Certified Zany

this part makes me so sad so so so sad

Shanks' Savior Complex

A few months ago, I posted a joke tweet about Shanks’ savior complex and Buggy’s inferiority complex. While Buggy’s feelings of inadequacy are pretty obvious in the source material, Shanks is constantly evading serious analysis because of how little he appears in the manga and how nebulous those few appearances are. So, naturally, I was met with a lot of confusion. (What do you mean by ‘savior complex?’ Why Shanks specifically?) I thought I’d address all that now in one comprehensive, all-inclusive post.

Before I dive in, please note just a few things:

A SAVIOR COMPLEX is a pattern of unconscious behaviors. It is associated most often with self-sacrificial people – those who help others even at the cost of their own personal well-being, mental or physical.

Within the field of psychology, ‘complexes’ are just constructs. My goal is not to diagnose. Rather, this post is a conceptual analysis using the idea of a “savior complex” to better explore Shanks as a character.

Now that all that’s out of the way, let me begin!

For a character who is so significant in the grand scheme, Shanks is remarkably absent for the better part of One Piece. Really. He is so nonexistent, actually, that the first chapter of the manga is probably the most we’ve ever seen from him uninterrupted. This is for good reason, though; Shanks is the catalyst for Luffy’s entire journey. He owes a lot to Shanks: his devil fruit, his life, and even his dream, to an extent. Luffy learned a lot about being a captain from Shanks, and much of his advice – like picking and choosing your battles, for example – Luffy puts to good use later down the line.

So, considering his role as Luffy’s mentor, it’s fitting that Shanks’ character is defined by RESPONSIBILITY. He’s goofy, sure, but don’t let that devil-may-care attitude fool you – Shanks is a knowledgeable pirate, grounded by the weight he carries. His dialogue and actions throughout the first chapter reflect this. When Luffy demands to be taken out to sea, Shanks refuses, claiming he is too young. While the rest of his crew wax poetic about the freedom and joy of being a pirate, Shanks is the one bringing them back down to reality, telling them not to fill Luffy’s head with “crazy ideas.”

Those who know him best seem to agree. “The captain’s just doing what’s best for everyone,” Beckman states. “The safety of the entire crew and ship rests on his shoulders.”

Although Shanks is realistic, he is not a pessimist, and he certainly still values dreams. Let’s not forget: Shanks entrusted Luffy with Roger’s hat. Not only that, he asks Luffy to give it back when Luffy has become a great pirate – not if. Of course Shanks has hope for the future and the new generation. He's just also experienced enough to know the dangers and horrors of the current world, and curbs his own expectations as a result. Yet again, Beckman reinforces this when he talks to Luffy.

The future needs a strong foundation. Anything is possible, including what Luffy wants to achieve, but there are necessary sacrifices to make dreams a reality.

I believe Shanks sees himself as one of those necessary sacrifices.

Oda may not have envisioned Shanks losing an arm in the original draft of the story, but this decision sets a precedent going forward, for both Shanks as a character and the series at large. Sacrifice is at the core of One Piece’s identity; previously, I’ve discussed its emotional significance as an act of love. But sacrifice also serves as the foundation for the new generation. Corazón’s sacrifice, for example, enabled Law to outlive him and change the future. Toki and Oden’s sacrifices enabled their children and the Nine Red Scabbards to change the future. Queen Otohime, Fisher Tiger, Shimotsuki Yasuie… although these characters died without ever seeing the future they hoped for, their sacrifices are the foundation upon which their successors enact change.

And who do we also see facilitating the changing world, ensuring the “new age” succeeds?

Shanks.

Whenever Shanks reappears in the manga, it is usually on the precipice of a dangerous conflict, or at exactly the perfect moment to intervene in said conflict. Take Shanks visiting Whitebeard, for example; here, he attempts to navigate the growing tension between Ace and Blackbeard, which eventually results in the war at Marineford. Although he fails at convincing Whitebeard to stop Ace’s revenge quest, it’s clear that Shanks has a vested interest in balancing the current forces at play, including marines and pirates.

At Marineford, not only does Shanks intervene to stop the war, but he saves Koby, a member of the new generation who will undoubtedly change the future on the marines' side of things. His words also reflect my point about sacrifice as a foundation for change. As he stops Akainu, he praises Koby for putting his life on the line: “The seconds of courage you bet your life on creating, for good or bad, have just now greatly changed the fate of the world!”

This aspect of his character remains consistent in Film Red, too. Even though he has grown to love Uta as a daughter, Shanks still encourages her to stay behind because her singing brings happiness to a world where "peace and equality don't exist." Afterwards, when Uta causes the massacre on Elegia, Shanks shoulders all the blame, effectively hiding the truth to protect her. He sacrifices his own connection with his daughter for what he believes is the greater good. Note that Shanks’ own personal feelings on that decision are never explored or discussed; obviously, Shanks loved his daughter, and it's safe to assume he didn't want to leave her. But he set aside his own happiness and made the hard choice anyway. (Sound familiar? The "savior complex" alarm bells should be ringing in your head.)

Even as an emperor, Shanks sacrifices his own strength, influence, and reputation. His fleet is “notoriously weak.” The pirates within it even admit that they never would have survived this long without Shanks protecting them. This fleet is another responsibility weighing Shanks down, and yet he takes on that burden anyway for their sake. 

We don’t have the full context behind Shanks’ decision at Loguetown either, but it’s likely that his refusal to go Laughtale right away ties back to responsibility, too. We know whatever Roger said to Shanks the day their crew disbanded rendered him to tears. (Did Roger’s answer to his question change his mind?) We also know he regards Luffy as Roger’s successor, and claims Luffy acts just like he did as a kid. (Shanks "crowning" Luffy with Roger's hat also parallels Shanks' moment with Roger visually, placing them in similar roles.)

Given this, it’s possible that Shanks believed he could take on Roger’s legacy, but later realized he would not be the one to change the world. Roger might have even tasked him with finding the “true” successor, who will “turn the world upside down.” (Shanks’ fixation with the “new age” would also make sense in that case.) This is all speculation, but I thought I’d throw it out there anyway, because if this were true, Shanks would have sacrificed his own dream for the sake of the world. (Very fitting!)

But how does Shanks feel about his role in the bigger picture? The short answer: we don’t know, and I think that’s purposeful. Oda consistently draws Shanks looking wistful and resigned when it comes to his choices; although he has severed relationships and damaged his body, not once has he expressed resentment, anger, or sorrow. In fact, he's usually smiling.

Shanks also has his own monologue where he discusses the act of crying.

If you apply his advice to his own character journey, it raises a lot of questions. Does Shanks view his current sacrificial actions as “overcoming” his own tears from back then? Is that why we so rarely see him cry now? Considering how reserved Shanks is in expressing negative emotions, I think it’s possible. His emotional restraint could also be seen as “saving face” for the sake of others – something I’ve discussed before. That is my own interpretation, though, so take it with a grain of salt. 

Speculation aside, Shanks has shown time and time again that he prioritizes the future over his own life. His dedication to/fixation with the "new age," his role as a mentor, how he believes in putting his life on the line and "overcoming" negative emotions... these indicate a pattern of behaviors seen in those with savior complexes. Even if it's at the cost of his own mental/physical well-being, Shanks plans to facilitate the world as Luffy changes it.

Is the "new age" his dream, or did he sacrifice his real dream for the sake of the new age? Does that dream even matter to him, anymore? The reasoning for Shanks' motives is still unknown, but the answer must lie in whatever mysterious question he asked Roger – otherwise, why hide the context for his massive turnabout at Loguetown? Once the curtain is drawn back on that moment, I think we will begin to see Shanks in a new light.

i love that Cheng Xiaoshi and Qiao Ling like- canonically know almost nothing about Lu Guang and they're... totally fine with it

bc of course they want to know more about him but they don't need to to know they love him yk? -> they love having him around and that's enough

anyway- i just think it would be really funny if Lu Guang wasn't actually intentionally secretive, he just- forgot a lot of stuff about himself due to how many times he's looped

Xu Shanshan, writing in a notepad: How old is Qiao Ling? Lu Guang, immediately: 22 Xu Shanshan: And Cheng Xiaoshi? Lu Guang: He's 21 Xu Shanshan: How old are you? Lu Guang: .... *raises hand to chin* Cheng Xiaoshi: WHY IS THAT THE ONE YOU HAVE TO THINK ABOUT!?

OKEY LISTEN au where Satoru didn't kill Suguru, but moved him to his basement /?/ to keep him from escaping. I'd be interested to see that so I did some sketches

Animaniacs #37 -May 1998- DC Comics

"All My Warners"

writer: Jeff Suess

penciler: Leonardo Batic

inker: Scott McRae

letterer: John Costanza

colorist: Prismacolor

"Li-Hippo-Suction"

writer: Dana Kurtin

penciler: Leonardo Batic

inker: Scott McRae

letterer: John Costanza

colorist: Prismacolor

"Mr. Brain's Neighborhood"

writer: Jeff Seuss

penciller: Walter Carzon

inker: Jim Amash

letterer: John Costanza

colorist: Prismacolor

Au where when Saiki was younger, he sometimes ran into Aren's mom injured and helped her out, and he became something like an unofficial medic to her and her little group. Sometimes when Saiki was patching her up, she would vaguely talk about her kid around his age and stuff. Well, she wouldn't mention Aren by name or talk about him out loud but Saiki just reads her thoughts and so he vaguely knows about her little Hoodlum but then she and her gang moved and Saiki being a little too good at Rock Paper Scissors happened and so they got separated and drifted apart.

Only for some odd years later (Like, four or five) and Aren transfers into Saiki's class with his whole trying to be a normie spiel and how he is totally not gonna be a punk anymore. Aren doesn't really look like his parents (In the same way of how Kusuo and Kusuke don't really look like Kurumi) so Saiki doesn't really suspect anything- and neither does Aren, and they carry on. Imagine a similar situation as the street magician Chouno Uryoku and how his ex-wife did not look anything like how the dude thought of her.

Saiki never really got out of his Street Medic habits and Aren sometimes coming to school with some scrapes from gangsters either trying to pick a fight or drag him back into his past only exacerbates Saiki's medic habits. Like, he always used to carry bandages and alcohol wipes and antibiotic ointment, but had talked to just carrying bandages because a whole medkit had been annoying to carry and needless for an esper like him. Though, he had started carrying a bit more for Kaidou and Hairo when they become closer. (Saiki adds the antibiotic ointment back into his repertoire for Aren)

When they gets close enough and Aren invites them to his house is when the fun really starts. Kaidou and Nendo find Aren's baby album and look through it and everything. But Saiki spots a smaller album on the book shelf and is thinking "Better not show too many of these family albums to those two, who knows what we might see" trying not to think about the album collections documenting his parent's dates and stuff.

And when Aren comes back into the room the four are just vibing and hanging out, Aren even bought out some Coffee jelly as an offering thank you for coming ya introverted bean. So, even Saiki is in a pretty good mood. And then they hear the front door open and close with shuffling and stuff with a 'We're home, Hoodlum!' and Aren going to greet his parents like the totally good kid he is, and Saiki is like "??? That voice sounds kinda familar."

And whadduya know!

When Aren's mom turns around from putting stuff in the fridge, Saiki instanting recognizes her and its the same lady he helped all those years ago! I imagine its not a big dramatic moment but there is a "What a surprise" moment. And she's just like "Haha! Little Medic, you're friends with my brat, what a small world! I hope he's treating you and his other friends right."

And Aren is standing there after trying to introduce his friends like "What." Kaidou says "You know Saiki???? But he never leaves his house!" But Nendou is the one to be like "Wow, Aren's Mom, how do you know my buddy?"'

To which Aren's Mom says briefly that Saiki used to get discounts from the stores near her hangouts (Rough part of town, but great prices for stingy child espers) and how he used to help her and some of her girls. Aren is over here dumbfounded, and Kaidou is just like, "wouldn't he have been like, six, a decade ago??" That Saiki pointedly does not confirm.

But Saiki and Aren's mom are over here just casually talking while all the other teenagers are standing there, bewildered. Like, Aren is over here being like "Hold on, I thought Saiki was a goody-goody, He knows my mom?!?" Meanwhile:

Aren's Mom: How's that brother of yours?

Saiki: Moved to Britain and is still a sore loser.

Aren's Mom: Haha, good to know he's not bothering ya! So, how's my little hoodlum doing in class? Not being a brat is he?

Saiki in a true show of open candidness: If he was a bother, he wouldn't still be in my class.

And Kaidou and Aren are nearly shitting their pants from this being like "SAIKI?????" with it just completely flying over Nendo's head.

Then, the rest of the hang out is Aren's Mom sharing stories of tiny Aren while Saiki is eating more Coffee Jelly

Dads :))

The common misconception that Akane has no personality outside of Aoi is a sign of immaturity among many fans, in my opinion. This isn’t really their fault, seeing as the majority of the tbhk fandom is on the younger side, but it’s still something that should be noted

When people say this, they are talking about his hobbies. It’s true that every hobby Akane has is something he started to impress Aoi. I’m of the firm belief that he stayed on the Student Council because he enjoys it but that’s slightly up to interpretation (it could also be a way for Teru to keep an eye on him). However, in general, Akane doesn’t seem to have much going on outside of Aoi. His favorite food is something he imagines her baking for him, he joins clubs based on what type of guys she shows interest in, the books he reads all have a character that shares her name, and when she asks him what he enjoys, his response is “I like you, Aoi.” He’s even shown to zone out of conversations when Aoi isn’t mentioned. This is clearly unhealthy, though he does eventually learn to give her some distance which is beneficial to the both of them. But he still doesn’t seem to actively engage in hobbies that have nothing to do with Aoi

This is a consistent character flaw, but it does not mean Akane has no personality or character outside of Aoi. This is where the immaturity bit comes in, kids want to describe themselves entirely based on their interests. With the rise of fan culture and the internet, many adults do the same. It’s not just a young people problem, it’s an issue of how we identify ourselves. We like to put people into categories, understanding them based on their hobbies and careers. These are very important elements of identity, but they aren’t everything. A person with no job and no hobbies is still a person. They might struggle due to having no outlet for their creativity, but they are a person nonetheless

Fandoms notoriously love to understand characters based on their niche interests. Aoi is a gardener, Hanako loves the moon, Nene plays idol games, Teru has a very sad life. These are absolutely elements of their characters, but there’s more to them than their hobbies. They have personalities too, goals and passions outside of what they do in their free time

Akane puts his all into helping others, he takes his Student Council duties very seriously and keeps his hands full during every school event. He is a very empathetic character, able to understand characters like Aoi, Teru, and Nene without them having to tell him what they need. He’s competitive, as seen in his friendship with Teru. He’s romantic, as is the driving force of his character (and romance is a perfectly acceptable goal, marriage is one of the most common things for a person to strive towards in life). He’s violent and overprotective, striking down any man who makes Aoi uncomfortable. He’s emotional, prone to fits of joy, anger, and tears. He’s easily annoyed and carries a chip on his shoulder, but that doesn’t stop him from wanting to help people. He hates supernaturals because of how they hurt others, and despite his stance as a School Mystery, he is so painstakingly human. He can be aggressive, especially when someone he loves is trying to do something self-destructive. He cares so deeply for people, wearing his heart on his sleeve. He’d stay up all night playing video games if it made the girl he loves happy, but he won’t attack Teru for having genuine feelings for her. He’s incredibly loyal. He’s also casually bisexual so there’s that

Idk there’s just so much more to Akane’s character than people give him credit for, I didn’t even cover everything. Remember when you’re analyzing a character, it’s important to look deeper than “they enjoy this” or “this is their job.” Akane may devote so much of his life to Aoi, but he is still his own person, whether he realizes that or not

I am begging ya’ll to stop throwing the “no character outside of Aoi” allegations at this man

luffy 🙂 / the cooler luffy 😎

God told me to draw this