Star Wars Needs More Women Of Color Pass It On

you deserve someone who isn’t embarrassed to love you & tells all their friends about u & saves your selfies, & tells u they love & miss you

clothes have no gender

haircuts have no gender

video games have no gender

makeup has no gender

sometimes, people have no gender

don’t constrict yourself with labels and do what makes you happy. 

Broadway Nerd Question:

Scenario: You get to perform one song on Broadway. The full thing, to a full house. Assume you’ll magically be able to hit all the notes and steps perfectly.

What song is it? Reblog with your answer.

i’m kissable and tired and i can’t stop thinking of you

Little things you notice when you’ve seen DWSA too many times

-Melchior nervously tucks his shirt in when Wendla turns away to explore his ‘private place for thinking.’

-In the same scene only in the Broadway staging, Melchior follows Wendla all around the ‘tree’ trying to catch her attention, but of course she can’t hear so she keeps walking around

-Hanschen turns to Ernst’s voice and shushes him when he laughs during the vineyard scene

-Hanschen looks back (kind of ominously?) at Ernst’s voice when he walks off with Ernst

-Hanschen is super shady obv- he laughs with the teacher at Moritz’s mistake, and sarcastically slow-claps while walking across the stage after Melchior flips everyone off in the end of ‘Totally Fucked’

-During the pre-show warm-up, the actors start slowly transforming into their characters after they put their costumes on. Daniel Durant walks nervously with bowed legs as Moritz; Andy stands in the corner and glares out at the audience as Hanschen; the sisters Thea and Melitta stroll together as a pair; Otto walks around adorably in his sailor outfit while practicing verbalizing words..

-Melchior stares at Wendla very intensely all through Mama Who Bore Me

-Krysta operates the spotlight on the actors. Also she has a really cute sort of dressing room with a lamp and drawings on the wall if you look up to the left

-Moritz occasionally looks over at his voice like ‘wtf?’ when Ilse talks about the shit that went down in Priapia, and his voice shrugs back like ‘I have no idea dude.’ Also Ilse seems to have a bit of a rougher time communicating with Moritz in ASL.

-When Ilse suddenly shows up and makes Moritz drop his gun in surprise, his voice grabs it and hides it in his pocket. Later when Ilse leaves, Moritz gestures for his voice to give it back. Then he covers his voice’s microphone and lowers it. His voice lowers his head and walks away slowly.

-On a different note, the way Austin pronounces NO THANK YOU (like nho tHank hyou) to his bullies at the reformatory fascinates me.

Anyone else notice some things that one-time viewers might miss/might want to look out for..?

forgive them. your heart will be lighter for it. forgive them because it gives you closure. it’s all in the past now, and they can’t hurt you there. 

your crush or whatever not liking you back isn’t really a big deal it just means they don’t like you back. you don’t need to hyper analyze and fix shit that doesn’t need to be fixed cuz it will never end. all you’ll end up doing is trying to recreate yourself and get frustrated when you can’t. growth and improvement is natural and you should want that but not because you want someone to like you back. but because YOU want to grow and like yourself.

This is very soothing, but at the same time very freaky. No wonder they used it the way they did in the movie.

Spring Awakening Appreciation

10 Little Things I Love About Spring Awakening

1. The way Moritz’s voice is dressed as a punk rocker

2. The moment at the beginning of the show where Wendla hands her voice a guitar, and Voice of Wendla hands Wendla her dress through the fake mirror

3. How other people have to come in and sign for Hanschen during the masturbation scene

4. The signing of the line “oh, you’re gonna be my bruise” on the other person’s forehead

5. Voice of Ernst’s happy little spin on his piano stool when Ernst and Hanschen kiss (!!!)

6. The tragic symbolism of Martha’s voice never being near her, unlike all the other voices

7. Ali Stroker wheeling across the stage with a flirty hairflip like the queen she is

8. The human tree

9. The drummer who is no one’s voice but works so hard. He is on stage the whole time and is absolutely performing from start to finish.

10. The tension when Voice of Moritz hands Moritz the gun

Spring Awakening act 1: High school crushes and puberty Spring Awakening act 2: Suffering ™