Im In Love, Im Alive

Im In Love, Im Alive

im in love, im alive

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Im In Love, Im Alive

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B99 Au Where Hawks Is Briefly Framed And Imprisoned And His Cellmate Is Dabi
B99 Au Where Hawks Is Briefly Framed And Imprisoned And His Cellmate Is Dabi
B99 Au Where Hawks Is Briefly Framed And Imprisoned And His Cellmate Is Dabi
B99 Au Where Hawks Is Briefly Framed And Imprisoned And His Cellmate Is Dabi
B99 Au Where Hawks Is Briefly Framed And Imprisoned And His Cellmate Is Dabi
B99 Au Where Hawks Is Briefly Framed And Imprisoned And His Cellmate Is Dabi

b99 au where hawks is briefly framed and imprisoned and his cellmate is dabi

“I think fanfiction is literature and literature, for the most part, is fanfiction, and that anyone that dismisses it simply on the grounds that it’s derivative knows fuck-all about literature and needs to get the hell off my lawn. Most of the history of Western literature (and probably much of non-Western literature, but I can’t speak to that) is adapted or appropriated from something else. Homer wrote historyfic and Virgil wrote Homerfic and Dante wrote Virgilfic (where he makes himself a character and writes himself hanging out with Homer and Virgil and they’re like “OMG Dante you’re so cool.” He was the original Gary Stu). Milton wrote Bible fanfic, and everyone and their mom spent the Middle Ages writing King Arthur fanfic. In the sixteenth century you and another dude could translate the same Petrarchan sonnet and somehow have it count as two separate poems, and no one gave a fuck. Shakespeare doesn’t have a single original plot—although much of it would be more rightly termed RPF—and then John Fletcher and Mary Cowden Clarke and Gloria Naylor and Jane Smiley and Stephen Sondheim wrote Shakespeare fanfic. Guys like Pope and Dryden took old narratives and rewrote them to make fun of people they didn’t like, because the eighteenth century was basically high school. And Spenser! Don’t even get me started on Spenser. Here’s what fanfic authors/fans need to remember when anyone gives them shit: the idea that originality is somehow a good thing, an innately preferable thing, is a completely modern notion. Until about three hundred years ago, a good writer, by and large, was someone who could take a tried-and-true story and make it even more awesome. (If you want to sound fancy, the technical term is imitatio.) People were like, why would I wanna read something about some dude I’ve never heard of? There’s a new Sir Gawain story out, man! (As to when and how that changed, I tend to blame Daniel Defoe, or the Modernists, or reality television, depending on my mood.) I also find fanfic fascinating because it takes all the barriers that keep people from professional authorship—barriers that have weakened over the centuries but are nevertheless still very real—and blows right past them. Producing literature, much less circulating it, was something that was well nigh impossible for the vast majority of people for most of human history. First you had to live in a culture where people thought it was acceptable for you to even want to be literate in the first place. And then you had to find someone who could teach you how to read and write (the two didn’t necessarily go together). And you needed sufficient leisure time to learn. And be able to afford books, or at least be friends with someone rich enough to own books who would lend them to you. Good writers are usually well-read and professional writing is a full-time job, so you needed a lot of books, and a lot of leisure time both for reading and writing. And then you had to be in a high enough social position that someone would take you seriously and want to read your work—to have access to circulation/publication in addition to education and leisure time. A very tiny percentage of the population fit those parameters (in England, which is the only place I can speak of with some authority, that meant from 500-1000 A.D.: monks; 1000-1500: aristocratic men and the very occasional aristocratic woman; 1500-1800: aristocratic men, some middle-class men, a few aristocratic women; 1800-on, some middle-class women as well). What’s amazing is how many people who didn’t fit those parameters kept writing in spite of the constant message they got from society that no one cared about what they had to say, writing letters and diaries and stories and poems that often weren’t discovered until hundreds of years later. Humans have an urge to express themselves, to tell stories, and fanfic lets them. If you’ve got access to a computer and an hour or two to while away of an evening, you can create something that people will see and respond to instantly, with a built-in community of people who care about what you have to say. I do write the occasional fic; I wish I had the time and mental energy to write more. I’ll admit I don’t read a lot of fic these days because most of it is not—and I know how snobbish this sounds—particularly well-written. That doesn’t mean it’s “not good”—there are a lot of reasons people read fic and not all of them have to do with wanting to read finely crafted prose. That’s why fic is awesome—it creates a place for all kinds of storytelling. But for me personally, now that my job entails reading about 1500 pages of undergraduate writing per year, when I have time to read for enjoyment I want it to be by someone who really knows what they’re doing. There’s tons of high-quality fic, of course, but I no longer have the time and patience to go searching for it that I had ten years ago. But whether I’m reading it or not, I love that fanfiction exists. Because without people doing what fanfiction writers do, literature wouldn’t exist. (And then I’d be out of a job and, frankly, I don’t know how to do anything else.)”

— “As a professor, may I ask you what you think about fanfiction?” (via meiringens)

Been Hearing This Is A Problem Again. Don't Be A Dick In Bookmarks, Folks. And Yes While I Made This

Been hearing this is a problem again. Don't be a dick in bookmarks, folks. And yes while I made this image, I'm giving free reign. Take it. Spread it far and wide. Because I'm hearing that some readers don't know that their bookmarks are visible.

11 months ago
Edit of xkcd comic 2501: Average Familiarity. Two characters are speaking with each other. 
The conversation now reads, "Hidden Search Operators are second nature to us, so it's easy to forget that the average user probably only knows summary: string and expected_number_of_chapters: 1. And OTP:true, of course. Of course."
The caption underneath the comic now reads, "Even when they're trying to compensate for it, AO3 volunteers wildly overestimate the average person's familiarity with their site."

For anyone who hasn't seen them before, Hidden Search Operators are handy tricks you can use when you're either searching or filtering AO3.

summary: string is a generic way of explaining that you can search AO3 for a specific word that appears in a summary. You can do this from the search bar in the header, from the Any Field box at the top of the Advanced Search form, or from the Search Within Results box at the bottom of the filter menu.

Examples:

summary: Bruce

summary: "Bruce Banner"

summary: Bruce OR summary: Banner OR summary: Hulk

You need to put quotation marks around your search term if it is more than one word. The quotes make sure that the site searches for those two words together.

The other two operators listed work best in the Search Within Results box.

expected_number_of_chapters: 1 will return results where every fic has only 1 chapter currently posted.

You can use -expected_number_of_chapters: 1 if you want results where every fic has more than 1 chapter currently posted.

otp:true will return results where there is only 1 relationship tag on the fic. If you want results where there are 2+ relationship tags (and no fics with only 1 relationship tag) then you can use otp:false

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(SprinK/PhoeniX on AO3) mxtx and mha fics  |   she/her   |  hi, i don't know what I'm doing

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