Everyone Who Reblog This Post Before Christmas Eve Will Get A Drawn “Colored Aura Orb” In Their Submission

Austin Austin Austin

(ohhh ohhHH OHHHH OHHH) WHERE I GOOOOOOOO WHEN I GO THER E NO MORE SHadoooooows anymore only you there in the kiss and nothing missing as your'e drifting to shore (ohhh) where i goooo when i go theeere no more weeeeping anymore (ohh ohhh) only iii iiin and out your lips the broken wi shes washing wi th h tme mmm to shore (touch me) touch me (all silent) all silent (baby just tell me) tell me please all iS for give n (touch ohhh) consu me my wine consume m y mind (ohhhhh ohhHHHhhhhhH) WHERE I GO WH ER WEI GO TO U CH M MMMEMEE OH H HHHHHh juSTR TRY II IITTT JUST TRYYY It N OW THA TS IT no w thATS IT OHH HHHH GODDDD OH TH AT S HE A VENN N NN TO UC H OH H HI LOVEYO UR LIGH T LI I IiiiiiIIIIIG HH HT WE'L L WAN DER D OO OW N WHE E E RRE THE SI NSCRY TOU C HC Mmm mMEEEEO H H HH HHHHH J UST LIKE THAT OH H H HHHH H H H H HHHHHHHHHhhhH HhhhNNOW LOWER DOW NO AHH HH H Hhh hHhh hhhHHHHHH LOVE M E E EHEHYEYEYEHAHHHHAHH WAND E ROD WN WHE RE ETHE WI NDS SIG HHho ooooooooooooh where the winds sii i igh whe re teh te winds s igh ghhhhg hhh hwhehre the winds si ghghhhhh

@rnirrorbluenight

pumpkin spice candles soon

pumpkin lattes soon

pumpkin everything

“A Heart Full Of Love”

my part of an art trade with @lukalunar!!!! They asked for Eponine and Cosette from les mis!! this was so much fun to do :DD

Little things you notice when you’ve seen DWSA too many times

-Melchior nervously tucks his shirt in when Wendla turns away to explore his ‘private place for thinking.’

-In the same scene only in the Broadway staging, Melchior follows Wendla all around the ‘tree’ trying to catch her attention, but of course she can’t hear so she keeps walking around

-Hanschen turns to Ernst’s voice and shushes him when he laughs during the vineyard scene

-Hanschen looks back (kind of ominously?) at Ernst’s voice when he walks off with Ernst

-Hanschen is super shady obv- he laughs with the teacher at Moritz’s mistake, and sarcastically slow-claps while walking across the stage after Melchior flips everyone off in the end of ‘Totally Fucked’

-During the pre-show warm-up, the actors start slowly transforming into their characters after they put their costumes on. Daniel Durant walks nervously with bowed legs as Moritz; Andy stands in the corner and glares out at the audience as Hanschen; the sisters Thea and Melitta stroll together as a pair; Otto walks around adorably in his sailor outfit while practicing verbalizing words..

-Melchior stares at Wendla very intensely all through Mama Who Bore Me

-Krysta operates the spotlight on the actors. Also she has a really cute sort of dressing room with a lamp and drawings on the wall if you look up to the left

-Moritz occasionally looks over at his voice like ‘wtf?’ when Ilse talks about the shit that went down in Priapia, and his voice shrugs back like ‘I have no idea dude.’ Also Ilse seems to have a bit of a rougher time communicating with Moritz in ASL.

-When Ilse suddenly shows up and makes Moritz drop his gun in surprise, his voice grabs it and hides it in his pocket. Later when Ilse leaves, Moritz gestures for his voice to give it back. Then he covers his voice’s microphone and lowers it. His voice lowers his head and walks away slowly.

-On a different note, the way Austin pronounces NO THANK YOU (like nho tHank hyou) to his bullies at the reformatory fascinates me.

Anyone else notice some things that one-time viewers might miss/might want to look out for..?

clothes have no gender

haircuts have no gender

video games have no gender

makeup has no gender

sometimes, people have no gender

don’t constrict yourself with labels and do what makes you happy. 

“Touch Me” - Austin McKenzie, Alex Boniello, Sean Grandillo, Alex Wyse, and the Broadway revival cast of Spring Awakening October 26, 2015

Maybe the best version of this song ever performed.

Defend Maria Reynolds Squad

Reblog if u agree

Petition to have Spring Awakening professionally recorded because its use of ASL is both stunning and revolutionary, and should therefore be preserved.