Is this the only way I can touch you?
In the darkest chapter of German history, during a time when incited mobs threw stones into the windows of innocent shop owners and women and children were cruelly humiliated in the open; Dietrich Bonhoeffer, a young pastor, began to speak publicly against the atrocities.
After years of trying to change people’s minds, Bonhoeffer came home one evening and his own father had to tell him that two men were waiting in his room to take him away.
In prison, Bonhoeffer began to reflect on how his country of poets and thinkers had turned into a collective of cowards, crooks and criminals. Eventually he concluded that the root of the problem was not malice, but stupidity.
In his famous letters from prison, Bonhoeffer argued that stupidity is a more dangerous enemy of the good than malice, because while “one may protest against evil; it can be exposed and prevented by the use of force, against stupidity we are defenseless. Neither protests nor the use of force accomplish anything here. Reasons fall on deaf ears.”
Facts that contradict a stupid person’s prejudgment simply need not be believed and when they are irrefutable, they are just pushed aside as inconsequential, as incidental. In all this, the stupid person is self-satisfied and, being easily irritated, becomes dangerous by going on the attack.
For that reason, greater caution is called for when dealing with a stupid person than with a malicious one. If we want to know how to get the better of stupidity, we must seek to understand its nature.
This much is certain, stupidity is in essence not an intellectual defect but a moral one. There are human beings who are remarkably agile intellectually yet stupid, and others who are intellectually dull yet anything but stupid.
The impression one gains is not so much that stupidity is a congenital defect but that, under certain circumstances, people are made stupid or rather, they allow this to happen to them.
People who live in solitude manifest this defect less frequently than individuals in groups. And so it would seem that stupidity is perhaps less a psychological than a sociological problem.
It becomes apparent that every strong upsurge of power, be it of a political or religious nature, infects a large part of humankind with stupidity. Almost as if this is a sociological-psychological law where the power of the one needs the stupidity of the other.
The process at work here is not that particular human capacities, such as intellect, suddenly fail. Instead, it seems that under the overwhelming impact of rising power, humans are deprived of their inner independence and, more or less consciously, give up an autonomous position.
The fact that the stupid person is often stubborn must not blind us from the fact that he is not independent. In conversation with him, one virtually feels that one is dealing not at all with him as a person, but with slogans, catchwords, and the like that have taken possession of him.
He is under a spell, blinded, misused, and is abused in his very being. Having thus become a mindless tool, the stupid person will also be capable of any evil – incapable of seeing that it is evil.
Only an act of liberation, not instruction, can overcome stupidity. Here we must come to terms with the fact that in most cases a genuine internal liberation becomes possible only when external liberation has preceded it. Until then, we must abandon all attempts to convince the stupid person.
Bonhoeffer died due to his involvement in a plot against Adolf Hitler, at dawn on 9 April 1945 at Flossenbürg concentration camp - just two weeks before soldiers from the United States liberated the camp.
—Dietrich Bonhoeffer’s Theory of Stupidity
i have a few resources i look to consistently but i'm gonna plug anatomy for sculptors as One Of The Most Useful. great if you're a 3D artist, INVALUABLE if you're a 2D artist. gives you turnarounds of specific limbs/fiddly body parts like ears. great especially if you're referencing a photo and start looking at an individual part like 'wait, what the hell is going on in there'
this is almost certainly a post ive made before but when a character's grief is so strong it fully alters the form of the narrative itself... moby dick being so much longer than strictly necessary because ishmael's grief made him stall for time in the telling of the tragedy... harrow the ninth being in second person because harrow was so grief-stricken that she herself was not capable of making narrative sense of the events of the novel and so someone else had to do it.... do u know what i mean
I love this because like 99% of this kind of paleoart is patriarchal Man the Hunter type fantasies but these guys are just like “fuck it we’re outta here”
The way Ianthe performs life-extending experiments on apples, the forbidden fruit, the original sin……sexy
I’ve been thinking about the significance of names in GotG 3, and how it plays into the movie’s themes of intelligence and a being’s intrinsic worth.
Each of the test subjects’ names shows a different level of abstract thought:
Floor, seemingly capable of only very basic associations, named herself based on where she was while picking the name
Teefs named himself after a distinctive personal feature, and didn’t quite get the grammar right
Lylla picked a “real” name that she decided fit for her
And Rocket named himself aspirationally, using his name as a metaphor for the kind of person he wants to be
And the great thing is that all of these names were enthusiastically accepted by the group of friends, regardless of the complexity of thought that went into them. Because unlike the High Evolutionary, who places all living things on a spectrum from least to most evolved with only the most developed and “pure” being judged worthy of life, Rocket and his friends loved and valued each other for the beings they were.
This theme is then carried over to another naming scene at the movie’s climax: when Rocket declares himself to the High Evolutionary as “Rocket Raccoon”.
Throughout the series Rocket has taken offense to being referred to as a racoon, not wanting to be seen as “just an animal”. But in the climax he looks at a cage of baby raccoons and sees himself, not as the intelligent creation of the High Evolutionary but as the baby animal he once was, who never deserved what was done to him. And he looks at the other animals (the camera lingers in particular on a rabbit) and sees his friends, who were never as intelligent or “developed” as him but were no less valuable and important in his eyes.
And so he accepts the moniker of “Raccoon” alongside his personal name of “Rocket”, and insists that every creature on the ship be saved, not just the “higher lifeforms” as the other Guardians said. Because the truth he comes to realize is that there is no such thing as a “higher life form”: every living being has value, regardless of how intelligent, “developed”, or “evolved” they are.
While we don’t have sentient raccoons in our world, this is still a message that is so important, and so relevant to issues we face. It has takeaways for environmental stewardship and animal welfare (not as much separates us from the rest of the animal kingdom as we like to think, and it’s important to treat all living things with respect and care), as well as for issues of fascism, eugenics and disability rights (there are no types of people who are inherently superior to others; a person’s intelligence and/or level of functioning has no bearing on their status as a human being deserving of dignity, respect and self-determination).
It’s a lesson I hope we all can learn someday. Bless Guardians of the Galaxy 3 for portraying it in such a clear and meaningful way.
they/them, 20s | locked tomb brainrot
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