LITERAL. LIVESAVER. TYSMMM

Answer Unclear

Oh, you. No-one can figure you out. Some people love you, some people hate you, some people just don't care. You're hot, but also ugly, but also bland. You're funny, but also serious, but also a kind of weird grey zone. Honestly, keep doing what you're doing. It's pretty cool, in my option. Though a lot of my friends would disagree.

I am but a blob floating in the vast ocean of dreams! 

for my bestie westie @hayamu​ ! also, anybody else who’s up for it!

NEW CHALLENGE

1. FIRST, create a picrew using this maker, and then 2. SECOND take this quiz on how fandom would see you if you were a fictional character.  3 (THIRD) POST YOUR PIC AND YOUR DESCRIPTION IN THE REBLOG!

Bastard (Good)

You’re a bastard. A wet cat, if you will. And we love you for it. You’re a little shit, but in the good way. You are the baddest babygirl. You killed a man, but you looked good doing it. You flirted with the hero and the enemy. All of Tumblr is madly in love with you. Congrats, I guess?

Tagging EVERYONE but especially @magicaltear, @the-beeses-kneeses, @wafflesrisa, @mykingdomforapen, @marbat, @scientistsinistral, @halberdierminister​!

Imagine if he sent that to IK???

uh oh, simeon!

or, alternatively:

Happy father’s day, y’all 🫠🫠

Lucifer’s Best Chat Photos

that is actually SO CUTE

I received a couple asks asking if I think Kalim picked up on Jamil's habit of hiding when he's embarrassed, and you know what that's adorable and I absolutely agree lmao

If you somehow manage to get him flustered or really embarrassed, yeah he's hiding while trying to laugh it off like he's just fine haha nothing weird he just does this it's totally normal he promises

Weak Words To Cut

Here are some weak words than you can often remove to strengthen your writing. I have made these changes as I edit my own novel, so I included examples from my writing to show you the difference.

When editing and cutting words, we are not talking about dialogue because everyone has a unique way of speaking, and it’s important to keep true to their voice.

Note: these are all general guidelines, and you don’t have to use all or any of them. Creative writing gives you a creative licence to choose how you write. Do what works best for you. Always.

Suddenly: technically speaking, everything happens suddenly, so use the word sparingly or it will lose its effect.

I don’t remember ever seeing a man in such little clothes before, and I suddenly despised the one piece left. I don’t remember ever seeing a man in such little clothes before, and I found myself despising the remaining piece.

Keep: When it disrupts your character’s life, and you want your reader to really take notice.

Cut: if removed and there is no change, then it’s not necessary

Then/Next: this is typically a filler word. All events happen in a sequential state, so it’s not always needed.

Then She was gone, her steps echoing through the halls.

Keep: You want to keep the word typically when something is changing in action, description, etc.

Cut: If removing the word does not change the meaning, then cut it. Typically if this word starts the sentence, it’s unnecessary.

Just: this is a filler word, and can almost always be removed.

I was just a game to him, nothing more.

Keep: if removing it makes your sentence confusing or changes the meaning, then keep it. Usually using the word words well as a limiter word. (Eg. it’s just me and my dogs tonight)

Cut: when it’s unnecessary and changes nothing.

Really/Very: these are weak qualifying/descriptive words, and you can absolutely find a better synonym

Your mother is really nice lovely.

Keep: typically these words are fine to keep when not used to enhance an adjective. (Eg. very next day, really think, very back of…)

Cut: if it’s being used to enhance a weak adjective, cut it and find a better word.

Is/Was: this is usually a passive voice, which isn’t usually the best for fiction novels, active voice is always preferred. Naturally this is a verb that you can’t cut from all places, so here are some tips.

Everyone was too busy focusing on their shopping to notice a human sliding between sales booths. Buyers and sellers occupied themselves with their shopping, too focused to notice a human sliding between sales booths.

Keep: when delivering information quickly its always best to just state the facts, so don’t worry about trying to find flowery words to describe everything.

Cut: If you can show what the person or object is doing instead of simply saying it, then change the sentence.

Started: every action has a start, so don’t write it unless you can tell me why it’s important now to know that’s it’s started.

The boy started to rant in his native tongue. The boy ranted in his native tongue.

Keep: if your scene is being interrupted or is still unfinished, then go ahead. This one is a little harder to see sometimes, so just see how you feel with it in vs removed.

Cut: it’s it’s unnecessary information, and nothing changes to the story or sentence when removed, axe it.

Seemed: again, this is more of a show don’t tell kind of thing

Time seemed to slow slowed as I held Vera tight against me.

Keep: if a character knows something intuitively

Cut: if you can show why the character is perceiving what’s happening

Definitely: this is typically just confirming facts that are already known to be true. Repetition is unnecessary without a purpose.

He definitely saw me, but I wasn’t mad about it. (This instance can for sure be removed, it’s unnecessary. However, I want this emphasis here, so I chose to keep it)

Keep: if it’s your character who is confirming facts as 100% accurate and ridding previous doubt

Cut: remove and nothing changes

Somewhat/Slightly: usually this is used when only trying to use a partial effect of a word, so the easiest fix is to change the word that it’s describing.

I looked away, slightly embarrassed.

Keep: if the words is truly the best way to describe what was happening in the sentence.

Cut: when you can use a better word to describe your action/emotion/whatever to be more accurate or it’s unnecessary.

Possibly/Likely/Probably/May/Might: much like some of the other weak words, these are just filler. Something either is or isn’t, and it’s best to describe here you can.

Probably Not with the way he was speaking to her.

Keep: if your character isn’t sure of something

Cut: if you can describe what’s happening, or it can be removed without changing the meaning

Somehow: this is usually an indicator of missing information

I thought I was an average girl in every way, and now I was somehow the first human to ever survive. (I don’t use somehow often. I am keeping it in this instance because none of the characters know how it happened yet.)

Keep: if your character is missing the information and doesn’t know how something became true or transpired

Cut: if you can explain how something came to be.

Adverbs: this is a great category of words to use in writing, but if used too often, it can distract from the story. A good rule is finding an even balance between adverbs and active verbs.

I squeezed her cold hand tightly in mine and made a promise to save her. Clenching her cold hand between mine, I promised to save her.

Keep: if it improves your writing by making it more clear and efficient.

Cut: if it makes more sense to use active verbs to describe what’s going on.

Totally/Completely/Absolutely: all filler words

He grinned at me, his plate almost completely full while mine was near empty. He grinned at me, his plate still full while mine sat devoid of even a crumb.

Keep: if it’s important to the story to know with 100% certainty, and this word gives the most accurate description

Cut: whenever it’s not needed

Thing/It: missing information/ lack of description

I was just accepting all the things they said as truth. I was just accepting all their fantastic explanations as truth.

Keep: if your character doesn’t know what it is

Cut: whenever you can find an actually description or name the object

Have any more words you think should be added to the list? If something does not make sense or you have questions, let me know down below.

If you’ve found this helpful: comment, like, reblog & follow for more :)

Happy Writing!

I don't Eliza has ever heard of consensual marriage before. I honestly never liked her. First, she and her ghosts invaded NRC- a place that didn't belong to them and terrorized the students. She KIDNAPPED poor Idia and forced him to be her groom without asking what he wanted. Third, she slapped all the boys who were attempting to rescue Idia (who ungratefully trash talked them in the process). And then there's Eliza's old-fashioned ideals. I could go on, but it'd get too long eheh

!! 👀 No, no! This is actually a really interesting topic of discussion, lemme word vomit my thoughts out, Anon!

I have a lot thoughts on Eliza and on the Ghost Marriage event itself, so I'd like to take this chance to share them. Please take what I say with a grain of salt, as much of it is personal interpretation based on the information presented to us in game.

***Ghost Marriage event and Groom-for-a-Day card(s) spoilers ahead!!***

You're perfectly valid in saying that you dislike Eliza. Everyone's allowed to like and to not like whatever characters they want.

I agree that many of the things she did and said were over-the-top and unwarranted, but I think that was the entire point of Ghost Marriage: to be a parody of the "traditional Disney fairy tale romance", much like how the film Enchanted was. There were just too many not-so-subtle jabs at common romance tropes for it not to be.

For example, Eliza has unrealistic expectations of her future husband, and she thinks everything will magically work out, even though Idia is clearly distressed and against the marriage. Later, when the other boys are deployed to rescue Idia, there are even more jokes made using Eliza's extreme ideals as a springboard to jump off of. Yes, it was wrong of her to slap people around, but it was played off as something to laugh at because she would always be set off by the smallest things.

The highlight here definitely has to be Leona and Trey's attempt to woo her with song. Disney is especially known for its songs in movies, and Eliza just takes that idea and runs with it. She expects her ideal prince to perfectly finish any song she starts/serenade to her, as if they're actually in a Disney musical number. Obviously, if anyone attempted that in real life, you'd react the same way the TWST boys did: with confusion.

I think Idia trash talking the rescue attempts is meant to add to the humor. There's a huge contrast in how the boys of NRC see this courtship and "romance" and how Eliza sees it--that's where both the event's conflict and where the bulk of the humor comes from.

What I personally appreciate about Ghost Marriage is that it offers a realistic portrayal of love and marriage when you look past all the silliness of the event. Well, not on Eliza’s part, but on the part of the TWST boys we all know and love.

A mistake that people outside of this fandom often make is that TWST is an otome game, based simply on the fact that the cast is all male and full of pretty boys. However, despite TWST not being an otome, the fandom is very yume-centric and romance focused, because the characters are so appealing. The fact that TWST is based on Disney properties--Disney, who is known for their interpretations of classic fairy tales and their stereotypical happily ever afters--has set up this expectation of romance.

But Twisted Wonderland, the game itself, has a very nuanced and realistic approach in how it addresses romance. It’s played mainly for laughs in Ghost Marriage (and the main story does a good job of highlighting the boys’ unsavory points), but delve into the lines spoken by the characters and the Groom-for-a-Day personal stories, and you’ll see even more of this.

The most obvious example here is our groom, Idia. From the very beginning, he expresses not wanting to marry Eliza, but it seems that this sentiment extends to beyond just Eliza. He has a very negative outlook on romance in general, which is corroborated by many of his Groom-for-a-Day lines. Idia mocks the concept of living “happily ever after” and “eternal love”. He remarks that love is an illusion created by the brain, and even points out that everyone is still a student, so they should prioritize their studies over romance.

While Idia does seem to enjoy romantic materials (games, anime, etc), Idia himself has a very cynical view of “real world” love, and he makes that abundantly clear. To me, Idia represents the person that enjoys romance in media, but is not interested in the pursuit of romance himself. He can enjoy it when he’s an observer, but to actually be involved in romance is a big turn-off.

Okay, but about Idia’s rescuers?

Let’s start with Rook. Of the TWST cast, I would say Rook is the most positive in regards to love. He’s always willing to help others out, and he’s always appreciative of things, even when they’re grim or the circumstances aren’t in his favor. Ace points out to Rook that when he goes around praising everything, it makes Rook seem less trustworthy. To this, the huntsman only says they are his true feelings--he wants to love everything equally.

Rook is a free spirit. He loves whatever and whomever he wishes when it suits him. He can be fickle, but he can also find goodness, something to admire, in everyone and everything. Rook’s love is an all-encompassing and unconditional kind.

Riddle’s personal stories don’t revolve around love in an super overt sense. It’s about him running into Malleus and discussing what makes a worthwhile leader. See, Riddle is a traditionalist (which suits his personality). He expresses that if he gets married, he wants to have a marriage like that of the Queen of Hearts and her husband, which to him was a “loyal” marriage. He wants to have a textbook definition of marriage, and that’s perfectly valid.

Riddle’s personal story also reiterates something that is mentioned briefly in the Ghost Marriage event: that Malleus is royalty, so his proposals are not to be taken lightly. 

This is a feature that helps to define Twisted Wonderland as its own separate entity from other Disney titles and properties. In Twisted Wonderland, being royalty means something. In almost all other forms of Disney media I can think of, being royalty equates to dressing fancy, being rich, and having all the power without any responsibility. But in Twisted Wonderland? They remind you every so often that this character is royalty, and there are strict terms of service and rules that come with that position, including being sheltered and burdened with royal duties (actual politics and governing), and not being able to just “love” whoever you want, even if just for a rescue mission.

Moving on to Epel! In his personal stories, he’s questioning if the “ideal prince” even exists. The line that pops out to me the most is that “the bride seems to care more about the image of an ideal prince than blood lines or family names”. This ties back into how the rest of Disney media often portrays romance as opposed to how TWST portrays it. Heck, in recent years, Disney has tried to subvert its own standing on romance (example: in Frozen, Elsa tells Anna “you can’t marry a man you just met”, whereas in Disney classics like The Little Mermaid, the plot revolves around quickly getting the main couple together).

Obviously, characters can be “perfected” with the magic of media. The image of an “ideal prince” DOES exist because of media, but Epel’s pointing out that it’s not realistic. He’s implying that Eliza is in love with the idea of perfection, and she has lost sight of things that should be important, like blood lines (genetic dispositions and diseases that could carry over to children) or family names (meeting your spouse’s family, getting to know them, etc.). It’s a criticism that can be easily overlooked while you’re too dazzled by Epel riding in on a white horse.

Lilia represents another type of person in regards to love. He’s the person that knows exactly what he wants, but not in the traditional sense. At no point does Lilia ever detail his ideal life partner. Instead, his personal stories are littered with subtle hints that Lilia has no plans to settle down. He never outright says it, but he implies it in other ways, like saying how it’s a shame that Sebek and Silver will never get to see him in a groomsuit.

I don’t think Lilia is as bitter or cynical about love as Idia is, but I think he definitely has his own reasons for not pursuing love. I don’t think it’s related to his age, since Lilia has always marched to the beat of his own drum and done whatever he likes, regardless of his age. He acts super youthful for a fae that’s several hundred years old. No, I believe Lilia just... isn’t ready, nor does he want to, commit.

I don’t have concrete proof or any real information to go off of, but Lilia was able to raise Silver just fine on his own. He may very well just be used to doing things alone, seeing as he enjoys traveling the world by himself. Not to mention, he’s a war veteran. He must have seen many of his loved ones perish in combat--so maybe that’s made him hesitant to be tied down, in case he loses more of them. The reason could be more innocent than that, like maybe Lilia just wants to focus on his duties as Malleus’s retainer, or he just likes his solitude.

In any case, Lilia lacks Idia’s cynical views on love, but he, like Idia, doesn’t plan to get married... and that’s okay. We can see that Lilia is totally happy with himself without romantic love. He has his family and duties to keep him feeling fulfilled. Lilia is a demonstration that platonic love--specifically familial love--is just as valid as romantic love.

And finally, we have Ace.

ACE.

Okay.

You can call him an asshole all you like for ghosting his ex-girlfriend, but honestly? Hats off to Ace. I’m not saying what he did was necessarily right (it’s definitely a jerk move), but it’s realistic.

First of all, it’s pretty rare in these types of games to mention canon romantic relationships at all. I think the reasoning for this is because the mere MENTION of another person being with a character that is pulled from gacha takes away from their “worth”, their “availability”. You’re less incentivized to pull for your waifu or husbando because they’re already “taken”, so good on TWST for changing it up a bit.

Alright, back to Ace’s asshole move. Remember that this dude is 16. JUST 16. Ghosting your S/O or losing interest in them is perfectly reasonable for an immature teenager to do. You’re still young and learning--and heck, many adults still do this. No one is a perfect prince. To quote Trey, “I’m just a high school boy. What do you expect from me?”

Ace is an imperfect boyfriend, despite that speech he gives to Eliza about what the “ideal” partner is like. Ace may know what he wants in a partner, but there’s no guarantee he’s prepared for a relationship himself—and that’s a reflection of what happens in real life. People are imperfect, they fuck up in relationships.

After all, real relationships are the antithesis of Eliza’s ideals.

Real relationships don’t involve one person aggressively imposing their will on their partner. It should be equal parts give and take, and it shouldn’t be rushed or forced.

Real relationships aren’t perfect. Your personality won’t fix itself because of your partner, and your partner’s personality won’t fix because of you. You’ll disagree, you’ll fight, you’ll make mistakes. That doesn’t make the relationship necessarily a bad one, it just depends on how you work together to resolve your differences and move on from the disputes.

Real relationships don’t involve perfect people, either. You’re individuals with your own strengths and weaknesses. You shouldn’t cling to your partner and act like they’re infallible--and neither should they to you.

Real relationships take time and work.

With all of that being said, we can see that TWST has a very unconventional approach to love and romance compared to its contemporaries. They make fun of many common tropes and actually have a more realistic portrayal of “love” than most other mobage I’ve seen. There are some subtle things they do that also lend to this, like not running a traditional Valentine’s Day or White Day event in February/March (instead giving us Vargas Camp), or the Halloween Groovies being actually scary art rather than being traditional fanservice art.

I don’t know, I guess I just wanted to express my appreciation of minor details like that. Ever since the Ghost Marriage rerun, and the addition of the Idia and Lilia cards, I’ve been thinking long and hard about all of this, because I personally resonate a lot with those two in their views on love. I really like the lore and the representation that their Groom-for-a-Day cards add to TWST, that love isn’t treated like this infallible solution for everything like in so many other Disney properties. 

You can praise TWST for a lot of things, but I feel this is something that isn’t appreciated enough... So I wanted to express my gratitude for it.

Leona Kingscholar x Reader: Love Letters (4)

Ruggie's real introduction and Cater shows up! ^^ Hope you enjoy! No spoilers or warnings for now but this might change in future installments :)

PART 1 | PART 2 | PART 3 | PART 4 [!] | PART 5 | PART 6 | END

It's only after third period that you remember it's Valentines day once again. After everything had occurred, the letter and gift had totally slipped your mind. At your desk, you find a handful of dandelions with a note tied to it. 

As an apology and because he forced me too, hehe.

Suddenly, it all makes sense. "That guy from earlier! He must've sent these to distract us and pre-planned to steal the sandwiches from us!" You blurt out. "What?" Deuce looks confused. "Yeah, what?" Ace raises an eyebrow. 

"Henchman, I think you're being stupid dazo." Grim shrugs. "I'm not! Look, it totally makes sense! Everything goes wrong and then I get flowers and a card apologizing!" You explain quickly. 

"Yeah, but there's no way that guy could've guessed we would get the sandwiches unless…" Deuce stops, lowering his voice to a whisper, "Unless he was eavesdropping."

"You think he's stalking us? That's how he knew where I sat and everything!" You excitedly whisper. It was the exhilaration of figuring something out. "But why target you specifically? I mean, you really don't have a lot going for you." Ace stares you up and down. You roll your eyes. "That's exactly it. I'm the magicless one here. I can't do anything to retaliate." You grumble, you've long come to terms with your position here. 

You weren't going to lay down and just take it though. A chill goes up your spine.

You whip your head toward the classroom window. There's nobody…nothing there. "Fygaa! Di-Did'ya see something there dazo!?" Grim yelps upon seeing you suddenly turn. Deuce cautiously approaches the window and looks out. 

"Um, there's nobody out here…"

Ace peeks his head out, "Hey, if there's somebody there, you better not be stalking the prefect! They're really dull and boring and it's not gonna be fun for you!"

"Hey!"

You go back to pick up the dandelions. What a strange choice of flowers. They didn't particularly strike you as romantic flowers but you guess there was that myth of blowing on dandelions to make wishes. 

"Ah, wait…" Your eyes widen as you spot another letter nestled within the dandelions. "Oh, what is it?" Deuce looks over your shoulder. "Another threat dazo!" Grim exclaims.

As you unfold it, you realize it's way longer than the first one that had simply two words. 

Good day, You're so annoying. 

"What a great starter." Ace snorts. "Shut up, I'm trying to read." Deuce hushes him with a glare as he urges you to continue. 

"Wait, you can read?"

"What's that supposed to mean!?"

You ignore them as all three of them get into an argument behind you. Your eyes are locked onto the words.

Traditions suggest that I'm supposed to be sending romantic gestures on February the 14th. If you knew who I was, I doubt you'd want to reciprocate anything. I don't care if you reciprocate or don't. 

I know I'll never be the one you love most, and that's fine. It'd be ridiculous of me to assume that. Spending time with you is enough for me to deal with. I really dislike you for making me put in this much effort right now. I don't like the way you speak and laugh, it makes me feel irritated. 

I get this feeling in my chest and I'm really hoping it's heart arrhythmia or a heart attack. It's only whenever I'm around you, you really are too dangerous to be around. 

You let out a little laugh at this. You've gained your first substantial clue. You must've talked to them before. Maybe that's why you had a sense that you had met that beastman before. 

Besides that, you should actually be careful. That weirdo probably caught wind of this and is probably watching you. 

Now this makes you concerned. You had been feeling watched the whole time but every time you checked, there was nothing. 

Seriously, why was this Valentines shaping up to be a horror instead of something romantic? 

I'm not apologizing for putting you on his radar. You probably already had his interest since you're so bizarre. It's your fault for catching my attention, of all people, anyway. 

You scoff. You didn't ask to get stalked. Why were guys at Night Raven College like this? 

Yours Truly,

That's where it ends. No signature, no name. Nothing to really identify who had sent this. 

That beastman from earlier didn't seem like a person who would write like this, but you couldn't tell from one (possibly two) encounters. 

Maybe you should just catch that beastman and ask him yourself. Yes, that's it!

"Let's catch that food thief." You declare. They all turn to you. 

"What?"

"Nyahaha! Let's make him pay dazo!" 

"Uh, but how do we do that…?" Deuce rightfully asks. You blink. "Uh, we can start by asking around." You suggest. "Honestly, this sounds like such a stupid idea." Ace scoffs. 

"But I'm in." He smirks. 

-

Cater was scrolling through his phone, on his way to his next class, when you and Grim jumped in front of him. 

"Cater!" 

"Whoa!" He laughs, seemingly out of shock. 

Behind him, Ace and Deuce spring out. Cater turns around with a smile on his face. 

"It's nice to see you guys again. How has your Valentines day been?" Cater waves casually. "This is fine. Everything's fine." You send him a shaky thumbs-up. "Uhh, what's up? You okay? You having love troubles or something, hm?" He teasingly asks. 

"Yeah…" You mutter, you're not focused on the current conversation.

"But that's not the big issue! Some furry stole our food dazo!"

Cater chokes. "D-Don't say that, Gri! You're totally going to get cancelled for that…the term is beastmen." He quickly splutters, looking around sheepishly. "Yeah, yeah." Ace rolls his eyes. 

"Uh, Cater, we actually came to ask you for your help since you know a lot of people." Deuce speaks up, reminding you all the reason you had surrounded him in the first place. "Oh? My little underclassmen are coming to me for help! Don't worry, you can rely on your super dependable Cay!" He practically squeals. 

"Agh, now you've made it weird. We should go ask Trey, c'mon." Ace groans, looking embarrassed. "No way! Come on, just ask me. I can help out!" Cater insists with a pout. You wonder if this is a ploy by Ace to get Cater to agree to helping because it seems like it's working. 

"Henchman? Yoohoo. Are ya there dazo?" Grim must've hopped onto your shoulders while you were distracted. "Is that the guy you're looking for?" Cater asks curiously. He was behind you, trying to follow your line of sight. 

Outside, there's a field. Crouched among them is a familiar head of dark blonde hair and a large pair of fluffy animal ears. "Hm, he looks like second year Ruggie Bucchi from 2-B. From his animal features, you probably already guessed he's in Savanaclaw and you'd be right! I think he's actually a hyena beastman." Cater cheerfully gives you a short description of him.

You run outside. "Fygaa! Henchman, where are you going dazo?!" Grim tumbles off your shoulder, you already know he'll land on his feet. Their shouts grow further as you exit the building.

Their voices grow further as you exit the building. You gasp. 

You run into the field and you gasp. You weren't hallucinating. That was definitely a cute tail! Oh yeah, and that food thief.

You weren't hallucinating. That was definitely a cute tail! Oh yeah, and that food thief.

Ao3: HERE If you see it posted anywhere or by anyone else, it's not me.

OBEY ME NIGHTBRINGER IS OUTTTT

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAH I WASN'T PREPARED MY GOOD SIRS HEELLOOOO ANGEL LUCI GDHJKJHGD

hi miss raven I have a question to ask. do you know the timeline of each chapters?? like I know the prologue was held at the start of the new academic year, but what about the other chapters? it's been bugging my mind since a long time ago but I just remembered about it😭

The main story gives ample hints that indicate what time of year each episode takes place in! A quick summary for you:

The prologue takes place at the start of a new school year (very late summer, early autumn). We know this because Yuu is isekai’d into Twisted Wonderland around the time of the school entrance ceremony, and due to the timing of the other episodes of the main story.

Episode 1 takes place in early autumn, as we follow the students starting a new semester and getting acclimated to their school lives.

Episode 2 takes place in autumn as well. If I had to put a more specific estimate to it, I would guess October, since this is when many homecoming games in the real world take place (and assuming that the Magift/Spelldrive tournament mentioned in this episode is the TWST equivalent to that).

Episode 3 takes place in late autumn (November) to early winter (December). This is implied via the mention of “final exams” for the semester, as well as Crewel mentioning that people that don’t do well on them will need to take supplemental lessons during winter break.

Episode 4 takes place mid-winter, as Jamil and multiple other characters make explicit mention of winter break, which I assume is the real-world equivalent of that long stretch of no school between Christmas to New Year’s. It being winter break also serves to explain the absence of several characters like Ace and Deuce.

Episode 5 takes place at the start of the New Year and into mid to late winter (January, February). The end of episode 4 has Adeuce mentioning that it’s a new year and a new semester, which means at the earliest, episode 5 opens January 1st. When we factor in the fact that VDC training camp takes place over the course of a month, this brings us roughly into February.

Episode 6 takes place a few days after VDC, as the boys have now been awarded their second place prize money and Crowley mentions calling STYX following Grim’s rock eating incidents; there also appears to be a significant time skip later in the chapter to account for Ramshackle’s renovations (don’t quote me on that second half of the sentence). Sooo let’s just be generous and say that episode 6 takes place over the rest of winter and maybe early spring.

From all of this, we can probably guess that episode 7 will take place squarely in the spring time.