Fruitcake Man Fruitcake Man Fruitcake Man, Finally Some Up-to-date Art Of Cool Fruitcake  Man-

Eyes all over him!

pov: Hanging out with the Real Bestie but tumblr Smited you from the tags the first time [ Click for better Image Quality?]

Otome dissection is a portrait of an empty person entering a relationship not because it makes them happy or it makes them better, but to have someone be the dump of their problems with no intention of actually solving it. The person is empty, and she is desperate to feel something, hence the first lines,

Let's play maiden dissection!

Don't we all want some excitement to get our hearts pumping?

She (the pov person) calls their partner, trying to connect to them without actually wanting to say something.

Good evening, is now a good time?

I didn't really have anything specific to say, but

Now there's this and that and an "it's alright" comes to mind

Without you, none of that matters

But the last line is offputting. If one is in the company of a person they cherish, the conventional phrase is "with you, none of that matters." Almost as if the purpose of connecting with their partner is merely to dump problems to them.

She is asking to be "dissected" because she would never open her issues herself. The first prechorus establishes it clearly.

This disease, the whole package

I'll send it to you as an attachment

I don't wanna go so far as to share all the things that cause me pain

I just wanna run away from this love

The lyric 「いきたくない」 in the chorus is already unclear in itself, being written in hiragana. It is left to us if she's saying she does not want to live (生きたくない), does not want to die (逝きたくない) or does not want to climax (イきたくない). On its own, いきたくない could also mean "I don't want to go." I think it was purposely ambiguous because she wants us to dissect what she wants to say.

The music video shows us the girl dancing with a skeleton. Some interpret it as her dancing with death, but I think it represents the partner who she dumps her problems to.

Only the skeleton remains of the partner because they've given everything to the "singer." Not only does the partner's bones remain, the bones are even fragmented.

They've opened themselves up while she remains fully human because she would not risk being vulnerable. She keeps the skin, the mask, not even a layer coming off.

At some point, the partner eventually distances themself from her and she takes it badly. The music video shows a progression from her making a phone call,

To holding a stringed cup (where it is unsure if the partner even receives the message),

To a mere hand acting as a telephone.

She is desperate on maintaining the relationship even if it does no good.

Returning to the skeleton representing the partner's state, a blink-and-you-miss-it moment happens near the end that shows the skeleton as a whole figure and witnesses all her self-destructive behavior.

However, being with her broke the skeleton (the partner) apart.

Now without a person that could make her feel - pain, shame, or anything, she succumbs to emptiness and decides to end herself. Lyrically, nothing changes and she goes back to the shell of void that she is. Visually, the music video ends with her in a body bag with a peaceful expression.

The end of the world

Henry: * randomly materializes out of a murder of crows with a slurpee in his hand* hey guys what’s up? [Click for better Image Quality (Please don’t these are literal Sketches)]

(Oh no I have to Tag this)

“and you, kind child, will redeem the world”

shuuya kano aka the character that has issues and has a whole song about his issues and said issues never really get resolved

HAPPY BIRTHDAY BIRD MAN [Click for better Image Quality(?)]

Huevember Day 13

“you don't remember me? that makes me sad. last time, you swore that you would never forget me.”

more artstyle experimentation woooooooo

Thinks about how. Gloreth only starts looking at Nimona differently/strangely when her parents call her a "monster". Just throws that label with such a negative connotation on her. Gloreth fucking fights for Nimona immediately in the beginning saying that she's her friend and never once looks at her with ridicule until her mom just holds her by the shoulders and tells her she's a monster, straight in the eye, straight in the face. And just the word is enough to cause the change.

Nimona's getting fucking attacked and prodded and Gloreth doesn't even feel sorry for her just because she's now re-contextualizing everything around her but with that word. I'm so sick. She looks not in hesitance but at disbelief before she runs away. She sees Nimona trying to defend herself from literal Danger in any way she can (she's just a kid and she's fighting with people who won't listen, never will, people that she can't get through) but just sees that as more proof of her being violent, monstrous. She sees her friend all alone, with the odds and the world stacked against her despite them being. so similar but just tells her to go back to the shadows.

And like. Of course she believes those words calling Nimona a monster and takes them to heart. Her parents, the ones she would probably trust most are the ones that told her that. And she's young, she doesn't know much about the world or much better. And of course, her parents and the whole village don't know any better. They didn't see what she saw. They don't know or feel the need to know much more than the definition of the word "monster". But it hurts. God it hurts. It's wrong. It's not fair. It's really not fair.

And it causes this whole legend that will stay with Nimona to ridicule her for generations and generations and birth this system that she's trapped by and causes everyone to be so brainwashed. The one that makes people scared and build walls. That births unecessary distrust.

God. Even in the scroll illustrating Nimona and Gloreth, Nimona is portrayed as such a bigger and scarier threat than she ever could be or would be, until Nimona internalized and gave into those images and despair of course. It's not fucking fair.

Thinking about how when the villagers saw Nimona as a "normal" person they were happy for her just living her life and playing with her friend, she was just another kid being happy like she and every ("normal", apparently) person deserves to be, and they were allowing her to be happy then when they find out what she really is they hate her. They call her a monster and drive her out immediately. They don't look into the details that contradict the stigma, they just feel betrayal when they weren't even the ones who were betrayed (Nimona couldn't fucking help being who or what she was. And she was her own person. She was still. A someone. Why do things have to be different now?). I'm so sickkk.

Thinks about how Nimona feels so hopeless as to just. Accept and yield to that label. That label that was passed down to Gloreth. To the whole world. Such simple but awful words. Aughhhhhhhhhhh

Another post I saw talks about how this is a movie about how hate is taught. And oh my god it is. Hate it taught. It's done so simply yet so, painfully effectively. So devastatingly. And that hate teaches people to hate the world back. God I fucking loooove this movie

Also Nimona's such a Creature /pos /affectionate she's so relatable I fucking love her and I'm insane okay that's the post bye