Jenny Slate In Stage Fright (2019) // Ugly, Bitter, And True By Suzanne Rivecca // Hayao Miyazaki In

'Cause the sign on your heart Said it's still reserved for me Honestly, who are we to fight thе alchemy?

I really dislike when people lack true manners. And I’m not talking about basic things like chewing with your mouth closed or saying thank you. I’m talking about having a genuine respect for others — gracefully making space for people on the sidewalk, choosing your words thoughtfully, and lifting others up with kind compliments. It’s about allowing others to have the first share or the best seat, and being able to take a deep breath and move on from conflicts, without needing anything in return. It’s not about neglecting yourself to serve others, but knowing there’s a beautiful balance. It warms my heart whenever I feel and see it happen.

drake?

“Irritated fans produce fanfic like irritated oysters produce pearls.”

— Anne Jamison (via pen-in-hand)

Some BellyJere parallels throughout the show (so far) The Summer I Turned Pretty (2022 - 2025)

The only favor the Dursleys ever did for Harry...

Make no mistake, the Dursleys are terrible people and unquestionably abusers. 

But the one favor they did for Harry was never pretend as though they loved  him. Vernon and Petunia made it very clear: You are not a part of this family. We don’t like you and never will.

They didn’t try to frame their abuse as “for Harry’s own good.” They didn’t try to make Harry believe that he could earn their love through good behavior. They didn’t tell him they loved him just as much as they loved Dudley, then subtly treat him like shit. 

They were honest. And that honesty allowed Harry to put some emotional distance between himself and the Dursleys, even before Hogwarts. Because if the Dursleys don’t like him, then he didn’t have to like them.

Instead of vying for the Dursleys’ affection, Harry basically snarks his way through childhood, relishing in his status as an outsider. His early descriptions of the Dursleys are practically dripping with razor-sharp snark about their appearances and foibles. He finds comfort in the knowledge that a) he dislikes the Dursleys as much as they dislike him, and b) he alone sees these cartoonishly awful people for who they are.

JARAH + sharing clothes

Actually while I'm thinking about it, I just wanna say that the more live-action remakes Disney shlups out like shoveled manure, the more amazed I am that Cinderella (2015) exists. It breaks literally every standard of Disney's LA remakes.

It's not a shot-for-shot remake of the original 1950 animated film, though it does include small references and homages to it, but only when such things can be incorporated organically into the story.

The creators understood and respected the cross-cultural significance of the Cinderella story. They didn't want to "fix" it, or add some wacky twist to it, they just wanted to make the best possible version of the Quintessential Cinderella that they could.

Everything that could be done practically was done practically. The carriage was a real, the horses pulling it were real, and all of the other animals (with the exception of the mice and lizards, since their performance was a lot more involved than the others') were real living animals, the lizard footman and goose carriage driver were wearing prosthetics instead of just having their animal features added in post, the Fairy Godmother's dress had little LED lights sewn into it so that it would actually glow for real, the ballroom set was built by hand and included real chandeliers with more than 2000 total candles that were all actually lit for the scene, and I could go on but you get the point.

There's a ton of attention paid to little details that make the world feel real and lived in. Ella's shoes are always a little scuffed and dirty. Her farm dress is faded and wrinkled. When she breaks down and runs away to the woods, she rides her horse bareback (which, once again, was a thing Lily James actually did, no stunt-double or editing in post), because not only is that something a country girl like her would know how to do, but it also makes sense that with as upset as she is, she wouldn't want to waste time with saddling the horse. When she's dancing with the prince, it's visually obvious that he is leading her and giving her cues because of course Ella wouldn't know the latest ballroom dances, and would need him to guide her through it.

Hey speaking of dancing, y'know what else this movie does that no other LA remake has been allowed to do (at least not to this extent)? ROMANCE. Land sakes alive, this is one of the most unabashedly and yet still tastefully romantic movies I've ever seen. Ella and Kit are just oozing romantic chemistry from the moment they lock eyes for the first time. It all comes down to the fact that these two characters both have the same core values of courage and kindness, which makes their admiration for each other feel grounded and believable. Richard Madden also really sells Kit's feelings for Ella with the way his eyes go all big and soft whenever he looks at her. And don't even get me started on Lily's performance as Ella. Her quiet awe that someone as powerful as the prince loves her. The timidity and fear that she's not really worthy of that. The selfless determination to protect him from her family's cruelty, even if it means she'll never see him again, I'm just-- *banging my fist against the table and screaming into a pillow*

Absolutely god-tier costume design. No notes, I think Sandy Powell's work speaks for itself. Btw, in case you were somehow still wondering, yes, Ella's ballgown is fully practical--those layers upon layers of dreamy silk skirts are real. CG was only used to brighten up the blue color to make her stand out from the crowd more.

Wicked stepmother was allowed to actually be wicked. The movie never tries to make you sympathize with Lady Tremaine, or shift the blame off to someone else. And her villainy is given an extra layer of depth with the reveal that she is a dark reflection of Ella. They've both lost people they loved, but where Ella refused to let her grief get in the way of kindness, Lady Tremaine became utterly consumed by it. She views the death of her first husband as a sort of twisted justification for pursuing all her worst impulses. She despises Ella for her ability to flourish even while enduring terrible suffering, for being everything Lady Tremaine was either unable or flat-out refused to be.

Also Cate Blanchet absolutely SLAYS in this role. Hands-down my favorite portrayal of the wicked stepmother character.

Anyways, TLDR: Cinderella (2015) is the only Disney live-action remake that can justify its own existence and that's because it actively defies everything the LA remakes are today.

harry.

spin this wheel of hobbies