fucking charts. Not in a sexual way (though who knows). In a sad way.
Moxxie was raised to follow authority, and the consequence for not doing so was death. Crimson made it very clear. And that's horrible, obviously, but also, there's a certain level of comfort in having everything decided for you.
In having someone who's "got this" in charge. Cult survivors often recall feeling this way.
And I'm not saying Moxxie wasn't incredibly relieved to be rid of Crimson or that he was happy under his control in any way.
But he likes that Blitz is confident, unbothered, and takes care of his team.
I'm done looking for exact lines and screenshots because I have a dinner to get to, but Moxxie does ask in his Truth Seekers hallucination why Blitz pushes his friends away. But he never gets a clear answer, never sees beyond the symbolic mask that Blitz wears there.
And in Unhappy Campers and in Ghostfuckers, we really see him crumble without Blitz's confident leadership. Millie, letting Moxxie take charge and having her own needs that have to be met . . . isn't really enough.
And this is a problem.
Moxx needs to learn some confidence because the unshakeable Blitz he follows . . . doesn't really exist. So I'm interested in seeing how this develops in upcoming seasons.
Summary:
She pushes an old shirt to the side and softly hoots in surprise at what she has found.
An old film camera.
Via blinks in astonishment and carefully lifts it out of the box. The heavy weight is expected but it still manages to surprise her somehow. This is a really old model, vintage even! Via has never seen one like this in person, only ever in magazines or in old movies.
For a moment her heart drops because at a closer glance the camera looks broken. It's dirty and banged up and there are some weird markings all over the body. In some places the plastic looks almost like it has… melted?
She turns it in her hands and runs a finger over the lid of the film compartment. What looked like ordinary scratches are actually letters, deliberately carved into the surface, faded and barely legible.
T. B.
*********** Via finds an old film camera in Blitzø’s closet. While she takes pictures of her new family and tries to come to terms with her new normal, the camera holds secrets none of them could have ever imagined.
I like how Blitz is initially confused the moment Stolas arrives on scene and breaks into song...
He understands that Stolas just saved him from getting his head chopped off, but he still doesn't understand what he's doing at the trial.
After all, in Blitzø’s mind Stolas is over him, and moved on the moment he saw Stolas having the time of his life dancing with BTB.
In Blitzø’s memory reel Stolas has his top eyes open, and I think to Blitzø he reads it as Stolas seeing and relishing in that kiss, in that moment. Blitzø doesn't even consider the fact that it was a drunken kiss.
But the moment Stolas takes all the blame for himself, things take a turn...
It clicks for Blitzø, and he's just in pure and utter shock as he sees just how much Stolas genuinely and truly loves him.
It's at this moment where he says the words, "I don't want to live a life without you by my side."
Blitzø takes this time to finally let his emotions pour out like a fucking waterfall.
Whereas compared to Ghostfuckers he just subtly acknowledges it.
His expression drops from realization to pure panic at Stolas' actions. Blitzø doesn't want to die, but at the same time, he definitely doesn't want someone he cares about to take the fall for him.
"What are you doing!? I don't deserve this!"
"I realized too late!" Blitzø acknowledges that he realized both Stolas’ feelings and his own feelings too late in the game.
Blitzø in Apology Tour didn't understand his own feelings, let alone Stolas’ feelings. He tries to, but he can't.
"Don't give your life to clean my slate."
What I love about this line is that it reads as: Don't sacrifice yourself to absolve me of my crimes. Blitzø makes it clear he doesn't want this.
"You’re my heart."
Blitzø breaks down and says these words because to Blitzø this is what Stolas is, the key to his heart that he's kept locked up for years, and someone he wants to give his whole heart too.
Because Blitzø closed off his heart after the fire. His love is something that he believed could hurt someone, but with Stolas, he's worth that risk.
The moment Stolas is wrapped in chains, Blitzø moves on instinct, almost as if he's trying to get out of his own chains so he can run to Stolas.
Felt like it would be a disservice not to show the clip that destroyed me. 😀
Blitzø, the moment he's freed of his chains Blitzø says the words, "No- no!" in disbelief, shock, and desperation.
Blitzø is so desperate to stop Stolas from what he's doing, begging him to do anything to stop this from happening. And if that meant getting himself killed, he'd do it.
Because he doesn't want a repeat of this happening. It's one thing for people to leave Blitzø, he’s used to that, but it's another to have them die, especially in front of him.
He breaks down when he fears his worse fears have come true: that Stolas is dead and he can't do anything to stop it.
It's why Blitzø is so shocked and surprised the moment he sees Stolas alive, because his worse fears didn't happen.
The moment Blitzø gets the reassurance that he's is loved by Stolas he falls into that caretaking role almost instantly, since he knows Stolas is hurting right now.
He's taking steps being extra gentle, extra reassuring, extra soft, even going as far as to fluff the pillow on his couch.
It vaguely reminds me of how Blitzø is able to sorta gage what people's needs are. In this moment, Blitzø was about to shoot Creepzo, but instead he opts to beat Creepzo with the end of his gun once he realizes Fizz is on the verge of a panic attack.
What I love about this shot is that this is the most at peace Blitzø has ever looked in the entire show.
He's just so grateful that he's alive and that Stolas is alive.
~~~~~~
Anyway, wanted to include this bit because I love how Sam Haft pointed out that Blitzø leaves Mastermind more self-actualized.
Whereas for Stolas, he leaves Mastermind more humbled as he gets a taste of how truly privileged he is.
I want to talk about a kind of troubling reaction I've been seeing to both Apology Tour and Ghostfuckers among parts of the fandom. The person is usually a reaction youtuber but sometimes someone writing on tumblr or twitter. They say something along the lines of "oh, I'm glad Blitz is being forced to confront his crimes/traumas/pain. This is the only way he will finally heal."
That's not how healing works.
I know that reaction youtubers don't always have the most developed takes because they're . . . you know . . . reacting in the moment. But I think it's still worth talking about.
I'm going set aside the people who seem to believe that Blitz needs to be punished for his crimes, and address those who genuinely think that getting a tidal wave of his own trauma in his face is what he needs to heal.
There's an attitude in contemporary culture that traumas are something people need to confront. As in, put on a brave face and dive in like a big boy. I blame capitalism, rugged individualism, and all the pieces of media that tie up a character's arc neatly by having them confront their darkest fears and insecurities. It can put a nice bow on things, but it isn't really how healing from trauma works.
Apology Tour:
Blitz gets confronted by a shit ton of people who hate him, at least some of whom are his exes, who he feels he's personally damaged. The decor and party games are all about killing and torturing him. Verosika confronts him about how much he hurt her. Oh, and then he sees the love of his life, who he's just recently pushed away, making out with another guy- proof, in his eyes, that Stolas is happier without him. And this all reflects the underlying fears he already has about who he is as a person (shown to us by Truth Seekers).
So what was the takeaway? Blitz came to the conclusion that he doesn't always want to be like this (good, but like . . . worth this much pain?). He flops on his steering wheel (relatable). He stops trying to reach out to Stolas (uh oh . . . ). He spends A MONTH spiraling in his own misery and making a mess of all aspects of his life until he's dragged out of it by a caring friend.
The party doesn't empower Blitz to change. It knocks him down and fucking traumatizes him (seriously, images of Stolas from the party show up later in his trauma reel) too much for him to be able to do actually work toward said change. I suspect that if left to his own devices, he would have kept spiraling for quite a while longer. It's one thing to want to change, and another to try to do so alone in the aftermath of a pile-on.
Ghostfuckers
After Blitz drags himself out of his hole of cheesy ice cream and despair to "play sex ghosts" (escapism, again, still knocked down by Apology Tour), infester demon Rolando picks him out as an easy target and assaults him, yes, assaults, with horrific images of his worst traumas and fears.
Not to state the obvious, but Rolando isn't interested in helping Blitz heal. He's trying to kill the guy. He wants to engulf Blitz in his trauma to the extent where he's consumed by it and loses the will to fight back. And as some excellent posts by others have pointed out already, he very likely would have succumbed if not for Millie's support.
Millie helps Blitz get through the onslaught by telling him about what makes him great and how he's improved her life and showing him love and care. And by literally beating the fucking infester out of him. Because there's someone in him who's hurting him, who's re-traumatizing him against his will. She takes him away from the reel of horrible memories.
So . . . do I think that confronting traumas can play a role in healing? Sure. But only if it's consensually (which neither of these situations are) and when the person trying to heal is ready. And most likely in small doses. No one's going and successfully confronting every horrible thing that's ever happened to them in one go.
And in my humble opinion, it's not going to work (for anyone, but especially not for Blitz) alone and without a healthy dose of kindness and compassion (both external and internal).
Blitz has a long road ahead of him toward healing, and it's going to be hard work on his part but also require love and support from the people in his life.
In a wonderful moment near the end of Ghosfuckers, Blitz and Millie work together to get Blitz's wrecked van unstuck and push it back through the portal into Hell. I love it because it's so simple and it kind of tells us everything we need to know. This sweet and salty gremlin has a lot of work ahead of him, but he doesn't have to do it alone.
One day, Blitz will see that he's not a nuisance to those around him who leaves nothing but suffering in his wake. One day, he will believe them when they say that they love him and that he saved them. One day, he will see that instead of being a burden, he has given them a community.
They're all, in their own ways, telling him, "Get loved, idiot. Get fucking cherished and adored, loser." And one day, he'll even realize that yes, he is worthy of such love and devotion.
My attention span is sporadic at the best of times or downright obsessive the rest of it. There is no in between. Once the obsession hits, there’s nothing else I’m gonna be talking, reading or writing about. So enjoy it while it lasts, cuz the obsession changes randomly. And regularly.
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