A few new entries have been popping up lately, and I’m always hopeful new fans will stumble into the pits and never leave so I thought I’d paste up a rough map.
(Obviously the best watching order, like the best reading order of Discworld or the Aubrey-Maturin books, is ‘whatever first comes to your hand’ but for the people who don’t like that…)
tl;dr:
Daomu Biji is a series about tomb raiding. Think Indiana Jones or Lara Croft but much, much longer. The protagonist Wu Xie is deeply in love with BFF1 Zhang Qiling, a hundred-year-old cryptid, and BFF2 Wang Pangzi, who was stolen in a raid from another book series. It’s comic, tragic, horrific, zany, prone to musings on life, love, desire, attachment, and has many, many piss jokes. (‘Journey to the West but modern’ is maybe the other comparison I’d make.)
Notes:
– This guide is not talking about “quality”. All of the adaptations have their own strengths and weaknesses and tone can vary a great deal, which is to say, if one of them doesn’t suit you it’s likely something else will.
– Wacky endings, and plot threads that disappear unfinished and get picked up a long time later, are as inherent to the franchise as the piss jokes.
– It’s common for the dramas to introduce characters and subplots a lot earlier than the books do. Sometimes we’ll see a character introduced ‘for the first time’ on multiple occasions and strangely familiar scenes. I’ll try to point out the biggest continuity clashes as I go.
The Soft Entry:
There are a few movies that are entertaining as standalones but will introduce various characters and background. I would recommend:
Escape from the Monstrous Snake + Mystery/Grave of the Abyss – two monster movies featuring Hei Xiazi, a supporting character. He’s a pragmatical mercenary who’s going blind in kind of a weird way, and goofy as hell when he isn’t tiptoeing over a vast abyss of existential dread. So many fun action scenes.
Time Raiders (2015) – so there are some textual clues that late in his career Wu Xie wrote this story as a memory-jogger for an amnesiac friend. The plot is a freewheeling wild ride which doesn’t directly match any book plot but introduces some major characters and how they relate to each other. It’s colourful and fast-moving. Enjoy, enjoy.
Conjuring Curse and Misty Creed are… theoretically set late in the series even if the actors look about twelve. Both work as stand-alone adventures, though Misty Creed is maybe a little deep in the lore. Again, colourful and fast-moving.
The Chronological Order
You could honestly start with most of these – they tend to come with a ‘what has gone before’ at the start or a newbie character that things get explained to. The only one I wouldn’t start with is Heavenly Palace in the Clouds, which is lovely but also the second half of a set and things won’t make sense if you haven’t seen Lost Tomb 2 first.
Lost Tomb 1 – a highly digestible 10-12 episode version of the Seven Star Lu Palace arc, ie. Baby’s First Adventure. Introduces A-Ning, Xie Yuchen, and Huo Xiuxiu early and a couple of og characters for Wu Xie to talk to instead of monologuing to himself. The restaurant scene at the end was raided from a later arc and you’ll see it again in Ultimate Note. A book character, Da Kui, was cut which is a small problem because how he died is a minor plot point discussed in Lost Tomb 2.
Lost Tomb 2 – covers Raging Sea, Hidden Sands (underwater tomb) and Qinling God-Tree (weird bronze tree in the mountains) plus a whole lotta side stories and original content exploring the world and foreshadowing later plots. Mooostly in continuity with Lost Tomb 1 (see Da Kui above) and made as a set with Heavenly Palace in the Clouds – they share resources and a lot of actors, and some threads begun here are finished in Heavenly Palace.
Heavenly Palace in the Clouds – covers the Mt Changbai arc, a journey up a mountain to find a very old, very grand tomb. This was made so close to Lost Tomb 2 that LT2 borrows shots from Heavenly Palace and not the other way around, which is fascinating because it pointedly contradicts the last five episodes of LT2. It also brings forward some plotlines originally from the Tamutuo and Zhang Family Old Pavilion arcs (San-shu’s past in the underwater tomb, and the Huo Family videotapes) dragging some characters on-screen and forcing them to talk about their feelings, which they would clearly rather die than do. Given those plot-tweaks and the early, deliberate continuity clash, I’m tempted to call this a Canon Parallel Universe. Got some interestingly chewy character dynamics and luverly, luverly set design.
Mystic Nine – This is a prequel about Zhang Qishan – Fo-ye – and his peers, but later dramas expect us to know who Fo-ye was so I’m sticking it here. Kinda… picaresque? Lots of action scenes and Republican-era flavour and various factions jostling for power – kinda feels like an old-school wuxia story, only set in the 1930s with all that glorious Republican-era styling. Has some unfortunate cut scenes – the details of how Fo-ye recovered at his family’s house don’t make a lot of sense in the aired version, and there are a couple of missing fights in the penultimate episode. Shrug. Still a lot of fun. Comes with four side movies about supporting characters.
Ultimate Note – Covers the Tamutuo arc (a trip through the jungle) and two-thirds of the Zhang Family Old Pavilion arc (investigating Zhang Qiling’s past is like kicking a hornet’s nest). Very, very flirty and has some zippy-zip action choreography. Politely ignores Lost Tomb 1–Heavenly Palace continuity (Xie Yuchen is, once more, introduced for the first time, now with a romantically coded friendship arc) and brings in a lot of cameos from Mystic Nine and Sand Sea, which it was filmed after. Kinda tiptoes around parts of the book plot, which I suspect would be hard for anyone to film, re: Fo-ye’s actions in the 1960s. Fair warning, this ends on a cliffhanger. This is also where the Xinyue Restaurant scene appears again – two cakes!
Tibetan Sea Flower – If Tibetan Sea Flower ever airs, it will go here.
Sand Sea – Based on the Sand Sea novel. After Tibetan Sea Flower, Wu Xie goes into a bit of a decline and makes that the world’s problem. We the audience, plus Li Cu and Liang Wan, EDIT: a lovely doctor, are pretty much dropped in media res into a number of ancient conspiracies and complicated plots coming to a head in the manner of a boil. It’s weird; it’s messy; it’s mad fun. Like Mystic Nine, has a lot of factions jostling for power and colourful jianghu characters. We will, once more, see the Xinyue Restaurant scene. Also has some side movies.
Time Raiders – The textual hints that suggest Wu Xie wrote this, suggest he wrote it around Sand Sea-era, when his life was a bit complicated. I’m putting it after Sand Sea because I believe it caps a conversation that, ah, doesn’t quite make it into the drama. But notionally this is where it should go. Ah…. at one point, someone tells a story about an ancient ruler, King Mu of Zhou, who sought immortality from the Queen of the West in Tamutuo. The longer book conversation suggests that a) King Mu of Zhou engineered a “trap” for someone like Wu Xie to fall into in the future, and b) that Iron Mask Scholar, a villain from Lost Tomb 1, was an alias that King Mu of Zhou used in the Warring States Era. Which makes some of Iron Mask Scholar’s appearances in Time Raiders… interesting.
Reunion: Sound of Providence – sometimes known as Reboot. Having peaked in badassery in Sand Sea, Wu Xie has to consider what his life is going to be now, and also, he would like to track down a missing family member. So this was tweaked to make it more accessible to new viewers (so some parts of the back-story are not mentioned or conflated for simplicity) and that mostly works but I did find watching this first and then picking up the earlier dramas a bit of a mindscrew. Zhu Yilong is, however, a powerful draw and the rest of the cast sparkles. Probably best to think of Season 1 as two short seasons jammed together, which is to say, once the Warehouse 11 arc starts there are a number of characters who won’t reappear until Season 2. It’s a fun arc even so. Season 2 ends with a badass action scene and then a big party, which I think is a great way to end a story.
Escape from the Monstrous Snake, Mystery/Grave of the Abyss, Conjuring Curse, Misty Creed – these are all theoretically set around or after Reboot-era, though they can certainly be watched as stand-alones.
Jack’s flirting just revolves around food.
First attempt:
No? That’s alright, second attempt:
wait, So we're not crazy???
I would say that the world is my oyster but I hate seafood.
10:40pm exhaustion
Kiseki: Dear To Me + text posts
bonus:
History 3: Make our days count. (Spoilers included)
I loved everything about this show apart from the last episode.
I mean yeah, Haoting bullying Shigu them trying to date him is a bit weird but i think it was well explained. He didn’t do most of the bullying, that was his friends being overprotective. Then when he stopped Shigu from attending his exam, he realised the severity of what he had done. Yeah, he could have done better but his character is immature and selfcentred. It fits well with his character. He then goes through a regret stage where he realised that his actions were wrong.
He is a immature teen boy whose never had to deal with responsibility. That shows. So yeah, he could have done better but these flaws make his character so real and interesting. Shigu learns through him to enjoy life and have fun. While Haoting learns from Shigu how to take things seriously. They both go through so much character development and I love it. It makes everything so real and potent. Like yeah, Haoting made Shigu moss and exam. But Shigu forgives him and doesn’t hold on to grudges. They both learn together, which is realistic and wonderful.
Then there’s Sun Bo and Chigang. Yeah the age gap is a bit weird. It took me a while to warm up to them because of that. But I’ve known people with larger ages gaps in their relationships. Sun Bo is seventeen, turning eighteen in the show so he becomes legally of age. Chigang does not pressure him at all, he actually refuses to start a relationship with him because of the age difference. He is not with Sun Bo because he’s younger. It’s not like that. In every one of their shows, History explores real romance. The age gap between Chigang and SunBo is smaller than the age gap in History2:Right or Wrong.
Both Chigang and Sun Bo love each other as a person, not because of sexuality. SunBo even mentions that Chigang is the first man he’s ever liked. And if it was just about sexuality on Chigang’s part, he would have turned Sun Bo down due to his age (which he technically did anyway).
In all, I think both relationships are human and realistic. Relationships, in any given form, are messy. If I was to hold a grudge against everyone whose ever been mean to me, I would have no friends. Haoting realises his mistakes. Shigu learns to live rather than just survive. Sun Bo learns how to love and fight for his love. And Chigang learns how to let himself be loved.
The only thing that I don’t like is the last episode and Shigu’s death. But death is tragic and sudden and unexplainable. Somethings accidents happen. Yes! Shigu shouldn’t have died and it was a shitty ending, but death doesn’t care about life. Tragedy happens all the time. The History company aim to show life like and realistic shows, and that means tragedy and shitty endings.
What I always love about History shows is that it feels real. Like these are actual stories. (Not including trapped or any history 1. That is all a fantasy. Amazing, but the most unrealistic of their shows despite the epicness of the dramas). It makes me connect with them more. The banter, the flaws, the character development. All of it is golden and poignant.
All these boys deserve the world. No matter what mistakes they make.
I thank History for all their dramas.
I know Sand is into rock bands. But I thought at least during the Halloween party he would wear eyeliner like every great rockstar. I was really looking forward to seeing him with black eyeliner and shadow in true rocker fashion.
Unfortunately I was disappointed. I was so hoping for it too. He would look so damn good.
Watching history 3: make our days count, and I’m only on episode 6 but I’ve cried and laughed more than I have with other tv shows.
I can’t wait for the next episode.
Update: shit. This made me cry for days. Don’t watch the ending. I’m never trusting history again!!!!
Reblog if you have a lot of gay ships
Reblog if you actually ship those ships for their chemistry, plot lines, and development and for more than just the gay
Reblog if it’s a little bit about the gay too……