Thinking…

thinking about that time senya talks about merging and brings up "starting a happy family" and thinking about how that's what matakara brings up in the episode, that desire for a sense of home with his brother and the fact that he includes arajin in this wish for the future...

i think when talking about bucchigiri, i dont want to shy away from using the word "love" over "friendship". like friendship is undoubtedly an important type of love, but the more open and encompassing nature of the word "love" itself feels more appropriate for what's going on

bisexuality

Hagu/Ryu fans won but at what cost

I think it should be obvious, but Bucchigiri is an anime about bonds and relationships, with three different ways of approaching it, sex, fights and cooking.

Saying that Arajin only wants sex and losing his virginity is to stay with the most superficial aspect of his character. Because yes, that's what he says he wants, but there are signs that it's not what he really seeks, a meaningful bond/relationship with someone, surely in an attempt to fill the void of that friendship he lost when leaving Matakara behind, because if we look closely, despite what he says, every time Arajin fantasizes about Mahoro it's never in a sexual way, what we see are bonding moments.

And his rejection of fights doesn't seem like a simple coincidence, not only because it's a characteristic of his condition as an antihero (in the classic sense of the word). But it's important to remember that just like sex and cooking (for someone) they are ways of relating, I mean… it is a very common trope… "men understand each other in a fight" which is particularly important here because it's the main way in which the boys relate to each other. Seen this way, by rejecting fights Arajin not only rejects confrontation, but the possibility of relating to the other boys, because doing so means constantly facing his guilt of what happened with Matakara (which also left him with after-effects), because if you pay attention, you can see that Arajin does care about him, more than he is willing to admit.

Let's also add to that how important cooking is (which I already have an analysis on this), cooking is independence, maturity, the warmth of a home and above all affection. I never get tired of saying it, the food in Bucchigiri "speaks", the single scene where Arajin and Matakara cook together in episode 8 is simply beautiful and tells us several things about both characters, their backgrounds, the state of their relationship, how they have coped with their lives after separating. And not only that, but cooking is presented as a kind of "third way" with respect to the previous two, not for nothing the last scene that both friends share is precisely cooking together.

By the way, have you noticed that there is in fact a common idea between sex, fighting and cooking (especially between the first two)? They all involve in one way or another "give it your all" and in particular "being exposed" and therefore "being vulnerable" which ends up being part of the resolution of the conflict, because it is at the moment when Matakara admits his pain that Arajin is also able to accept not only his guilt but the damage he caused him, it is there that he is finally able to gain the determination necessary to become a honki person and save his friend.

Bucchigiri is a story about bonds, relationships, trauma, loneliness, but it doesn't throw all its cards on the table in one sitting, it's also a story told through the small details it wants you to notice, because there's a lot to see if you are willing to give it a chance, it's a unique experience, even touching, that despite its flaws (because it has them) gives off a lot of personality, charisma and especially soul.

IS THERE ANY ADULT?

I have released some ideas on Twitter lately, but when I realized that there was a common thread, it seemed like a good idea to put them together to organize them better(and maybe expand a little).

The way Bucchigiri approaches the "adult world" is something to say the least curious when you think about it. The gangs seem to be in their own reality, where everything related seems relatively distant. However, what is striking is that despite this, the anime doesn't completely rule them out, it recognizes their influence on their daily lives, and not only that, but also the great importance of adult guidance, with Arajin and Matakara being a clear example of this

Arajin was raised by his mother (we have no information regarding his father) who we can see has always been there for him, giving him her love and guidance, which we see by how she bequeaths him her cooking skills, a curious mix between independence and giving love/affection, key elements to mature as a person (being serious/Honki in a way)

But in the case of Matakara, everything indicates that he was a child raised by another (Mitsukuni) and that inevitably creates a gap between him and other kids his age, especially having grown up in a house where both brothers never felt comfortable, which is easy to notice by their desire to get out of there.

There is something I want to make clear, so far, it doesn't seem that the relationship between the Asamine brothers and their relatives was conflictive or hostile , but some tension can be felt, so I cannot assume that they had bad intentions, but it doesn't seem they did a lot to make both children feel welcome and safe, which can be seen in several details, such as the little (or no) interaction between them and Matakara

Or how, unlike Arajin, his lunches are not homemade, but bought and although it may not seem like it, this says a lot, because both houses are also family businesses in which they have to serve several clients, from what it seems to me that this parallelism is intentional and to make us see that despite coming from similar backgrounds, the treatment that Arajin and Matakara receive from the adults they live with is very different.

This is when food "speaks" in Bucchigiri, because it translates not only as affection, but also warmth of home, therefore, safety(There's already an analysis of this specific topic for those who may be interested). It's an interesting way to telling us (along with his oppressive room) that Matakara never had that while growing up.

Because no matter how hard Mitsukuni tried, he wasn't a father, not even an adult, he was another child, one who must also have his own scars after everything that happened, someone who was trying to play a role for which he was clearly not prepared. The fact that he doesn't know how to cook is a good way to represent it, because it's a skill linked to independence and therefore to adulthood.

In fact, it is very curious that Arajin is coincidentally the only one of all the young characters who knows how to cook, because something similar happens with Mahoro, who cooks for her brother who is in the hospital, but it is evident that she is not good at it, which which could indicate (at least based on what has already been said) that she has not had that guidance from the adults around her either.

However, we still have something else to address, we have already seen that even if it's subtle, Bucchigiri doesn't rule out the importance of adults as guiding figures, but just as this is pointed out, a line is also crossed, making it very clear to us that although There are adults like Yayako or Ken who can be trusted, there are also those who take advantage of young people, doing a lot of damage in the process.

Let's not forget the police officer who was trying to distribute drugs using members of Minato kai and probably other kids in the area, a situation for which Mitsukuni had to assume the consequences of taking the lead and putting a stop to it with his own hands, having to leave his brother behind in the process(reminding us of the harsh reality that exists in Honki city in the process).

And of course Ichiya is not spared, we are talking about someone who took advantage of an emotionally unstable teenager in his most vulnerable state to achieve his revenge against Senya, subjecting him to manipulation and emotional abuse, also using Matakara's pain as basically fuel. Situation that would have had the worst possible outcome if it weren't for Arajin managing to save his friend in time, but removing the supernatural factor, not all young people in real life are so lucky.

But leaving that aside, I think that both "genies" do something important, showing that adults are not perfect and that in a certain way they have not finished "growing" at all, in the sense that they are people who can still learn, commit mistakes, that can hide things from you, even if their intentions are not bad at all(Senya) or understand that their bad actions may have a root (Ichiya). Something quite curious, because like being Honki, maturity/adulthood is something that is sometimes diffuse and not entirely clear.

Although it wasn't the main theme, and it is certainly somewhat in the background, the "adult world" in Bucchigiri is still present throughout the anime in various details if you pay attention. There are still some things left, Mitsukuni and Ken seem to me to be characters that should be talked about separately, because their role as young adults seems to function as a kind of midpoint between the "world of gangs" and the "adult world", as well as maturity and the sense of duty, that is a key element for both.

Color coded anime boys get me every time o3o

"....My dick has led me to places you couldn't even imagine"

I KNOW WHAT YOU ARE.

finally got my hands on skaters and this precious duo in particular 🤲💗 fjdjskksk wanna squeeze them sm